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Sometimes when you make mistakes, if you learn by your mistakes, by golly, that's when you can really go forward.
I feel more comfortable doing films with groups of guys. It's a lot easier for me. There's a difference with women: you can't take them to dinner every night and go crazy.
All the stuff I love most in game storytelling is never the big-picture stuff; it's the stuff that feels like curlicues, stuff that's just there because it's a game and because you can do it.
The way games are designed is you create a story, and then you create an obstacle course inside that story, and the player has to endure it to see more. So it's artificial. Game designers are so intensely worried about people getting bored that they pile on busy work for players to do.
There's a sense of fiction in every video game. It creates a world for itself that you want to obey.
As a leader, I have always taught my team that changing course after devising a plan doesn't mean you give up on the mission; it just means you have to find a new path.
As the father of three daughters, I can tell you, not every kid is cut out to be a STEM graduate.
Modernity and technology are not going to mitigate the need, the reality, of face-to-face combat, and I don't care who it is - when you put a man against a woman in hand-to-hand combat, the chance is the man is going to win... This is a physiological issue, not a culture issue.
If you're a man, you're a man. If you're a woman, you're a woman. You use the bathroom of your gender. If you can't figure it out, I'm not sure I can help you.
If you look in a dictionary, the word 'Indianan' may appear. But the first task, the litmus test as to whether or not someone really is from Indiana or has spent any kind of considerable time in Indiana, is whether or not they use the word 'Indianan,' because no one in Indiana ever uses that term. We refer to ourselves as Hoosiers.
In the House, you can predictably spend roughly four to seven days back home with family.
That's the beauty of YouTube. You can take whatever you want and create a video from your home and put it up, and you're just sharing it with your friends.
That was very difficult for me on 'American Idol' to feel like I had to be a certain way. It wasn't that the producers were saying that you shouldn't be gay or whatever, but there was this unspoken energy around saying you have to appeal to Middle America, and Middle America at that point was not ready for all that.
A lot of the people who have been on 'American Idol' have unfortunately not been very successful after the show is over. I would be one of the most successful contestants to not make it to the Top 12. So that would be a good statistic to throw into the show. It's what you make of it.
I don't really know exactly what the plan is... I'm not a person that's just pursuing acting or just pursuing singing or just pursuing dancing. You know, I would love to do reality television, I would like to go back to Broadway.
Beyonce is my role model. You know how people say, 'What would Jesus do?' I always say, 'What would Beyonce do? In her career, what decisions would she make?' And I really think it helps me guide my career and be really nice to every fan and every person that I work with.
You look at the pillars of the state: politics, the media, police, lawyers - they've all got their formal role, and then nestling above that is that power elite who are networked in through soft, social links, that are actually running the show. Why didn't I know that 10 years ago, and why didn't I rail against it? Why did I become part of it?
You know, fate intervened. I went on to the DCMS committee to have a quieter life before the phone hacking scandal broke, and then ended up investigating the company that had libelled me previously when I was a minister.
If the parties get too close together they lose their identities, if they get too far apart you're not going to get a whole lot done because you almost always need to have some folks on the other side of the aisle to accomplish anything.
The argument on the other side of special rights is completely bogus. It's bogus because you could make exactly the same claim about racial or ethnic or religious minorities.
Time is the most important thing to me - how can you do all the things you want to do with such limited time… I'm hoping science of life extension makes progress.
If you knew me before Myspace, you'd probably thought I'd have been a scholar teaching philosophy in a university my whole life. If you met me before college, you'd probably have thought I'd be a musician for my entire life.
The less the camera is able to capture what you're seeing in a scene, the more editing it needs.
MySpace is so much more about culture and about creativity and expression. So in other words, you go on MySpace and you can find music, and you can find video, and things about politics, and things like that.
And I always say sign up for MySpace and see what your kid is doing. Be his friend on MySpace. Know what your child is doing online because you're going to know more there than you'd ever know when he goes to school.
It made a lot of sense to me that the music part of our site would work for filmmakers as well. They'll be able to upload clips. There will be a section where you can watch what they are doing. They'll tell where their screenings are. It took a lot longer than we wanted to because we were growing so fast.
On Friendster, if you were a band and you made a profile, they would delete it. They didn't want bands on their site.
The idea was that if it was a cool thing to do online, you should be able to do it on MySpace.
Anything you do on the Internet, I want you to be able to do on MySpace. That's the goal and ambition.
I had to be at least 8 or 9; I was listening to everything on the radio. You name it, I heard every song.
After that I didn't listen to music as much because '70s music just wasn't... I remember all the songs, but it wasn't because I was into them, you know what I mean?
I read a book recently by a psychiatrist who was able to interview a few serial killers and she had a thesis on how you could figure these people out. And she thinks that there are things that could tell you whether someone has the potential to do that.
When you're in a club or a theater or even an arena, yeah, you want visuals, you want a good light show. But Slayer has always been about the sound. We have to sound good. It has to be tight.
To fans in a festival setting it's like a picnic. You want to have a good time with your friends in that crowd. And in the background you hear the band play, 'Oh, that's my favorite song!' everyone is there to enjoy the afternoon and that's about it.
When I heard the idea of a Slayer wine, I tasted the wines they suggested for us. To be honest, I was a bit skeptical at first before I tasted it, but once I tried it, I thought, 'You know what? This is actually really good. A really fruity and round type of flavor for a red wine.' It's very flavorful and tasted awesome!
I am not an atheist; I believe in God. But my religion ends there. I have my own personal belief system that is so strong it allows me to do what I do. I don't have to worry about going to Hell because of Slayer, you know? Everyone has a personal belief system and believes in life somehow.
I think a lot of people have a misconception of what the kitchen is about, but you know the grueling part of it is also the pleasure of it. That's why I think you have to have a certain mentality to understand what that is and be able to handle it.
We have a training period; we have certain guidelines and structure. You can't hire talented people and stifle them. That's not the way it works anymore.
Like anything, you don't force kids to cook. It just becomes part of life - have them be around it, keep them informed - talk about it. I try to relay my passion for it in these ways. The second you try to force anything on your own kid, they rebel.
I enjoy the creative side of the business side of being a restaurateur. That's my thing. The thing I'm constantly thinking about is, how do you create new, interesting situations that keep people coming back?
To win power anywhere you have to convince people that you can do something for them.
You can be a smarty-pants director, but that won't matter if the movie doesn't work emotionally as well as intellectually.
Making a film is so scary, and there's such a kind of void that you're working from initially. I mean, you can have all the ideas and be as prepared as possible, but you're also still bringing people together and saying, 'Trust me,' even when you don't necessarily trust every element.
You always feel like rock critics are frustrated musicians. I envy musicians their ability to live their art and share it with an audience, in the moment.
It's very funny because every time I make a movie, and I've heard this re-echoed by other filmmakers and actors I have worked with, you kind of feel like you're naked again. You have to figure it all out from scratch, as if you had never done it before.
With 'The Elder Scrolls', you're looking at a 25-year-running franchise. It has stood the test of the 'Lord of the Rings' movies becoming popular.
I'm happy that you can play 'Morrowind' now on an Xbox One, as it's backwards compatible.
I think streaming technology is definitely coming, and it's gonna make people's access to games infinitely easier. You've seen it happen to music and movies, and I think it's a great thing.
When you start over and jump into new tech, you don't know what the negatives are going to be until you go through a few cycles. We're always changing our tech, but we don't wholly destroy it with each game. We're taking parts out.
'Minecraft' is like that, where you might say to one of your friends who doesn't play games, 'Hey, just sit down and try this with me.' There are other games you might put in front of somebody and say, 'I know you don't traditionally play games, but you've got to check this out.'
You never know how your work is going to be received, and to have it be not just received by the people who wanted it or knew about it or our traditional fan base, which is pretty big, but also having it spill over to everybody who plays games, and then those people telling everybody else who doesn't play games - that's what it became.
A lot of times, when someone's going to pick up a game, it can be a bit daunting, like if they haven't played a roleplaying game, or they haven't played things in the series. We spent a lot of time on flow. How it feels to move through the world. How the game rewards you depending on which way you turn.
Your plan is not as important as your culture. That means you will run into problems that will disrupt your plan and schedule, and how you deal with that depends on the culture you have created within your team.
Don't define the game by the list of the features. Define it by the experience you want to have.
I actually grew up hearing this a lot: 'If you're an actor, you can only be an actor, and you have to just do that.' But in order to be a good actor, you have to draw on life experiences. To only concentrate on acting, you're cutting yourself off.
Vampires are pretty frightening. Knowing they can 'glamor' you is pretty weird. And you shake hands or hug them and they're cold. I wouldn't like that.
How do you deliver the best possible and affordable health care to maximize health?
I was taught that you didn't want to be part of the group - that it was better to do your own thing.
I remember that when I got to NYU, everyone was writing scripts. But I was 18 at the time, and when you write a script, so much of it is about what you pull from life, and this sounds sort of cheesy, but I felt like I didn't have enough life experience at that point to write a movie.
The worst thing you can do as a comedy director is be on set and think of something ridiculous, or an actor comes up to you with something ridiculous, and you say 'No, no that's too much.' Let's not worry if that's too much, let's shoot it, and then decide if that's too much when we see it.
I like - there's a better word for it, but I like the danger that a comic brings to a role. It has a feeling, even though everything's scripted and everything's planned what you're going to do. When I see Will Ferrell or Sacha Baron Cohen, there's a feeling that anything could happen.
I tend to make movies about my peer group. I couldn't see myself now going back and making a movie about a bunch of college kids, necessarily. I kind of always operate in the things I'm observing around me, whether it's friends having babies now in my life or what have you.
I think comedy directors tend to feel a need to justify the bad behavior, and I just never think that. I like bad behavior, I've always liked bad behavior, I'm a fan of bad behavior, and I don't think you have to justify bad behavior.
You can't tell me that all the wars we are fighting are in America's national security interest.
Sometimes you could tell what it was about - it was interesting - and sometimes it was quite obvious that someone had lost it and it was on an endless loop.
You do have a modicum of peace of mind here, but it's as unsettled as any other place.
It's the only way that YOUR life is gonna have any value to you. If you're just living the same life that everybody else is living what's the point?
I've got billions of sparrows to worry about as well as everything else'. So there's the whole idea that whatever it is that you believe, it can never be valid unless you have some consensus reality demonstration.
It is true that the movie is perhaps my most politically-charged. The story is thrust into motion by the idea of what do you do when your 13 year old daughter comes home pregnant. And not only is she pregnant, but she wants to keep the baby.
As Mark Weiner puts it, whether you gain 50 pounds or lose 50 pounds, whether you have a sex change operation for that matter, that it doesn't matter, that there is some part of ourselves that we cannot escape.
When part of what you're trying to get at is the truth hidden under a taboo, or when you want to nail a hypocrisy, laughter is a very useful tool. I want to show the painful side of existence, but there is no question I also want to make people laugh.
With Storytelling, at least, it's explicit: this is what the censors say American citizens, no matter what age, are not permitted to see, even though it can be seen by other people all over the world. I suppose you could call it a political statement.
There's no reason why you can't deliver a grammar-school curriculum to an all-ability intake.
You know when you tell a self-deprecating story at a dinner party, everyone's laughing along with you? But then when someone else repeats that same story at another dinner party you feel they're all laughing at you?
People love that you're human and that we're frail and we face the same situations. Honesty tends to communicate with people better than standing up there like you have an 'S' on your chest.
You know, don't tell anybody I'm a jail bird, you know, but there were a bunch of us that were years ago involved in the pro-life movement.
Now an embryo may seem like some scientific or laboratory term, but in fact the embryo contains the unique information that defines a person. All you add is food and climate control, and some time, and the embryo becomes you or me.
I mean, I guess I started during the comedy boom, so it was literally like, on Sunday you could decide you wanted to be a comic, and on Monday, you could be on stage.
If you see me at a restaurant, blow me a kiss, wave, blow me another kiss, then walk five steps backward.
No matter how well you do, no matter how successful you are, they're always going to criticize you.
Piano is one of those instruments you don't have to be good at to sound good - you just have to know where to put three little fingers, which is really pretty easy to figure out.
I often compare my voice to an old car you're only 50% sure will turn on when you need it to.
I've never been a soldier. In Denmark, at 18, as a male, you go in a draw, and if they pick you, you go and serve for a year. I didn't.
Being part of something that's growing fast is better than being part of something that isn't growing fast because opportunities are essentially everywhere, and you're not competing for something.
Once you've made peace with the fact that you're hardly ever going to work on anything that you're actually good at, the only thing that you can do is get good very fast on everything you have to do.
I've been really lucky to have had a variety of roles, and I don't think I'm in danger of being typecast as the romantic lead. I think there's honour in working as constantly as you can. That isn't easy. And I'm no matinee idol.
I love little theatres because it's very intimate, and you can have a very easy rapport with the audience. Everyone's in the same room.
I suppose that's why we watch dramas: to see the stuff that in real life you'd end up in prison for.
There's a joy in writing short stories, a wonderful sense of reward when you pull certain things off.
You have to be kind of clued into them, they are a world of their own, and most people find them disappointing because the best short stories are not constructed like novels.
Because the more you write the more you're aware of the weight of your tradition and the difficulties of the form and the more you have already done that you do not want to do again.
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