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If you're 5' 6", just stay home. Don't pretend you're 5' 8" or 5' 9". If you want to be a beauty model, I guess that's fine, you can do glamour, but you're not going to do runway. If you're over 29 - 26, even - I would suggest you work regionally and not try to work nationally.
People should just express themselves and not worry about trends - try to use fashion like a compass, an indicator, examples of things that you can be. It's not to be taken so seriously. It's just clothes.
I don't take it lightly that I brought a life into this world. They're waiting for you every day, these sweet little angels. You have to have time for them to interact on a daily basis.
I had the most expensive haircut you can get, and I was walking around with my hair in rollers backstage, and my hair still came out looking like I was shot out of a cannon and I had just gotten out of bed.
If people decide thin is out, the fashion industry won't have thin models anymore. Have you spent time with fashion people? They are ruthless. They want money. And the one thing they know is people want clothes to cover their bodies. Unfortunately, most people aren't comfortable with their bodies.
It can get a little costly if you try and leave it until then to write songs. But you're writing all the time. You're collecting songs. I've had songs that have been collected over a two-year period for my next record.
It's not the case of turning in a bunch of songs and recording the next month. I think you're looking for songs all year long and you're writing all year long.
You're always in a different headspace when you make each record, so hopefully they're all different. You just pick up things that you wish you hadn't done on the first one.
You go through life experiences. Each record captures a different turning point in my life.
I'd only been out for, like, six months before I booked 'Insurgent'. It was my first role in America, and it was a huge movie franchise. All I'd ever hear at the time was how Hollywood treated gay men or queer men, so I was, like, 'Well, I'm not going to shoot myself in the foot before I've even started life here,' you know?
When I was a kid, people people would always say, 'Oh you look like Chilli from TLC.' It wasn't until I did 'Akeelah and the Bee' that people started saying I looked like Angela Bassett, but before then it was Chilli.
You have to understand that when things go wrong in your life, it doesn't mean you need to quit. It means you need to get stronger and change your plan.
I'm a mash-up of everyone. My influences would be Michael Jackson, Brandy, Aaliyah - those types of people. So if you can imagine them - and with me taking them, and then putting my own twist and the influence on it - that's musically what I would sound like.
I never try to be too sexy. People know when you're not comfortable and trying to be sexy.
Don't depend on a guy for your happiness. You have to live your own life and do your own thing. That's when good things come around - when you do your own thing and you're not worried about a man. It will happen in due time.
There's not always going to be something out there for you, especially not a positive role, so once you get up there and start being well known, you can't just think projects will come to you. You have to start doing your own projects because if you don't, you'll miss out, and eventually your fame will be over.
As you age, you start to realize that your emotions are in your hands and not someone else's. Once you put them in someone else's hands, that's when you give them the power, and you can't change it. Only they can change it.
I really look up to Will Smith. He's internationally known, and people know him from everything. I don't know any kid who hasn't seen and liked Fresh Prince, or you'll like one of his movies or his music. He's perfect, and he's done everything. That's my dream: to be internationally known.
I love competing. I love a challenge. I love going in and showing people what I can do, proving to them that I can get this part, that I can give you what you want.
After that I got an agent and went on like a million auditions. You win some, you lose some.
After that, I started going downtown and doing a lot of theater shows in Chicago. When you go downtown there, it's like you're in New York, it's like going to Broadway.
Invisible Boy was fun. Everybody else's character, they knew where they were at already as a superhero. But invisible boy's character, you kind of grow up with him within the movie.
You could do a scene that takes 15 hours, but in the movie, it's only 10 minutes. The scene where they put the sauce poisoning in; it took eight hours.
I don't want you to feel defeated, like, 'Oh boy, why do you do this to me?' We have too many of those songs.
I was never an R&B artist. People coined me one, but that's because, especially if you're in the States, if you're black and you sing, then you're R&B.
There's a point where you think, 'What else will I do if I don't do music?' It becomes your identity when it never should have been. But food ignited a fire in me, and I came right back to music because it no longer felt like a job. It was a really powerful thing for me.
Everyone's attention span is getting shorter. As a result, everything - films, music, art - gets watered down and dumber. Every now and again, you get something great, but not often.
I don't think people know me at all. At the end of the day, if you see me in sequins and glitter out at a club, you might think that's all there is. But, you know, it's just glitter. My friends who I've known since I was 17 - they know who I am.
The music industry is a world of smoke and mirrors: they tell you exactly what they think you want to hear. And they are bare-faced lying. I tend to stay away from that.
The album 'Kelis Was Here' sucked the life out of me, and so I went off and studied to be a Cordon Bleu chef. What's great about food is that it's less about who you know and what you look like, and more about if you're any good.
The key to sauces is having patience. I'm not a patient woman, but I learned with sauces that you have to get everything on a slow roll and layer the flavors. That's where you get robust tastes: it starts one way and ends another.
At the end of the day, you can only fight from yourself. It is only you out there on that mat - but it sure helps knowing you have a great team of supporters cheering for you!
During practice, I train with both women and men. I think it's good to have a mixture of strengths because both have different fighting styles. Every person offers something different, and the more body types you get used to, the better fighter you will become.
Even in horror novels where you know most characters aren't going to make it to the end, it's crucial to have fully fleshed-out characters. If you don't do that, the reader doesn't care what happens to them.
Reviews are great. I can read negative reviews and say, 'You know that point they made... they were dead on.'
Going to work is probably my favorite thing to do. I do that five days a week for probably ten hours a day, but it doesn't even feel like work and it shouldn't. When you enjoy a job so much like I do, it's not work, it's play.
It's a luxury being able to work every day in the streets of Manhattan. It doesn't get much cooler than that. When you move to New York, that's exactly what you dream of. And I'm doing it.
I went down for a week with the Houston Marshals. I didn't know that they hated paperwork as much as I hated it. They loathe it, man. They want to be in their cars catching the bad guys. They don't want to be filling out paperwork about the bad guys, you know, and the ones they've caught.
The rare person is still interested in new advances when they are adults. There is possibly a correlation with intelligence. In any case, you have to be fairly bright to keep learning and changing attitudes as you get older.
Fighting hard to protect yourself and your relatives is good for your genes, but when captured and escape is not possible, giving up short of dying and making the best you can of the new situation is also good for your genes.
Could people be trained to be less gullible? Or are you as stuck with gullibility as you are with skin colour?
Acting is really not what I'm interested in. I'm not an aspiring actor and you should be able to tell.
You never know what's going to happen the rest of the way. You can't predict. You don't know what Montreal is going to do to us this weekend, and you don't know what the Cubs are going to do to the Cardinals.
I played football in the fall when I was in high school. Then basketball, a different conditioning - you're running up and down the courts. Then you come into baseball, you're doing a sprint to hit a triple.
The one thing you can't ever forget - the playing field is the property of the players and the coaches. It is not to be used by some fat-butted announcer trying to make a name for himself.
Jazz is there and gone. It happens. You have to be present for it. That simple.
If you already have a piece of music ingrained in your body, why would you not play it?
When you're up against an electric band like that, it's like you're on two separate planets.
I'm not talking ideas, or even presentation. It's like in politics: You have to sell something to become an electric player - like your skin or your heart.
One thing you learn: if you want to reveal yourself, you also have to know where to stop.
We accept so many things that come through the media; we get used to them, however vigilant we are. But for any creative art, you have to remain 110% conscious, and in a world that's losing consciousness, that's getting harder.
You know, when people look at a tree, they look at the leaves; they don't look at the spaces between the leaves. They're focused on the tree. I think there's an awareness of spaces or it wouldn't look like a tree to them.
When you're on stage you have a very strange knowledge of what the audience is. It isn't exactly a sound - it's a hum, like the streets.
I wanted to create an experiential film that was immersive... I wanted you to feel like you were there.
When you make the decision to call somebody out of the blue and say you want to talk to them about the worst thing that has happened to you, and I'm going to turn it into a cartoon... you're bound to ruffle some feathers or turn people off.
In Austin, you work in anything that will pay and a lot of things that don't. The documentary filmmaker may also be a gaffer on a feature and producer for a commercial series and web host. Everyone just does a little bit of everything, and you have to because it's a secondary market.
The amazing thing about rotoscoping is that it's very malleable. Unlike green screen, where the computer subtracts out the background, rotoscoping is an additive technology in that you don't take anything away from the footage - you add layers on top of it.
My only hope to receive love is to let you see who I am, then I may believe you.
Religious work is one of the best ways to keep from facing your reality if you are Christian, if you are using it to calm the pain, because that it what all addictions are, attempts to cover the pain of this spiritual disease.
You are controlling because I want you to do it, not because of the situation or what needs to be done.
If you're going to kick authority in the teeth, you might as well use both feet.
Good music comes out of people playing together, knowing what they want to do and going for it. You have to sweat over it and bug it to death. You can't do it by pushing buttons and watching a TV screen.
You've got the sun, you've got the moon, and you've got the Rolling Stones.
Hey, we just enjoy it. I think we think we're getting the hang of this thing, you know?
If you don't know the blues... there's no point in picking up the guitar and playing rock and roll or any other form of popular music.
You don't start to play your guitar thinking you're going to be running an organisation that will maybe generate millions.
If you say I'm great, thank you very much. But I know what I am. I could be better, man, you know?
You have the sun, you have the moon, you have the air that you breathe - and you have the Rolling Stones!
To me, my biggest fear is getting a big head, and that is when I get the hammer. Because it's very easy in this game to believe you're something special.
This is the rock 'n' roll life, and you had to invent it as you went along. There was no textbook to say how you operate this machinery.
When you're supported by millions all over the world, you can either go nuts, or try to feed off the goodwill.
We've patented the idea... of using the address book as a place to declare that you like a brand. By so doing, the brand has now got your permission to send you personal messages - it could be money off offers, coupons, promotions, just information, whatever is appropriate.
The cast called her Lucy, but everyone else called her Mrs. Ball. She was honest with people. If she liked you, you knew it. If she didn't, you knew it, also.
You don't win elections by telling people what you're against. We're very good at listing things we don't much like about what the Tories are doing. But you win elections by telling them what you're for, what you're going to change, what's going to be better.
So if you want a really effective criminal justice strategy, you don't build bigger prisons, you invest money in young kids - and you accept that it's going to take years to work through, but it's a more effective strategy.
For better or worse, when I was director of public prosecutions I had to deal with every challenge that came up, and come up with an answer. Being in opposition, you're not taking the decisions; you're saying what you would do if you were in power, and that's deeply frustrating.
If you lose your job because there has been an influx of labour from another country, that is a legitimate cause for concern.
I always say, it's better to be asked why you're leaving, rather than when you're leaving.
There are potentially many offences that journalists could commit in the course of their business. It would be very unhealthy if you had a situation where a journalist felt that they needed to go to their lawyer before they pursued any lead or asked any question.
If you really probe, people are anxious about their job, anxious about their home, their children's future. Obviously it gets translated into things like immigration, but that is nothing new.
It's not everyday you get to do a pirate movie, you might as well go for it.
I don't think that you can fake warmth. You can fake lust, jealousy, anger; those are all quite easy. But actual, genuine warmth? I don't think you can fake it.
It's fantastic to have the opportunity to work abroad, and do all that, but there is a certain point where you're just like, 'Oh, I'd love to work at home.'
I find more interesting roles for women in period pieces. I do personally like watching period films; I think you can really get lost in the fantasy of them.
You already feel unsure of yourself, and then you see your worst fears in print. It really knocked me - which is why, I think, I was working, working, working, because I was trying to run away from the fact that I thought I couldn't do it.
Your private life should be private. I reckon that's a good thing that you talk about your work and you talk about what you're doing, but without having to go into how your brother's been and how your mum's been because none of that's really relevant.
I see no reason to use offensive tools unless you're defending the country or in a state of war, or you want to achieve some really important thing for the good of the nation and others.
Magic is all about directing attention. If I didn't want you to look at my right hand then I don't look at it.
Studying neuro-linguistic programming is what teaches you how to implant and extract thoughts. Mixing psychology, hypnotism and magic somewhat goes into this area called mentalism, which is what I mostly do. It's magic of the mind.
If someone is lying to you, they'll generally look up to the top right. That means that they're trying to construct an image that doesn't exist.
Anyone can learn a trick, but to make it entertaining, to put a presentation twist on it, and then to take it out there and really amaze people is a whole different ball game. You have to have some kind of a natural ability to do that, I suppose.
We all go to the gym, and we're thinking about how we look and what we're eating, but our brain is a muscle, and you have to train it!
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