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At the end of the day, I'm the king. I'm in my throne, you know? If you want to come see me, come see me.
You know, Taylor Lautner, with a body like that, he should be taking his shirt off. For me, it's not so essential.
Coats are my favorite thing, and it's always cold in England. I'm comfortable spending a bit of money if you know you're going to be wearing it 10 years later.
With acting, I've got a character to inhabit. You've got to think about your intentions and your directions. In modeling, even though there's an act to it, a good model is a good model. For me it's uncomfortable territory. You start to feel quite insecure about yourself. There's nothing between you and the camera, and it's just you.
I like to think that at the end of a show, you can just take your costume off and go to the pub.
It's a mistake to dwell too much on the consequences of a piece of work that you're making.
Once you become the story off-screen, you are less likely to be the onscreen one.
When you make a movie with a lot of music in it, you can't always put all the songs onto the soundtrack. They just don't all fit.
I am a huge Sublime fan, and I think their music immediately puts you in SoCal when you listen to it.
One thing we see a lot is this - the idea kids have now that they don't have to go to college. They don't have to get a real job. They feel they can become 'Internet famous' by taking selfies. They think they can become a star through social media. We see that a lot. You can succeed. But it takes time and persistence.
In documentaries, the process is that you film a lot of things, and out of what you've shot, something organically reveals itself, and there's a discovery process.
The thing I really love about 'Saturday Night Fever' is that the movie is a gritty drama. Most people just remember the amazing, whimsical fantasy dance scenes, but then, when you watch it again, it's raw.
For basically three years, I was doing 'Catfish' and 'We Are Your Friends' at the same time - it was like straddling two very long-term creative marriages. And when you're in a long-term creative commitment, you tend to daydream and fantasize about smaller creative flings that you want to have.
When it comes to creating a product or running a company, you need to prioritize the goal of the company or the creation of the product over and above every personal interaction you have.
What are you? What am I? Those are the questions that constantly persecute and torment me and perhaps also play some part in my art.
Men of genius are not quick judges of character. Deep thinking and high imagining blunt that trivial instinct by which you and I size people up.
You will find that the woman who is really kind to dogs is always one who has failed to inspire sympathy in men.
I'd be lying if I said Hollywood wasn't still an ambition; it's everyone's, isn't it? You're getting paid very well, you're working with great actors and great directors - who wouldn't want to be a part of that? But it's not going to break my heart if it doesn't happen. This business is about doing good work rather than how famous it makes you.
I think that if you've got 5 million people that enjoy drama and invest in characters, you must take the time to not worry about your job and getting sacked and just go for it and hit it again.
If directors, actors and writers have the ability to drop their alpha-male egos, you will always get better work. In terms of my own demands, I actually want fewer lines. If I can lose a line and do it with my face, I'd rather do that.
If you fall in love with someone, it doesn't matter who they are. I've had lots of girlfriends who weren't in the public eye. It is hard, all the intrusion: you have a row with someone, and even though you've sorted everything out, you get the are-they-going-to-split headlines for the next ten days.
I think the fascination with zombies is that they don't obey the rules of monsters. The first rule of monsters is that you have to go find them. You have to make a conscious choice to go to the swamp or the desert or the abandoned summer camp.
That's the thing about zombies. They don't adapt and they don't think. Literally, you could have a zombie on one side of a chain link fence and you could be on the other side and they could be trying to get to you and six feet down could be an open door and they will not go through that door in the fence. That's why they're so scary.
Any survival guide will tell you, don't buy a pair of combat boots before any disaster. They'll tear your feet up. Or water - don't bring water with you because it'll tire you out and you'll lose too much fluid. Bring a water pump.
I remember I used to come up to my teacher crying because I couldn't read. She would say: 'You can do this. You just don't want to do this.'
You assume things, like whatever country has more firepower wins the wars, and that's actually not true at all.
We live in such a service-based, globalised economy where very few people actually make anything and the people who do make stuff... it's all part of a massive global supply chain. So what if all those chains were suddenly cut, how would you make something? How would you keep people alive? And that was something I wanted to explore.
You can watch 'Dawn of the Dead' and still sleep at night. Try that with 'The Day After'.
Zombies have no memories of their former life. You wont see the undead trying to wash windows or do your taxes. All they know how to do is swarm and feed.
If you get through the primary and you work very hard for three months and you're not successful, you go back to being normal. The only thing that changes your life forever is if you win.
I think the main thing is to find something you care about. A cause. I think it starts with others. Who do you look up to? Who do you want to help? Start in your own community.
Why don't I earn very much? I don't know; you'd have to ask my agent. Maybe I'm just not very bright!
If you are the coach of a national team, you have to evaluate players based on what they do on the pitch.
Each coach you have gives a little something to every player, but the one who changed my game the most was Mancini. He taught me to play more outside the area, dropping me back a bit.
There is danger involved in combat sports, but this is the purest form of competition. It's all about finding the truth. When you put someone in a cage or a ring, you're going to find out the truth - not only about your opponent but about yourself as well.
I've called all sports. I was a radio DJ, club DJ, talk show host, hockey, basketball, football; you name it, I've done it.
There would be no Mauro Ranallo in MMA, or maybe even period, to be truly honest with you... without Bas Rutten's friendship, mentorship, and just belief in my talents.
I know I'm not everyone's cup of tea, and not everyone is going to approve of me being in WWE, but I guarantee every Thursday on 'Smackdown' you're going to get the most prepared and the most passionate broadcast that I'm capable of giving you.
I was willing to walk away from my dream job, let's leave it at that. In order for me to do that, I had to be true to my convictions and what makes you a human being.
Television viewers, they've been around a long time. They've been watching this thing now for 50 years. I mean, they know exactly what's happening when it comes to television programming. You can't put anything over on them anymore.
Every show is a mess at its first preview. No one's had enough time to rehearse in costumes, traffic patterns backstage haven't been worked out, machinery weighing thousands of pounds is being operated for the first time. And, also, it's the first time all the material you've written is before the public.
Rodgers & Hart had a few flops before they clicked. You know, it happens. I don't know anyone who always gets away with everything.
For me, when you are talking about perfect songs, you're talking about Gershwin, 'Someone To Watch Over Me.' Or Larry Hart and Richard Rodgers. Or some of the great Cole Porter songs, whether it's 'Night and Day' or some of the comedy songs. Or Irving Berlin, of course.
The extraordinary thing about Irving Berlin is that he's like the American Mozart! It seems as if his songs were always there. How do you put together songs like 'Always' or 'Cheek To Cheek'? Songs of his are, frankly, perfect.
Back in the Stone Age, before there were workshops, it was a very difficult idea to get into musical theatre. Normally, you would be a chorus girl or boy and write something. People would get their start as rehearsal pianists or dance assistants.
I won't wear rings and jewelry on the stage because I don't want you looking at my hands. I want you hearing what I'm saying.
I'm singing these songs to inspire you, to keep you going, to lift you up and give you a reason to get up in the morning.
My high-school a cappella teacher would embarrass me in front of the choir. 'Mavis, you're in the basement. Mavis, you're singing with the boys.' I said, 'Mr. Finch, my voice isn't soprano. I can't sing up there with the girls.' So I just got out of the choir.
If you don't get out among the people, how are you going to know what they need to hear about?
Pops always taught us that family is the strongest unit in the world. If you stick with your family, nobody can break you, nobody can harm you. You'll always have your family.
When I come out of my dressing room, I go to my heart and say a little prayer and go out on stage. There I am, coming to lift you up and to motivate you. I want to bring joy. It's gospel, and gospel is the truth. It's what I do. I'm going to bring you the truth and lift up your spirit.
Anything is possible. No one understands how far you can push your body to the limit, and I like to play with that.
It eventually ends, and that's what I think a lot of athletes forget. It's 10 years after the Olympics, and you won the Olympics, and that's great, but no one cares.
Nothing makes you try harder than to be told that you are not good enough or that you simply do not have the skills.
Big things always interest me, but the big things don't work because they're too big. You have to find characters in which to couch all those things.
I prefer the plain and simple sentences: the ones that you don't notice because you're so interested in what's happening to the people and events that the sentences are creating.
Fashion is my passion, and I respect the creativity that you find in its different levels.
When I entered the market, I was rejected because the elite say that you have to sell things at a certain price point. My position was that the consumer is smarter than that. Who cares if it's $200, not $2,000?
Herve has that sex appeal. Certain bodies need Herve Leger badly because you have to reformulate the silhouette.
The beautiful thing about L.A. is that you have 50 countries in one county. Diversity brings power and muscle.
Yes, e-commerce is a strange situation for an old guy like me. You can buy a TV online, OK, but to buy a dress or shoes? Ugh. The customer has to go back to the store and breathe and smell and have a good time. Because shopping is a good time - like going to a nice restaurant.
You're entitled to Medicaid regardless of your income. Don't worry about your health care.
I know the problem of obesity. I got to tell you, I think that's tepid. I just don't think the bully pulpit is going to be enough to sufficiently fight obesity. We're going to have to have incentives in here.
You might lose your spontaneity and, instead of composing first-rate Gershwin, end up with second rate Ravel.
Nobody has a magic lamp which can tell you in advance whether what you say will be effective in persuading an audience.
You cannot write for children They're much too complicated. You can only write books that are of interest to them.
I write books that seem more suitable for children, and that's OK with me. They are a better audience and tougher critics. Kids tell you what they think, not what they think they should think.
In plain terms, a child is a complicated creature who can drive you crazy. There's a cruelty to childhood, there's an anger.
Do parents sit down and tell their kids everything? I don't know. I don't know. I've convinced myself - I hope I'm right - that children despair of you if you don't tell them the truth.
You know who my gods are, who I believe in fervently? Herman Melville, Emily Dickinson - she's probably the top - Mozart, Shakespeare, Keats. These are wonderful gods who have gotten me through the narrow straits of life.
People from New York have been calling, to see if I'm still alive. When I answer the phone, you can hear the disappointment in their voice.
As a kid, all I thought about was death. But you can't tell your parents that.
Don't accept that you can't make a difference. Because if you can't make a difference, you won't make a difference, and if you put a multiplier on that we will continue on an unsustainable pathway.
If you want to maintain a sustainable supply of fish you have to farm the fish, rather than mine them. So putting your money into fishing fleets that are going to exacerbate the problem by over-fishing is not the way to preserve the underlying asset.
Most of my supporters are people who actually know me. I just continue to do the best I can and I don't bother to try and respond to every little bit because the best response is just to keep on doing what you think is right.
I learn something from criticism because when it comes from sources you respect you always examine it and learn.
I have learned that music helps a lot of people survive, and they want songs that can give them something - I guess you could call it hope.
I mean, the general rule is if you're not prepared to make a mistake, you're not going to make much progress.
When you concede in less than two minutes, it changes completely everything.
Sometimes, my kids say to me, 'Ah, you played with Maradona; you played with this, or you played with that.' And they are so proud.
That is the difference from being a manager and being a player: As a player, if you sign a contract for four years, if you want to be there for four years, you are. But as a manager, it always depends on the sack. You are always under pressure.
I think people always expect that when you have a good season and expect the next season to be better, and the season after better and better.
For me, what it means to be competitive is to work hard but compete in this type of game when you need to play, you need to suffer, you need to fight.
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