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Shaheed Diwas 2026
It's a funny thing. I'll be in my home town of Columbus at a restaurant or something, and the waiter maybe asks, 'What do you do?' and I say, 'Oh, I'm in a band... Twenty One Pilots,' and he'll say, 'Cool, I'll check it out. I never heard of them.' And then I say, 'In September we're playing the Schottenstein Center,' and it's like, 'What?!'
There's so many people who have never heard of us, but I think what we've learned is you can't underestimate the power of a core fan base and people who believe what you're doing. I think they're the ultimate marketers. They're the ones promoting us.
A lot of things you do to cover up insecurities can be just as harmful to you as anything else.
There are times when we look back and think, 'Do you remember when we had to lug a piano downstairs to a basement of some venue to play for five people?' We do a lot of reminiscing. It helps us keep our heads on straight.
There's been many times when a producer will say, 'I don't think you want to say that.' We were told we shouldn't be so brutally honest about songwriting or radio or the industry.
You kind of have to celebrate the moment that you get to create something that you love that falls into the parameters of a 3-minute-and-20-second song, to try to be creative inside of those parameters.
It's hard when you put a year of good work into something and someone at the top says no, and they pull your show's title off a bulletin board and chuck it in the trash.
I think there's this new kind of character; it's a sidekick-slash-leading man role. People like Zach Galifianakis and Seth Rogen have been really successful in those roles. You don't have to be this square-jawed, chiseled, deep-voiced Superman; you can be funny and normal and put in the leading man category.
Michael Myers is a very famous character. This is the ninth movie with Michael Myers, and when you put on that mask for the first time, you get a little chill going down your spine.
When it came to 'Binge,' it wasn't my intention to get on a little soapbox and have a teaching moment. It was more, 'Here are things that have happened to me; here's what I've learned from it. If you'd like to learn from it too, great; if you just like the entertainment aspect, that's fine too.'
It's not an easy journey, to get to a place where you forgive people. But it is such a powerful place, because it frees you.
What do you spend $200 million on, with a film? I can't wrap my brain around that one.
You can never be upset with the people who forced you into your dream or up higher.
If you don't want my God here, you don't want me here either. God has been too good to me to go and try to sell out to get some money.
I know that there are a lot of people out there with stories far worse than mine but you, too, can make it. To those of you who have, welcome to life. I celebrate you.
The most important thing that I learned in growing up is that forgiveness is something that, when you do it, you free yourself to move on.
I think it's important to show a husband and a wife together, in a room, raising children, because you don't see that anymore.
What I know about me is that, in order to lead, you also have to know how to follow.
You know I don't care about what I eat. I love food so much, I can't affect the way I eat.
You've gotta have a healthy balance of keeping your eye on how much money is in your account and making sure that it can sustain a healthy, happy life.
As open as you can be about it and as willing as you want to kind of experiment with therapy, you still have to find the right person that speaks to you and feels like a good fit for you.
I've struggled a lot with therapy because it's got a stigma to it, and also, it's really gotta work for you, I've found.
The best thing about it is getting it all out there. Whatever you have on your chest, it just feels really good to talk to somebody who you have no ties to... so I think therapy is great. I think everyone should try it out.
When you play a character for so long, it's easy to get disengaged, and it becomes mundane and routine.
I was a kid that grew up in the South and was always outdoors fishing and hunting and, you know, swimming in the pool during the summer.
You have some great films every year, but for the most part, no one is making films with heavy messages or themes. People are afraid of doing that.
When you don't understand something, it's always OK to ask questions. That's really the mentality that I've had.
Everyone should feel comfortable in their own skin. Whether there are social standards set in place that act against that, it doesn't matter because the people that love you for who you are are going to love you always, and you should love yourself always.
At the end of the day, people have the right to have opinions. I have the right to have an opinion. And I have the right to say what I want on my music 'cause it's my music. If you don't like it, don't click on it, don't download it.
I'm making music that I love and I want to hear. At the same time, things like making money, making crazy money - you gotta find ways to reach to everybody but uplift everybody.
Making music is like being the president: You can't tell people you're going to make health care free to get them behind you, but when you get that role, you don't do it.
When I go home and get off tour, I'd like to have a peace of mind. I like to chill. I don't like everything to be all chaotic like how it is when I step outside, you know?
You go to Miami, and you might only hear one Tyga song on the radio. You go to L.A., and you might hear six or seven on the radio. There's certain things you do for your city.
I was the overweight kid who didn't have a boyfriend. I listened to other people say, 'You're ugly, you're fat, you're stupid,' and I believed it.
I grew up in a bubble. I just watched TV. I thought that's what you were supposed to do in life: sing and dance and act.
My first kiss was with a girlfriend. And it was at a party. I think I was hopeful that that would happen, but I didn't plan it. You know, honestly, I think if there's a little too much planning, it's almost just like self-sabotage. Because then, you want it to go a certain way and it just doesn't. And then you're like, 'Awww, why?'
I have exes I'm friends with and exes I'm not friends with. It depends on what you decide together. I do think that sometimes trying to maintain that bond can be healthier than walking away.
With acting, it's like you form chemistry with different people in different ways, so it's really added even more fun to work, you know?
You hope for the best, but it's really OK if you don't win. They say it's just nice to be nominated, and it really is.
Being on daytime TV has its benefits. You can still have a life and you know you have a check coming every week.
As a songwriter or artist, there's only so many ways you can say, 'I love you' or 'I think you're beautiful.'
I knew what I wanted to be, but I didn't know exactly how to get there. I thought you move to Nashville, you sing downtown, and someone discovers you, and you become a country music star. I had no idea.
I think, as an artist, part of your job is being aware of what's going on around you and not selling out and not following the trend, which I'm totally against.
There's certain songs that you're gonna record that you hope to touch people and change lives, and there's certain songs that you know that are not going to be that serious.
I don't think, as an actress, you want to be beautiful. It's actually a disadvantage because that's not where all the interesting parts lie.
I love film, but it's funny going to drama school for three years, where you spend most of your time training for theatre, then coming out and just doing films.
You want a career. You don't want to do a couple of good films and then your career is over.
I think I would've been a bit terrified to have gone and done a lead straight away. Obviously great if you do, but it's all about longevity.
Now, if I speak to people who want to act, I say, 'Don't give yourself a back-up.' If I had gone to university, I wouldn't be doing this job now. Having that pressure and no other option just made me work that much harder for it, because you have no other choice.
After doing 'War and Peace,' I suddenly got lots of seductress roles. It's easy to put people into a category after you've seen them in one thing that you feel fits with them. But I'm trying to make a conscious decision to do different things.
It wasn't conscious, but I'm glad I've had a slow and steady career path. I wanted to develop my style, and I wanted to be the one making the decisions. Sometimes, when you become a success quickly, those decisions are out of your control.
A lot of TV can be linear and cinematic and formulaic. What's to say that people can't be creative and surreal - and push boundaries? You can look at a piece of art and not necessarily know what it means or what the artist intended by it. It's the effect it has on you.
I was always telling girls who said that they wanted to be the 'next' Kate Moss or the 'next' Gisele that it wasn't possible, because the 'next' girl wasn't going to look like anybody else; she would be somebody unique. If you look at all the great models... they all have an individual look.
I don't understand people getting depressed about getting older. There is nothing you can do about it, so you might as well embrace it.
I don't like it when people say, 'You're 45, so you should be wearing X and never Y.' For me, dressing is about attitude, not age.
The trick is to find the style that is right for you. When it comes to trying new clothes, my advice is not to take it too seriously - it's all about having fun.
We all have bits that we don't like, but you don't have to be a size 10 to look wonderful.
My frankness has got me into a lot of trouble. I try to temper it down now. As you get older, you get wiser.
Once, I went to the premiere of a film, and the producer asked me if I liked it. I said it's crap. But I don't say that anymore. Now I say I have to think about it. If you ever hear me say that, you know the answer!
The good part about getting older is you stop trying to prove anything to anyone, including yourself. All you are in the pursuit of is collecting experiences - beautiful, fragile little soap bubbles that you store in your heart, and every once in a while you pull one out and gaze at the delicate pictures it shows you.
By the time I was in my teens, I was reading science fiction. I had this maternal uncle who had cartons of books. It's important to read because you have to fill your head with words.
When your name is Twinkle, you are a bookworm, and a fat child, then you have to be ready to be made fun of. As a child, I used my fists a lot, but then the tongue seemed like a better option. So I started using words as a sword to jab fun at myself.
I encourage everyone to pay attention to the issues that matter to you, from jobs and the economy, to education and our schools, to criminal justice reform. Whatever it is that you care about, make sure you use your voice.
I don't care what anybody else is wearing. I feel like they're all waiting to see what I have on. If you really want to know the truth, that's what I think. They're waiting to see what I'mma do next.
You rarely get money out of labels, except for when they open up a budget for a project. Other than that, it's a do-or-die type thing.
The independent route was the best move for me. But I think I've maximized everything I could do independently. I've done everything out the mixtape market. I think getting the big machine behind you is the next stage when you've maximized the independent level.
Any comic is a tragic soul. Comedy is one of the things that allows one to survive. Particularly if one has been in the process of separating off the emotions, it's one place you can process them.
I learned very early that an audience would relax and look at things differently if they felt they could laugh with you from time to time. There's an energy that comes through the release of tension that is laughter.
In those days, male dancers were a rarer breed than women. as they are still today, A good male dancer, one as strong as we were, was very difficult to come by if you couldn't afford to pay them.
It is extremely arrogant and very foolish to think that you can ever outwit your audience.
My mother was a dominant force in my life. She had a very specific idea about education, which was: you should know everything about everything. It was quite simple. There was no exclusivity, and there really was no judgment.
The necessity to constantly turn in an excellent performance, to be absolutely wedded to this dedication and this ideal means that as a child you're going to pay for it personally.
Everything I do from now on, I'll have a mustache. I can promise you that. I don't care who I have to convince. If you see me with a mustache in a movie or on stage in the future, you'll know that I pitched the idea.
A lot of modern comedies are difficult to watch too, because they're so ironic and so detached and so quote-unquote clever. They kind of keep you at arm's length. They can be really funny, but they're not really nourishing.
There's lots of problem solving in any marriage, but when you have this collective goal that is a human being, it's an inspiring rally point.
I didn't know that there was such a thing as butter carving. But then, I poked around a little bit. A quick Google search will show you 55,000 images of butter carvings, and they're extraordinary.
You know, I used to think I was a foodie, and then my wife went to culinary school and basically explained to me that I was just a guy that likes to eat.
Once you do a show like 'Modern Family,' which has been an amazing thing, and I'm so happy about it, it does make it a little challenging to do other things.
It's kind of a crazy thing with kid actors because a lot of them get hired without people really knowing if they're good or not. They get hired for the way they look at a really young age. You also have your fingers crossed around kid actors... because the lessons they learn on set aren't always the best. You can really get whatever you want.
Comedy can be fun no matter what you're playing. It always has the potential to be a blast.
The world can make an actor feel overly important. What I do isn't hard work. It's not ditch digging - which I have done, for one summer. Of course there are times when your fuel tank's low, but even on the hardest days, you are on a film set. You are doing something creative.
I have observed that baseball is not unlike a war, and when you come right down to it, we batters are the heavy artillery.
I feel like on 'Free TC,' you know, I feel like I went hard, and not enough people recognized.
I make bangers all the time, and I knew it was going to come. My mom probably used to think it wasn't going to happen. My daughter's mom thought it wasn't going to happen, and a couple of girlfriends. You just gotta keep on doing it. I'm living proof.
Everything happens at the perfect time, man. You may not realize it. But now I do.
I did a song with Rihanna recently, and I was like, 'How did you find out about me or whatever?' And she said, 'Drake.'
It's certain rappers that can really rap, that really spit all bars, so I understand why someone would say, 'You not a real rapper.' But the main thing is, if you can make good songs, who cares? So I don't know why guys be tripping on Drake. He makes great music. He's dope.
But I think it's hard for me to only put out one record a year. Because I get too antsy. But it's good I'm learning to do that, because each record counts. And you should make it count.
I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way.
There's the conforming 9-to-5-lifestyle thing. Then there's, like, settling down, trying to find a balance in a relationship sense, or having a dog and having a house. All these things, like, they're not really gonna make you happy.
I've always had problems with my brain, so a lot of the songs are about issues I have with paranoia or freak-outs. 'When My Head Explodes' is about being on stage, having people look at you and expecting you to perform, then literally your head explodes.
I love the weird overdub style, like 'The Madcap Laughs' by Syd Barrett, where you can tell it's being overdubbed and it's kind of warbly. It creates a different experience. Or the 'White Album,' where you can tell it's overdubbing. But there's something about a band in a room - it's a feeling you can't replicate. There's a feel to the music.
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