You Quotes
Most Famous You Quotes of All Time!
We have created a collection of some of the best you quotes so you can read and share anytime with your friends and family. Share our Top 10 You Quotes on Facebook, Twitter, and Pinterest.
You know what I would like to do: make a film with actors standing in empty space so that the spectator would have to imagine the background of the characters.
But, you know, Cronaca isn't more innovative than what comes after.
After the $700 billion bailout, the trillion-dollar stimulus, and the massive budget bill with over 9,000 earmarks, many of you implored Washington to please stop spending money we don't have. But, instead of cutting, we saw an unprecedented explosion of government spending and debt, unlike anything we have seen in the history of our country.
I've given birth to five babies and I breastfed every single one of these babies. To think that government has to go out and buy my breast pump for my babies. You wanna talk about the nanny state? I think we just got the new definition of a nanny.
I think you may see again a rise at the federal government level for a - a call for the federal constitutional amendment, because people want to make sure that this definition of marriage remains secure, because after all, the family is the fundamental unit of government.
The Constitution is government's stop sign. It says, you - the three branches of government - can go so far and no farther.
People think when you have a, quote, 'bank failure,' that that is the end of the bank. And it isn't necessarily.
You never get the role you have worked so hard for, but the dream role, the one who gives you joy, money and maybe even honor, that one just falls into your lap.
You have to be careful so you don't make your character dull and predictable. Sometimes you have to bend the script a little... The bad guys are mostly the same on the paper... A bad guy wouldn't think of himself as bad.
I know that you're better off making your own products, not just waiting for someone to hand you something.
If you are handed something, it's a blessing and a curse. Look at hip hop artists, they produced everything themselves. Even people like Robert De Niro are getting into production. Again, it's art vs. marketing. Not everyone can take the risk. You have to break a few eggs to make a good omelet.
The greatness of being an artist is the kind of ridiculous guffaw you can have at one's own misery. 'That was miserable! Now how can I write about it?'
The truth is, everybody falls into an incinerator of some measure or other. Not literally one. The question is what are you going to do with those bad times? Are you just going to let them gnaw at you?
The fantastic thing about the memorial to the Newfoundland Regiment at Beaumont-Hamel is that it's one of the rare examples where they've preserved a battlefield more or less as it was. You can see all the trenches, where the British were, where the Germans lined up.
If you look at footage of the Newfoundland Regiment, you see they are at rest and giddy and being silly with one another. Silliness is the antidote to trench warfare.
I approached writing a story for the CBC Literary Awards as a mercenary venture - $5,000 for one story, not bad. Now, how do you win it? Jurors are wading through skyscrapers of paper, looking for one story that stands out.
If you are having trouble with a story, it may not be an issue with the quality of the writing - there may just be too much of it.
You can't go wrong with major life and death stories when it comes to a competition, so I thought I'd have a go at writing one.
When you join the army, you are asked to lay down your life for your country. That is a tremendous oath to take. In return, a good country should offer that soldier every possible means it can to allow that soldier to stay alive and, upon return, healthy - both mentally and physically.
Beaumont-Hamel sits within a thousand acres of French agriculture. The trenches are under this blanket of grass. In the 1920s, a park was established here and trees from Newfoundland imported to encircle the battlefield so you get the feeling of being within a copse of woods.
I didn't like filtering the story through me, saying, 'Reader, you'll be safe with me. While it gets a little dangerous, it'll be okay because, after all, you're with me, because I'm a warm convivial voice. But let's be entertained by this horrible stuff.' I didn't like that.
I think it would be impossible if you had a name like mine not to get a little flack for it.
When you start being enthusiastic about whatever it is you like, that is the golden age for you.
If you do a story about a British journalist rescuing a child from Sarajevo, then Sarajevo just becomes an exotic location, and the story's about this British journalist.
Possibly the defining development of postmodern politics - naturally, an American one - is the separation of personality from ideology. If you are likeable, or at least not disagreeable, if you can strike a personal bond with the electorate, if you reassure rather than disrupt, it doesn't really matter what you stand for.
In America, the new post-postmodern politician is all about authenticity: the daffier you are, the 'realer' you must be. The more you have committed yourself to a ridiculous idea and fevered view, the more worthy you are of attention.
I can hardly tell you how boring it is to interview almost every politician among the multitudes I have ever interviewed (journalists can't say this, because if people knew how boring politicians were they wouldn't read what we write), how dead the conversation feels, how bald, flat, uninteresting the message is.
Politics, which really is about the art of expression, ought to be a logical profession for writers (it's very hard to explain to politics- and policy-addicted people that language is the basis of all ideas - if you can't say it, you can't think it), instead of a refuge for lawyers and apparatchiks.
The Apple imperative is to build a system that is 100 per cent resistant to any government warrant. The data on your iPhone, no matter how swarmy, corrupt, or dangerous you are, is supposedly safe. That's also the proposition of Panamanian banking laws.
Next to financial impropriety, being charged with a reckless pursuit of women is certainly the most damaging thing you can accuse a public person of.
Unlike financial impropriety, which needs to be proven, a charge of sexual loutishness and aggressiveness in and of itself can finish you off. Does the man match the charge? To be the kind of man who would be accused of being so gross is guilt enough.
The more power you have, the more surely it will be taken from you before you are ready to give it up.
In business terms, if you take over a company and oust its CEO or fire a divisional chief, you run the place. But in institutional terms, as it happens, it doesn't at all work that way.
Fame, in Trumpian fashion, is war. You are expected to defend your fame; many people want to take it from you.
The emerging notion of the Eighties was that publicity was a currency. The old view was that if you had a currency - your talent or your product - publicity might draw attention to it. The new view was that publicity in itself, highlighting you, bestowed value.
Donald Trump doesn't necessarily stay mad for very long. He's a transactional guy. If you can offer him something, he will take it. Or from a salesman's point of view, if he's not making the sale, you're of no use to him. But if you suddenly come back into the showroom and are willing to buy, he's willing to sell.
Running for office, or suggesting you might, is no longer about being a politician but being an independent opinion or sensibility entrepreneur. You're looking for an audience to identify with you. Rather than trying to convince a majority of the electorate, you're looking to cull your particular following.
If you are identified with certain opinions and an ability to express them, and if you can build yourself an audience, a partisan fan base - measured through social media - then you are an official opinionator, monetizable through books, television contracts and the speaking circuit.
If you run for president and lose, you promote yourself into all sorts of more lucrative, possibly more influential and surely more fun media opportunities.
How advertising is handled has always been a key distinction between low and high order publishing. The higher you stood, the more separate you were from advertising, and, in the logic of snobbery, the greater a premium price the top brands would pay to be in your company.
One of the great business virtues of high publishing was that it was a difficult business to enter. You had to stand for something.
I happen to love working in cinema, but the theater is always there... you know, and I would never shut the door on it. Even though it's been quite a bit of time since I've done a play, last one was in New York.
The great thing about university is that they incline you to get up and do it, from the Classics to modern plays, to the humor that Monty Pythons made popular.
I had been in a film, playing a young British aristocrat. My wife told me that she was invited to a dinner and she invited me to dinner and the hostess had seen me and said, 'You cannot bring him.' but I think that I've done enough to shatter the image.
I think that you have to believe in your destiny; that you will succeed, you will meet a lot of rejection and it is not always a straight path, there will be detours - so enjoy the view.
I think it's hard to know. Feeling fulfilled, because actors face periods of unemployment, there is nothing worse than being at the top of your game; you have so much to give but do not have the platform to do this.
It's a question of why they come for your advice. Whatever I tell you, it doesn't matter, it is completely irrelevant in a way. I know so many actors who were discouraged and put that aside. You will get half-baked opinions.
Characters can be mysterious and you're not really sure which way they might turn at a given point.
I don't want to sell myself short. You hurt your spouse, not so much by the infidelity, but by the negative feelings about yourself that you bring home.
I think sexy is vulnerability, and there's no way you can act vulnerable. It just has to be there.
If you love your life, you have to fight. If you believe in life and progress and possibilities, you have no choice.
It's so much easier to go to the Sony movie complex when you're disabled. You take a great elevator. You get your own little private viewing area. I love it.
When you've got African parents, you go to uni, do finance, and go into accounting. But I'm not good with systems. I dropped out in my final year of college to become a Christian poet. Then went back to do my A-levels and went to uni in Birmingham to do political science and theology. I lasted 12 weeks.
Pilot season in L.A. is just this blood bath. They make so many pilots, and such a small percentage are picked up. And then if you are picked up, there are so many variables. You have to get a good time slot, and you have to get promoted. And then you have to thrive in that time slot.
As far as celebrity, people don't stop me on the street and know who I am. It's more like, 'Doesn't she remind you of so-and-so's ex-girlfriend?' It's always somebody's ex-girlfriend. Somebody ex-girlfriend who's 'crazy.'
You know how when you're alone with your cat, your cat is kind of silly and goofy and kind of crazy? And as soon as people come over, your cat is like someone you've never met before? You know, poised. That's sort of what it's like working with Jennifer Lopez.
It was weird that most people knew me as someone let go from 'SNL.' I had the best time there, and in retrospect, it was the perfect amount of time. The only thing that matters is what you do with yourself in that moment after. If you decide, 'I'm the girl who was fired from 'SNL,' you're just that.
Oftentimes, actors don't have the luxury of picking their part. You go from one project to the next, and you hope that you find one that fits you and that you're suited for, and then they see that you're fit for it.
I have a coffee mug that my dad gave me years ago that has the San Mateo police logo and my dad's name on it, so I brought it to set and used it in a scene. I mean, you don't see it, it's not prominently featured, but I just wanted that connectivity.
That's probably fair to say that there is a certain amount of pressure to deliver your next role when you do have a fan base as potent as the 'Battlestar Galactica' family. There was certainly a lot of curiosity to all of us on that show - what are you going to do next? Where can we see you next? That was a question we got more often than not.
The most important thing is to illicit some reaction, good or bad. If some people are repellent to me, so be it. If some people are attracted to me, great. At the end, that's the object of entertainment - you want to provoke a reaction.
In our economic structure, the people who work the hardest oftentimes make the least. I know migrant farm workers who do back-breaking labor every day, or Uber drivers and Lyft drivers who drive 10 to 12 hours a day in traffic. You can't be lazy doing that kind of work.
The power to remove an individual from office is reserved for the greatest betrayals of public trust, not just because you disagree with someone.
I would have to say the most challenging thing about directing is the sheer stamina because... as a director, you're always doing something. Someone always needs to talk to you. There are always decisions to be made and every day for as long as the movie goes on. So it's a marathon... You don't have to look nice, but it's all day every day.
From an acting perspective, I would say that you should always try to make your own stuff. Always be ambitious about your own projects and always know better than anyone else what you're good at.
Every actor will tell you it's so much more fun to play the bad guy because usually those characters are more complex and more broad and more interesting, and have more sides to them.
You just have to keep plugging away and if you get lucky enough to get a job, you get one.
You never know why or when the next job is coming. I actually like that. It's kind of exciting. I don't punch in. I don't have a 9 to 5 job. When you do work you're lucky enough to go to interesting places and meet mostly interesting and talented people, so it's really a great job if you can work.
I think the hardest thing about being an actor is between jobs when you don't know and wondering if you'll ever work again. It's kind of a crazy business.
I stand before you a changed man. Use me as an example of an instrument of change.
Yeah, you got the family dog and the white picket fence, and you just think that's all there is. Some of us had to grow up in poverty-stricken urban neighborhoods, and we just had to adapt to our environment. I know that it's wrong. But people act like it's some crazy thing they never heard of. They don't know.
The first day I walked into prison, and he slammed that door, I knew the magnitude of the decision that I made, and the poor judgment, and what I allowed to happen to the animals. And, you know, it's no way of explaining the hurt and the guilt that I felt. And that was the reason I cried so many nights.
What I did, you know, being away from my family, letting so many people down. I let myself down, not being out on the football field, being in a prison bed, in a prison bunk, writing letters home, you know. That wasn't my life.
Love wasn't put in your heart to stay. Love isn't love until you give it away.
Doing the instrumental thing, you're really looking for the power of the melody to carry the record.
I've been there and done all that, sold millions of records, and that doesn't bring you peace.
The intensity with which Janis Joplin sings, you simply can't find a singer like that. It's almost scary the amount of emotion and energy and passion she puts into her performance.
I was with Tina Turner when she first saw Janis Joplin, and she said to Janis, 'Honey, you can't continue to sing like that, or you'll have no voice,' and Janis' response was just to laugh and take a swig on her Southern Comfort.
I think no-one was surprised to hear that Janis Joplin was dead. She seemed to be living up all of her energy that she had to give in just a few years. Now you listen to covers of her songs by various women, and it's pale in comparison.
You've got to understand, I'd been trying to get to Victory Lane my whole career.
You know, it's funny: Over my career, I didn't win as much as I hoped, but I can look like Flavor Flav if I want to put on all my rings that I've won for different reasons.
There's a Bible verse that says if you believe, you will be in the presence of the Lord in the blink of an eye. And I know Dale was a believer, and that means that he saw his son and his friend going to win the Daytona 500, and he was in heaven all within the blink of an eye.
I always felt different as a kid, and the Kinks were like, 'Yeah, we're the Kinks.' Celebrate your difference; don't be afraid of your sense of humor, or your personality, or who you are. It emboldened me.
I was in a karaoke video in 1991, for a song called 'Sukiyaki,' which is a very famous Japanese song, and I've actually heard from people that they've been in bars in Asia where they've seen me come up in the 'Sukiyaki' video that they play behind you. I'm in that. I'm in a karaoke video.
When I was about 19, my stepmother said - because this was back in the '80s - that I had Robert Wagner's pompadour. I said, 'What are you talking about? You mean the guy from 'Hart to Hart?'
You would be amazed at the pompadour that I was rocking in the first job I had on the soap opera called 'Loving,' my first contract job.
But that was my very first time on a set and they said, you know, you have to stand on a mark. That little piece of tape that you stand on is called a mark. I kept correcting them and telling them that my name was Michael and not Mark. They said, 'No, no honey.' I was a little green.
I was fresh out of drama school and had no idea what I was doing. They hustled me along and Bill Cosby tolerated my rookie behavior. It was great. Once you have 'The Cosby Show' on your resume, you can keep going.
Soaps taught me the fundamentals of the game. You know, how to show up, hit your mark, how to be on time. That soap opera world is a microcosm of the entertainment culture.
Those three years on 'Loving' were instrumental in helping me move through the next few years of work, where it was hit or miss. I was on series that would get canceled, then I would be a movie that wouldn't come out or do as well as I hoped. You learn that you have to just keep plugging away and never take anything for granted.
When I moved to New York to act I was no good at working restaurants - hosting, waiting, bussing, dishwashing - I wasn't good at any aspect. But I did have a guitar. So I would sing 'Me and Julio Down by the Schoolyard,' but you would only hear the chorus because the train comes by every 30 seconds.
My legs have become accustomed to the treadmill. And in L.A., running on the street is asking for a distracted texting driver to knock you over.
I guess because you study the character and you do all those things. But when it comes down to it, it's still my performance, it's still my interpretation. I'm not going to, you know, be a clone - well, I was a clone of Richard Dean Anderson!
I know a lot of actors don't watch themselves on TV, but I think it's good to see how else you can improve.
Both of us played basketball, and I played tennis and my knees are done. Now if you ask us head-to-head who wins at golf, I'm asking for a couple of strokes.
Guys, we are trying to share Unique You Quotes, so you will not get to read the same things again and again on our website. You can also share your favorites on Facebook or send them to a friend who loves to reading quotes.
