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When I was 20, I thought anyone in the music business over 25 is past it. Then at 30, you think anyone still doing it at 35 is ridiculous. Suddenly, you find yourself at 48 and still doing it, so I don't know what to say, really.
I used to do all my programming on a BBC computer. It was limited to 16 tracks, and you used the keyboard, not a mouse, to input, but I was using it so long, I got quite fast at it.
With a track like 'White Christmas,' everybody has done that song in every format you can imagine, so I just looked at the chords at that particular song and what chords would make it work. That's kind of quite a sad song, and I had this idea of someone singing it in the subway, someone who is homeless, old and sad.
My doctors warned me repeatedly that if you don't stay positive, you don't do well.
I remember a time when I was younger, when if you had to see an actor, you had to go to the theatre and watch a film.
Revision has its own peculiar pleasures and its own peculiar frustrations. The ground rules are already established; the characters already exist. You don't have to bring the characters to life, but you do have to make them more convincing.
If somebody writes clearly, you can pretty much tell immediately if something is shallow or deep, whereas if they write with all this duckweed on the surface, you can't tell if the stream is one inch deep or a hundred fathoms.
The fact is that at different stages of your life, and under the influence of different inspirations, you write different things. The point is not necessarily to find your voice, which grinds out the same sort of thing again and again, but to find a vehicle for people who are far more important than the author: the characters.
I love the new Marvel films, but I am not crazy about them. It is no longer a sub-genre or a fanboy genre. It has become so mainstream. You cannot say, 'I love superhero movies.' Everyone loves superhero movies now.
You want every film that you make to do well, not just indie films in general.
Adapting a book is the most difficult thing because half the time you are wondering what to remove.
Of course, you have to think of the audience. You cannot make an obtuse film that only appeals to a small niche section of the audience.
If you're making a statement just to poke, people can see that. If you're making it to say something genuinely, people can understand that as well. They are smart enough to see the difference.
I am drawn towards the sort of characters who are in situations where they don't want to be in. But that's a staple in pretty much in any hero's journey because if you have non-reluctant protagonist then how is there any conflict?
Showrunning is when you're the constant creative voice in the show. For a year-and-a-half, you are working on the scripts, you're fine-tuning them, you're the final say on the edit, the music and the cast.
Actors love... at the end of the day, stars are actors. They love performing. And the more challenges I feel that you end up giving stars on the sets, the happier they are.
It is extremely satisfying when you finish a script, but the process of it can be just nerve-wracking.
Writing takes too much patience and it takes too much out of you for me to want to attempt it too often.
If we go back to the birth of 'Superman' and 'Batman' in America in the '30s, they were created because of events like the Great Depression, crime and Al Capone, among others. Everybody was corrupt back then, and if you can't have a hero in real life, it helps to have one in your fantasies.
I've never lived anywhere else in my life, I have a massive love-hate relationship with this city. I grew up in the western suburbs in the '80s and for everything we had to go to south Bombay - so you lived the whole city, in a sense.
If you are irresponsible as a parent and don't know what your kids are watching, that's your problem. It's not the creator's duty to create every show in a way that a six-year-old can watch it.
Bombay is the ideal microcosm of India, of that whole sense of inequality where you could have the biggest skyscrapers next to the poorest slums.
You want your film to be seen by the largest audience and stars help in facilitating that. Star-power does work.
Traveling is not just a pleasure, but it also gets you to meet so many people, experience new things in life and, in return, expand your horizon so much.
If you do a brilliant work and if the audience don't like it, what's the point.
Growing up with Koli boys is a different experience. It teaches you survival.
Every character has its priorities, its path, its trajectory. So you prepare differently for each.
As an actor, it's important to feel for the character, as you will be watched by audience, and when you start feeling your character, you share a sense of happiness and achievement.
People have started consuming very privatised content. Initially, it used to be community viewing at the cinema, where you look forward to ice cream in the interval and then on to your dressing and dining rooms. Today, it's gotten so privatised that you're watching things on your mobile phone. That is a massive amount of change.
Live as if you were living a second time, and as though you had acted wrongly the first time.
Happiness must happen, and the same holds for success: you have to let it happen by not caring about it.
If you call 'religious' a man who believes in what I call a Supermeaning, a meaning so comprehensive that you can no longer grasp it, get hold of it in rational intellectual terminology, then one should feel free to call me religious, really.
If your budget is in good shape and you are not indebted too much, you can do what the U.S. did at the beginning of the '30s - building railways, etc., but when you don't have that, you must be far more cautious.
If you allow thousands or millions of unidentified persons into your house, the risk of... terrorism will significantly increase.
Do you agree that the European Union should be able to prescribe the mandatory settlement of non-Hungarian citizens in Hungary without the consent of parliament?
Bollywood is a place which is completely free from caste, region and religion. Some people might work in the industry with the help of networking but I feel is that it's your artistic competence that gets you work in industry.
If I want to tell a story to 10 people, I don't need a star. If I want to tell it to 10,000 people, the best case scenario is you get an actor and a star.
I think Malta is great for a song. It's got very nice and narrow roads with beaches. So if you personally ask me, I would shoot action there. It can be very exciting since there's water all around and there can be boat chases. Even travel films like 'Before Sunset' can be shot there.
You come back with an actor for the second time only when you had a successful and creatively satisfying experience the first time round.
If you are a part of a family, that family does not treat you badly when you are down, it supports you to revive.
When you read the book, you paint the picture but when you adapt a book then the audience will, by and large, say the book was better and every filmmaker knows this.
When you play piano, your left hand and right hand are synced. Your brain basically has a clock, so that the right hand knows that 0.3 seconds after I hit this key, I need to hit that one. And the right hand knows not to hit keys that the left hand is playing, so the hands do not collide.
I have this dream that the first responders to 911 calls will not be law enforcement personnel but robots. Robots can put eyes and ears on the scene much faster than you can with policemen or women.
Normally, in the presence of radiation, communication links fail. But with autonomous robots, you don't need communications.
If you want a robot to maneuver aggressively, it has to be small. As you scale things down, the 'moment of inertia' - the resistance to angular motion - drops dramatically.
Clearly, humans will always have a role to play in emergency response for law enforcement. But if there's an emergency, if there's a 911 call, the question is, do you want a human dashing off to respond to it right away?
If you want India to lower tariffs and facilitate more free trade, then I think Indian producers also have a right to enter the European market.
I believe life is an 'experience ball.' You throw it at someone, it picks up their response... it grows. You play with that ball, learning what it teaches you.
Your present is shaped by your yesterday, but you don't have to advertise it.
If you go to a theme park, there will be so many rides. You will get an exciting experience in each of them. Like that, every film is an experience that entertains you. Some films will touch your heart. Some will touch you emotionally. There is nothing more than that.
Every day is different, and every wicket is different. You cannot take things for granted.
I am not thinking about World Cup and all those things. You can't play freely if you start thinking like that.
Everyone's dream is to first play for the country. Whenever you step in, you are wearing the Indian jersey and it is very special.
Every game I play, I try to make sure I get something out of that match. So as a cricketer, I feel you have to move forward and keep believing in your ability.
You just can't think of safe options always. You have to accept challenges head on.
It was a big surprise for me when they asked me to bat at three. That is a big thing. I was focussed on playing the situation. You need to be open anyway if you are playing for a team like India.
I feel it's important for anyone to adapt; you never know what kind of situation you will walk into.
If you start giving too much importance to pressure, you won't be in the present.
If you can prepare yourself to the best of your abilities and react to the situation, things will fall into place.
Sometimes you fail with the bat, and then you have to do well with the ball. When you fail with the ball, you have to do well with your willow.
The way you play, you need to talk about winning. Don't talk about keeping your card - talk about winning.
I think God has it written down for me, that without training and working hard you will never achieve desired results. All three times I have had to toil my way into the Olympics. Talking about pressure, well that is something you have to learn to deal with in sports.
An incident that left an impression on me was the 1999 sub-junior national boxing championship held in Calcutta. I had trained extremely hard to get there but got kicked out in the first round itself. 'If others can win, why can't you?' I repeatedly asked myself.
When you're representing a sport, people are more likely to judge and comment as, unlike other fields, sport permits every viewer to participate to a certain level.
I was born in Brazil and grew up in the '70s under a climate of political distress, and I was forced to learn to communicate in a very specific way - in a sort of a semiotic black market. You couldn't really say what you wanted to say; you had to invent ways of doing it. You didn't trust information very much.
The first time I worked with colors was by making these mosaics of Pantone swatches. They end up being very large pictures, and I photographed with a very large camera - an 8x10 camera. So you can see the surface of every single swatch - like in this picture of Chuck Close. And you have to walk very far to be able to see it.
I'm a product of a military dictatorship. Under a dictatorship, you cannot trust information or dispense it freely because of censorship. So Brazilians become very flexible in the use of metaphors. They learn to communicate with double meanings.
The really magical things are the ones that happen right in front of you. A lot of the time you keep looking for beauty, but it is already there. And if you look with a bit more intention, you see it.
Drawing is not only a way to come up with pictures: drawing is a way to educate your eye to understand visual information, organizing it into a more hierarchical way, a more economical way. When you see something, if you draw often and frequently, you examine a room very differently.
Who wouldn't like to give up normal life? I mean, normal life, you know, is the second worst thing to death itself. I think normality is something that makes everything very static, and I try to make my days, my daily routines, as uneven and rich as possible.
The first five minutes in Gramacho is really overwhelming because all of your senses are being attacked. Visually, too, because your eyes move and see fragments of things you recognize, but not quite, so it's very artistic. Your eyes are moving, then there's the smell, and the noise is unbearable.
I want to show that the underdog can win. I believe we're all the same: you, a slum girl, my mother.
The trouble is that in south cinema, after you become successful at the box office, market realities dictate your choice of films, and it becomes difficult to experiment.
In 'Dhil,' my character wants to become a cop, and those who want to become cops have a small waist. In 'Saamy,' where I play a cop, my waist is thicker. Because after you become a cop, that's how you look.
I enjoy fame, but I like normal, too. Going out is difficult; you are recognised, and you cannot be normal anymore... you start living in a bubble, and I am a normal guy.
If you're going to self - publish, you need to know why you're doing it, what you want to accomplish, and how you plan to implement that.
Maybe self-publishing is going to be an extra step added to publishing. Maybe what's going to happen is you self-publish a book, someone notices it - an agent? - and it goes from there into the traditional sphere.
Any perjury case is a tough case. You just don't go on 'he said-she said.' You have to find corroborating evidence.
I sometimes think that being widowed is God's way of telling you to come off the Pill.
If you behave normally, people treat you normally. It's only when you act as if you're someone special that they feel obliged to stand on ceremony.
I like writing a lot more than I used to. I used to find it scary but now I've got used to it once it gets going. I used to find it hard to start. Fear of the blank page. The first thing you write down won't bear any relation to what's in your head and that's always disappointing.
It makes no difference who or what you are, old or young, black or white, pagan, Jew, or Christian, I want to love you all and be loved by you all, and I mean to have your love.
I come before you to declare that my sex are entitled to the inalienable right to life, liberty, and the pursuit of happiness.
Denounce me for advocating freedom if you can, and I will bear your curse with a better resignation.
By what right do you refuse to accept the vote of a citizen of the United States?
It's a weird scene. You win a few baseball games and all of a sudden you're surrounded by reporters and TV men with cameras asking you about Vietnam and race relations.
It's okay saying sorry, but when you are drunk you say what you really feel.
If you have a sense of style and purpose and will you don't want to compromise.
Most people have excellent necks. Now they cover them with curtains, which is kind of ridiculous. But there are some beautiful necklines that you can cut into and create wonderful backs, as well as bone structure for the face.
It's hard to give advice. There are so many people, how do you give major advice to a group of people, it's very presumptuous.
You either create something and you keep it a secret and you die with it, or you can benefit the craft.
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Today's Quote
When it comes to setting the market values, I let that stuff take care of itself. I know my value...
Quote Of The DayToday's Shayari
कौन कहता है आईना झूठ नहीं बोलता
वह सिर्फ होठो की मुस्कान देखता है दिल का दर्द नहीं !!
Today's Joke
सर ने क्लास में पूछा : एक महान वैज्ञानिक का नाम बताओ?
लड़का: आलिया भट्ट !
सर: छड़ी हाथ में...
Today's Prayer
Many have gone beyond from their sleep, Lord. I pray that you will keep me and preserve my breath, giver...
Prayer Of The Day