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The language that we use now impacts on the ability to vote, it impacts on the marketplace; instead of making things clear, it makes it more confusing. I think we need to stop using neutral language and speak in straighter terms. So when you agree to something, you actually get what you agreed to in the first place.
I think you can separate yourself from your fears. You know what you should do, and it's just scary to do it. But I'd hate to let the fact that I'm scared to do it make me not do it. It ends up defining you. Because the moves you make are then based on what you don't want to do.
I love acting, every job is a dream job when you're an actor. I'd like to do eventually more film work and to collaborate with the best actors and directors in film.
To see your friend's dreams come true, there's really nothing that can make you happier.
I'll turn on the TV or look at a magazine, and it's like, 'Who is this person?' And you find out they are from '16 and Pregnant,' and I'm like, 'Really? They're celebrities now?' You read about them on the news having fights and breakups, and I think, 'Well, of course.'
If you really want to get in shape, you can't have those days where you feel weak.
We've seen some insane signs: 'Is that a loaf of bread in your pocket, or are you just happy to see me?' Funny stuff along those lines. Very original. One just said, 'I will do unspeakable things.' I thought that was very interesting - and mildly terrifying!
Video game voicing is absolutely different from cartoon work. In cartoons, you're almost always there with the entire cast, and the entire script is acted out in sequence. With video games, it's you by yourself, in a room with a script you just got when you walked in.
I've learned that being a superhero isn't all glitz and glamour. We think if we have a special power, our problem will go away. It's just a new set of problems. Being a superhero alienates you and separates you from humanity. As Spiderman famously said, 'With great power comes great responsibility.'
Acting is reacting... there's a magic when you're working with another actor. With voice acting, you're doing it alone, all in your head. So, you have to re-create that essence by yourself. It's not necessarily more difficult. It's just a different set of skills.
I'd love to do live-action superheroes. And you know, I boxed for several years. I have some martial arts experience.
Life seems terrible and disappointing, so you need to find something you need to make you stick around. Music that makes me happiest is the saddest music, with the most emotional feel.
If you're an entrepreneur, and you have a choice to go to a place where there are 250 VC firms or somewhere else where there might be one or two, you're gonna go where all the money is.
You know you've built a product that can hit the mainstream when your wife, your father, and your mother-in-law can get involved.
In this industry, you're so used to heartbreak because nine out of 10 times, you don't get what you want. But, that one out of 10 times, you do and it's just the best feeling in the world.
You can never predict what an audience is going to respond to and what they're going to watch.
Once everyone else around you starts to become incredibly comfortable - if anything, quite happy with what you are doing - then I start to settling in and trusting all those choices that I've made up to that point.
I do know that I love placing my stories in Michigan because, if you collect all the ideas, it turns the whole state into one kaleidoscopic, frightening place. Michigan as house of horrors.
It's refreshing, if you ask me, to have lengthy conversations with clear, brilliant minds about books, art, and what ought to happen next and how. I love it.
I didn't get a formal introduction to horror until right about the age of 12, when my uncle showed me 'Twilight Zone: The Movie.' When you're 12 years old, and you see that - oh, God. I devoured as many horror movies and novels as possible.
I think some horror authors are trying to scare you, but with me, I'm as scared as the reader is of the story. I've always been that way, since watching the 'Twilight Zone' movie - watching 'Firestarter' when my parents were out, or sneaking out to watch 'A Nightmare on Elm Street' at a friend's house because I couldn't watch it at my house.
I can't imagine writing a novel without some sound. When you're facing a few hundred blank pages, silence can be cold.
You can't even look outside because everything's so crazy, especially in America. And I live in Detroit! There's the economy, and the fact you can't even open your door any more without going nuts.
People ask what it's like playing Prince Charming, but it's not something you really think about when you go to work.
If you're lucky enough to work with great actors and creative people, they're always just going to be who they are, so I don't think there's a difference between the Brits and the Americans.
Finally, you get the job, and you think you'll be dancing on the ceiling, but I just wanted to go take a nap. It was just like a weight had been lifted off or something.
It's hard to be in the limelight and write songs that cater to fans that have expectations of you. We just want to write songs that we love, but all the different people with different ideas coming in make it difficult. We have to ask ourselves if we're writing for the most important people: the fans.
One day I said to my dad, 'Are you disappointed that I'm working a minimum-wage job and I didn't go to college?' I'll never forget his response. He said, 'It's not about how much money you make or what your job is, but it's more about your character. For that, I'm proud of you.'
It doesn't sound that cool to say it, but I still get nervous for any show. But it's different degrees - playing a small basement of a club versus playing a festival like Firefly or Bonnaroo. The feeling is, 'Crap, I'm about to be blasted in the face,' and once you get started, then it's like, 'OK, I've done this before. I know what I'm doing.'
The really cool thing about festivals is that you're getting to play in front of a whole lot of people who have never heard of us before. That's exciting. At the same time, it's a little bit of a challenge to capture the attention of people who have already seen a lot of bands.
You know, there's a difference between politicians and leaders. Politicians read poll numbers and compromise. Leaders do what's morally right.
With moviemaking, the audience always has to keep asking, 'What happens next?' If you have the wrong piece of music over a scene, people aren't going to get the scene. If you have the wrong camera angle, people aren't going to pay attention. That's as much a part of the process as getting people to talk to you.
In the U.S. you have a system of lobbying and influence on our policy and law makers which is incredibly pronounced. The gas industry spent $250 million getting an exemption from our Safe Water Act. Every one of those dollars is toxic; a contaminant in our political system. It disrupts the normal flow of justice, science, fact and reporting.
Watching a film should feel like you just tore a hole out of the air and the void caught fire.
When you work with people for a long time, you start to sense what they are thinking without having to communicate explicitly.
When you can light your water on fire due to methane contamination in your ground water, what else can you do but laugh?
I think what we all have to do is make this big leap towards renewables. And it has to be a solution where you're actually building the answer; and it has to be built faster than the natural gas industry can build their answer.
Hollywood is the kind of place that takes what you do well in one thing and manufactures it so the joy can be taken out of it.
The actual truth about Gad is it's one of the original 13 tribes of Israel, so you can actually trace my lineage back to, like, those guys who had, like, a hand in the Bible and have since become very famous from that. So I come from very famous lineage. Granted, they didn't have cameras back then, so none of them had TV shows.
When you're doing a show like 'The Book of Mormon,' you're completely spent by the time the show is over.
Even under the best circumstances, speaking at your own wedding ceremony is a high pressure endeavor. What even constitutes a vow? I always picture them as exclamations you bellow at the sky.
I played sports because I think it's mandatory in the greater Boston area regardless of your aptitude. It's like, well, what else would you be doing?
Why is it okay to write a work of literary fiction where horrible, explicit things happen, where you can't write a book of humor where silly, explicit things are happening?
During the wintertime in cold cities, you sometimes need a party to break through the melancholy.
When people are performing in a musical, everybody is intuitively drawn to the right pitch. You don't want to be too broad that people can't relate to it, so it has to have some grounding in the real world.
There's no half-singing in the shower, you're either a rock star or an opera diva.
As a new artist there's always outside influences trying to tell you how to make a song better for radio and how to do your hair.
My biggest blast-off hit was 'You Raise Me Up.' If you ever have a wedding or a funeral, it's a good pick.
I think that things like Twitter and the blogosphere are so instantaneously critical that I think it's actually created a bit of a culture of artistic fear to branch out too much because you don't want to be slammed.
The time period I had in my life to look like an idiot and fail, and for no one to see that, came and went when I was 17. When you have early success, people are just lying in wait.
Everybody wants to experiment, wants to explore. You should hear me at karaoke. I can sing anything you throw at me. I can do a good Dave Grohl.
I'm ruthlessly picky when it comes to the crafting of an album, the choosing of musicians, the right mikes, the right studios. There was a time when it was, 'whatever you want.' Then, as you learn a little bit more about your tastes, I don't give in to that kind of thing.
I've seen a lot of people burn very brightly and very quickly, and I think you can become overindulgent sooo quickly in this business, and so I try not to fall into any of the trappings that would affect me very negatively.
We got to see Sondheim shows, 'Phantom of the Opera,' 'Cats' and all sorts of stuff. When you're 10 or 11 years old, it's just magnificent. The story-telling, the music - it lifts you out of your seat.
You do T.V. and movies to make the money, and then you do theatre for the love of it.
This is how I feel about horror films: there's enough scary things that happen in day-to-day life. Sometimes just going and getting the mail is scary, when you open your bills. And so, sometimes I feel like scary movies are just tapping into those anxieties and magnifying them.
One of the perks of being an actor is to get to meet athletes that you respect. Especially who played before my time. Brooks Robinson is one of those athletes; they just don't make them any nicer.
Any time you get to dig deeper into your character, you welcome it, especially on a TV show.
My dad said to me growing up: 'When all is said and done, if you can count all your true friends on one hand, you're a lucky man.'
There's a touch of the gambler in anybody really competitive and somebody that's willing to concede that to succeed, sometimes you need to cut corners and to make bold choices.
There's certain things that you can do on cable that you can't do here on network TV, so then you have to think outside the box a little bit.
When you're running around and playing, it's amazing ground for imagination, and that's really the biggest muscle you need for anything in the arts. I think it's probably the biggest training I've had.
I love to teach, especially high school-aged students, because I like introducing them to the absolute basics of everything they're ever going to learn, the things I wish I had learned at that age. It's the stuff you can always go back to in terms of absolute fundamentals.
If you take 67 brush fires times 10 years, that's almost 700 right there. Those brush fires are incredibly dangerous, all those homes going down proved that.
No one I know of has ever had this experience-where you had to sit and wait and wait for a DNA test to come back just so you can write the last page of the book.
You've got people who are looking at DNA evidence and other evidence like that and they're ignoring it.
People say, 'I'm only suing for the principle of the thing,' and I reply that I can't give you principle - only money.
A life being enacted onstage is a thing of utter fascination for me. And acting, it may begin out of vanity, but you hope that it's taken over by something else. I hope I've climbed over the vanity hurdle.
The snow itself is lonely or, if you prefer, self-sufficient. There is no other time when the whole world seems composed of one thing and one thing only.
Cats seem to go on the principle that it never does any harm to ask for what you want.
Security depends not so much upon how much you have, as upon how much you can do without.
I like Frenchmen very much, because even when they insult you they do it so nicely.
When I was a child and they burned me out of my home, I was frightened and I ran away. Eventually I ran far away. It was to a place called France. Many of you have been there, and many have not. But I must tell you, ladies and gentlemen, in that country I never feared. It was like a fairyland place.
You must get an education. You must go to school, and you must learn to protect yourself. And you must learn to protect yourself with the pen, and not the gun.
When you're a French woman and you have a lot of Latin blood, you can be very dramatic. It definitely makes your personal life exciting - and exhausting.
I don't really consider myself a model, to be honest. I respect designers; I think it's another art, you know.
Remember that when you're young and your career feels like the most important thing, the most important thing is love and the relationships you have with people - boyfriend, friends and family. It's good to remember that.
Your heart weeps a little bit when you have to say goodbye to a crew you spend two months with, but when it comes to the part, when you live so close to someone for two months, it kind of fades away and then you see her again on screen later on.
When you see an Alexander McQueen fashion show, you are taken on a journey. It's surreal.
I don't want to say it's nice to see people cry, because of course it isn't, but there's something really emotional and lovely about seeing the impact you're having on someone's life.
Some set experiences are not good, and sometimes the auditioning process is not fun. There are a lot of different things about this industry that can just make you not enjoy it.
You just do the roles that you want to do and that you're lucky enough to get cast in, and then eventually you have that career. I feel like you can't control it; it just happens organically.
Once paparazzi become a reality, then things change because you become more conscious of photos.
A defensive coordinator is always going to try to throw you something different and get you out of your element, and I have to do better with the pass protection.
At the end of the day, it's not where you get drafted. It's not going to set you in stone with how good you're going to be in your NFL career. Obviously, it's being surrounded by the right people, the right coaches, how you present yourself, how you work hard.
I think that kids who are at smaller schools or don't have offers from big schools can look at my story and continue to work hard. I preach to them that it doesn't matter where you come from: it matters how you play and how you apply yourself.
If I'm fortunate enough to become a Cleveland Brown, you can expect everything from me.
The key to my accuracy is making sure my feet are set right and trying to have a more polished throwing motion, a more polished stroke, you can say. When my feet are right, my hips are allowed to open a little better, which is kind of where your accuracy comes from.
If you didn't want to believe in me, that's OK, because I'll make a believer out of you.
Obviously, I didn't get looked at and didn't get recruited by Fresno State or any other school in the nation, to be honest. It has always been my goal to go into every game and show you why you should have recruited me, why you should have offered me.
My dad has sayings for days. 'You bloom where you're planted' ties into farming, but it also sums up the ideals and morals that we have as a family by staying in Firebaugh.
There's a lot of pressure that comes with being a NFL quarterback wherever you're at, and I'm ready to tackle any situation that's in front of me.
Coming all the way from one scholarship offer, you know, Coach Bohl and Coach Vigen, they believed in me when I came out of junior college.
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