Zoe Bell Quotes

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When you're falling through space time has no meaning.

I don't like hitting people in the face.

If you're going to fight Tom Cruise, you really don't want to make that man bleed.

It's not until after you've been hit by a car and landed all right that the fear kicks in.

When I'm a stunt woman on a movie, I'm strictly a 'Yes sir,' girl... But acting puts more in your hands, and producing gives you more control still.

I'm not invincible.

It's always scarier saying 'No.' As an actress, I can say 'Yes' to more. But sometimes, as a stunt-woman, I have to say 'No.'

As a performer, the more I scare the stunt coordinator, the better.

I have come a long way from a girl with pigtails and acne showing up and going, 'Hey guys, I'm here! Where do you want me to fall over?'

I stepped away from stunts and into acting right around when stunt people started getting put into motion-capture stuff.

Basically, I'd finished doing gymnastics when I was 15, 16, but I'd stayed training because I'd just sort of loved it, and I'd met a man by the name of Peter Bell - no relation - who it turns out was a stuntman in New Zealand.

I met this group of stunt people and it was like, I had found family instantly. We're all a variety of different personalities, but whatever that mutual joy or appreciation of the work is, I'd not felt it like that before. It was, 'Yeah, I'd like to do this forever.'

When I was on 'Xena,' I remember the sound guy and the director at some point being like, you have to make sounds when you fight, and I was like, what are you talking about? You're never going to use it. But they hounded me for a good couple of hours, and basically it was, you need to act, you can't just perform the moves.

My becoming an actor was a massive shift for me, and a terrifying one.

It turns out I do okay just playing an angry self-righteous woman.

I don't surround myself with a lower quality of human.

As a stunt woman, I took it upon myself to be a bit of a jock about it. So you wouldn't see me vulnerable, you wouldn't see me hurting or sad because I was there as a professional to do my job. Nobody likes to see a girl get hurt - that's the truth of it - so I had to put them at ease so they would let me do my job.

With acting, it's my job to be emotionally vulnerable and accessible.

What I've had to learn is that I'm also fragile.

Usually, what happens with women that aren't comfortable with fighting is they're afraid of getting hurt, or hurting someone. All it usually takes to get them going is to make them feel safe, and make them feel like they look cool while doing it. And once they get a little more comfortable, they're gung ho!

I'm pretty comfortable on any set where I have something to do.

This may sound conceited, but the more predominant the role, the more comfortable I am on set.

I've always loved the collaborative side of filmmaking, and there's a lot of things I can do in the acting side of things in terms of the creating of action sequences, and coming up with ways of doing things with a stunt coordinator.

I know this sounds ridiculous, but I'm not much of a fighter.

You've just got to know yourself, and know what you're worth, and know where you're going, and know that you can always, always learn more.

One of the things I really like about TV is the family, the maintaining of the family camaraderie. Film has it, too, especially when you're on location. It's like summer camp. You'll get really close, really fast. But, then you'll have to say goodbye.

Work wise, as a stunt woman, I enjoy telly - or TV - because - and, as an actor - I kind of enjoy the urgency of it. I enjoy the problem-solving that's happening. Right now, we don't have time to rehearse for hours. And, if something goes wrong, we don't have time to shoot something else for four days until we sort it out.

I think I'm one of those actors who has come around the backside of something, you know? I came in the backdoor without even realizing that that's what I was doing.

If it wasn't for 'Kill Bill' I probably would have been back in New Zealand three months after I left, and if it wasn't for 'Death Proof' I don't think I would be pursuing an acting career right now.

When I started to trust myself to be an actor, and to be considered that way and consider myself, that is when people started to see me in that way because that was the truth then, as opposed to me being a stunt girl going, 'Please see me as an actor, please see me as an actor!' when I didn't see myself that way.

It never occurred to me that being a stunt girl would get me recognized in any way, because the whole purpose of a stunt person is to not be known.

It's not easy, acting.

As a stuntwoman, I never wanted anyone to ever feel afraid for me. I didn't want anyone to ever feel sorry for me.

I keep myself safe both physically and emotionally in my working environment by 'being one of the boys.' In my head, subconsciously, that was my safe place.

The producing thing has come quite naturally to me. I feel like for directing, I would like to be more technically-savvy. I want to have the language under my belt, and I also want it to be a project that is very personal to me, for my first one.

Yes, generally speaking, I get to do my own stunts.

I'm still nervous every time I act. I'm not when I'm doing stunts.

If you give anything less than 120% as an actor then you end up looking uncomfortable.

I am very, very painfully human.

I have done a lot of prosthetics throughout my career so I am used to it.

Raze' is a horror/action film and they asked me to get involved when it was just in the developmental stage - they also brought be on board as one of the producers and that is really what drew me to it.

For all the hundreds of scripts that are out there, there's not that many that are amazing.

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