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In the industry, once people see you in a certain mold, you start getting offered only those kind of roles.
I've always wanted to be an actor who connects with families because once they come to watch your film in the theatres, it becomes a big deal. That's how you sell four tickets at one go.
Here's a bunch of people practising a new set of behavioural norms. Apparently it didn't work because a lot of them got sick. That's the conclusion. You don't necessarily know why it happened. But you start there.
You make observations, write theories to fit them, try experiments to disprove the theories and, if you can't, you've got something.
You can't ask your pharmacist to stock larger quantities of potassium nitrate because you want to make a bigger rocket.
Day-to-day concerns really trumped big dreams for quite a while in my life. I was so freaked out about money. And until, honestly, I was in my early thirties and made 'Girlfight,' that anxiety was a real issue: How are you going to live? How are you going to survive?
The campaign trail can be super ephemeral in that you travel so long in a row that all the days kind of blur together, and it can be hard to lay down markers to remember where you were.
When you cover the White House, which I've done on and off, it's relatively straightforward - everything the president does is news.
If you listen to a Deadmau5 record or a Skrillex record, I really enjoy that stuff because, as aggressive sounding as the Skrillex records are, they're still musical, and that's why they have such a broad appeal.
When you go see a good DJ, you'll know it, man - you'll know it in your bones. Between the guy who's phoning it in and the guy who's obsessively working it to give you the best show of his life.
To do more of a concert thing, it takes so much preparation. You don't just show up and wing it. You're putting countless hours in the studio, not just to write and produce stuff, but to come up with edits and special things for the show.
I love a great melody and wonderful lyrics that speak from the heart, and my music has that and speaks about it; but there's just something that was really raw and energetic about the early House music. It's hard to describe. It's like you had to go to these parties where the stuff was being played on these huge sound systems to really feel it.
If you really want to diminish a candidate, depict him as the foil of his handler. This is as old in American politics as politics itself.
You may be right that people say: 'You know what, we had Obama. He was inexperienced. The guy had great rhetoric, sounded good, looked good, but has turned out to be an utter disaster. I want someone where I have confidence and credibility that they're up to the job and that I can trust what they tell me.'
But, look, Washington is a town that creates myths for its own existence and its own amusement, and I was a subject of myth, sort of like Grendel in Beowulf - you know, not seen very often but often talked about.
You need to look at Congress as having a certain capacity. Now, the capacity varies from year to year and from body to body, but there is a finite amount of things that Congress can attentively do.
Andy Clark has several books you can find on Amazon, including 'Natural Born Cyborgs' and 'Being There.' I particularly recommend 'Being There' to anybody who still thinks the Cartesian separation of mind and body should be taken seriously.
If I want to speculate wildly about the future, I have my science fiction. Anybody who tells you they can predict the future is either crazy or lying.
To make the child in your own image is a capital crime, for your image is not worth repeating. The child knows this and you know it. Consequently you hate each other.
But with exquisite breathing you smile, with satisfaction of love, And I touch you again as you tick in the silence and settle in sleep.
That's always an interesting concept when you try to make your dream into a reality and you come up against the facts of exactly what it is you're attempting to do.
It's such a small industry here you inevitably end up working with the same people over and over again. There are only so many actors to go around, which is good for us.
I don't see a benefit in accepting every single little morsel of work that comes along because I think, in essence, what you're doing is you're raping yourself really.
There's only so much you can do until you get on set and see the aesthetics of what you're dealing with. Then you see what the other players are giving to you. It's all about the transfer of energy between different actors.
That is a big danger, losing your inspiration. When I work in film and television I try to do each take a little differently. I never want to do the same thing twice, because then you're not being spontaneous, you're just recreating something.
When you have a person like him who is going to tell you throughout the year about how to deal with little bumps in the road as the No. 1 pick, there's no one better to have than Andrew Wiggins.
When you have the chance to go against a brother of yours on the court, you're always looking at each other like, If you score, we're looking at each other. If I score, I'm looking at him.
I think the biggest thing is, you have to understand the different rules. There are so many rules that change from college to the NBA. Change of pace is a big thing, also.
Those are the ones you look forward to: going against a great, talented player, someone who's going to be in this league for a long time, who you're going to be seeing for a long time. Get a chance to go out, compete, and just have fun. Those are the fun match-ups.
I think it's just fun when you're being competitive and when you're in the game and winning.
When you're talking to legends, they've already went through this process of playing in the NBA and also living after their career is over. Being able to hear their stories, how they've had success and others have had success to get an idea of what we should be looking to do and know what we need to do is just really helpful.
The defense will tell you who shoots the ball. If it comes down to them trying to take the ball out of my hands, I trust my teammates to go out there and make every shot.
If you want to be great, there are so many talented players who have come in and out the league. But only a few of them are remembered as being great. It's because they were willing to say they don't know. And I'm willing to say that I don't know everything.
It doesn't matter to me where I play. It matters what you do at the place you play at.
Getting a casting means that a lot of people have put a lot of faith in you and your abilities, and you constantly think 'I hope I don't let them down.'
Something they taught us at drama school, and it's taken me a long time to realise it's true through practice, is that you can't put judgments on a character you're playing, especially while you're doing it.
With TV, you film something and have to wait six months to scrawl through Twitter to see what people think.
One of the joys about my job is that I've been able to constantly move and keep changing. The whole point of being an actor is you change your exterior everytime you do a new job and that's what keeps it exciting.
You need to be able to maintain a healthy voice and fit body to be able to give performances in a big theatre night after night.
If you believe in yourself and feel confident in yourself, you can do anything. I really believe that.
You learn to control every aspect of your muscles, your face, your toes, your fingernails. And that is how you tell a story, through movement.
By the end of Fashion Week my apartment is covered with makeup and clothes and shoes. Everything you can think of.
You are physically up for scrutiny by everyone and you hear everyone's opinion.
What I love the most about modeling is that it opens you a lot of different doors of opportunities and takes you to many different places, which then put you in touch with various people and cultures.
Unfortunately, modeling takes you with no transition from being a girl to being a business woman.
There is the glamour side of it, which allows you to meet great variety of people with whom you simply can have a good time, but there's also the sad side of it that drags you into a superficial and artificial world.
Remember who you are and where you come from; otherwise, you don't know where you are going.
It's a very hard and competitive business in which you have to fight every day in order to impose yourself.
The beauty comes with the balance. Everyone should find his own balance in his personal as well as his professional life. Once you do so, you will feel and look beautiful.
But if I have a lot of imagination, I could tell myself whatever I wanted, you know. I handle myself quite well. I'm kind of fascist with myself, you know. There's no discussion. There is an order. You follow it.
I had nearly finished school because I was making effort not that bad on that. But there was a law in Germany after the war. You could not make your final examination before 18, so lots of people who were late because of the way had to do it first.
I never - you know also one of the things that would save me for a man my age, it was not that easy to lose that much weight and fall down and look like something draped.
It is very kind of you to consider the possibility of my working in Pasadena, an idea which certainly is attractive, especially since it would hold out the prospect of your cooperation or advice.
Workers, comrades, and you, women of the people, let not this festival of May, the second during the war, pass without protest against the Imperialist Slaughter.
I just think we want to stay healthy, and I don't think we think about a sense of urgency. We realize how old we are, we realize we've been playing this game for a long time, but you know what? We're not done yet.
Sometimes, you follow your dreams. I say to the young people, 'If you have a dream, chase it.'
I don't know what my label is. I just think of myself as a plain forward. I like to think I have some finesse to my game, but inside the paint is where men are made. If you can't play there, you should be home with your mama.
I mean... if you're raised as a decent human being, killing somebody is against every moral thing you've ever been taught. And so, generally, in combat it's 'krauts,' the 'gooks,' the 'yanks' - whatever you want to do to try and make it so that it's not a human being.
I mean, if you're proud of what you've done when you've served in the military, well then we call that bragging. And if you are unhappy about what happened, we call that complaining. And so what are you going to do?
And I think that it's - the military has actually made improvements, so people are considering post-traumatic stress disorder as, at the least, a possible psychological problem. You know, when I was in Vietnam, it was just considered malingering. And we're making progress.
Really important books to me are the classics. I try very hard to read them well - you know, especially once I got serious about writing. So, reading Tolstoy several times - 'War and Peace,' 'The Kreutzer Sonata' - all those were really important to me.
'The Odyssey' is the great tale, and I was really taken by 'The Iliad,' so I dig into those things, and when I was a kid I didn't. You've gotta have a certain level of understanding yourself before that stuff really starts to resonate.
Saying what you believe others want to hear is, of course, a form of lying.
You can write a radical Norwegian or a conservative Norwegian. And when I changed to a conservative Norwegian, I gained this distance or objectivity in the language. The gap released something in me, and in the writing, which made it possible for the protagonist to think thoughts I had never myself thought.
Is literature more important than hurting people? You can't argue that. You can't say it. It's impossible.
When it comes to memories of that iconic type, memories that are burned into you, I have maybe ten or so from my childhood. I'm a bad rememberer of situations. I forget almost everything as soon as it happens.
The eye of God ends up inside, so that, in the end, you take care of judgment and punishment yourself.
I had almost forgotten to tell you that I have already been to the Parliament House; and yet this is of most importance. For, had I seen nothing else in England but this, I should have thought my journey thither amply rewarded.
You see in the streets of London, great and little boys running about in long blue coats, which, like robes, reach quite down to the feet, and little white bands, such as the clergy wear.
The short English miles are delightful for walking. You are always pleased to find, every now and then, in how short a time you have walked a mile, though, no doubt, a mile is everywhere a mile, I walk but a moderate pace, and can accomplish four English miles in an hour.
I've never understood the 'things to do before you die' idea. If I was ill, I'd be in no mood to have a swim with a dolphin.
When you've been on a programme called 'An Idiot Abroad' job offers aren't exactly flying in.
You know, when you're a producer, you're a bit of a lackey. You're just making cups of tea and making sure they've got newspaper, stuff like that.
Whenever a theory appears to you as the only possible one, take this as a sign that you have neither understood the theory nor the problem which it was intended to solve.
I always say 'thriller;' if they see you're a woman - and you're a blond woman - people assume you're writing about cats and romances where somebody has died.
I have a lot of men who will say to me, 'I don't read books by women, but I like you.'
When you read a book, you are letting another person distract your thoughts and work your emotions. If they are adept, there's nothing better than turning off and getting lost.
I have a few unusual fans, as you can imagine, so I try to protect the privacy of my home life.
Books are not like albums, where you can simply download and enjoy your favorite chapter and ignore the rest.
Books give us insight into other people, other cultures. They make us laugh. They make us think. If they are really good, they make us believe that we are better for having read them. You don't read a book - you experience it. Every story opens up a new world.
I think crime fiction is a great way to talk about social issues, whether 'To Kill A Mockingbird' or 'The Lovely Bones;' violence is a way to open up that information you want to get out to the reader.
I think that characters who are nice all the time and who you sympathize with can get really boring.
As for the Canadians - good actors and good directors are sometimes taken by the American market, you know, if they're good enough.
You know sometimes it's not the bigger roles that give you the most satisfaction, yeah?
As an actor, you arrive most of the time at the last minute. You arrive at the end of the process, but you don't realize it.
It had always been a dream of mine to come to New York to work. Coming to New York and looking for work is one thing, but coming to New York and already having a job and feeling like you are already part of the city has been an amazing experience for me.
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