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It's one thing to show your love for someone when everything is going fine and life is smooth. But when the 'in sickness and in health' part kicks in and sickness does enter your lives, you're tested. Your resilience is tested.
That is your legacy on this Earth when you leave this Earth: how many hearts you touched.
It takes strength to make your way through grief, to grab hold of life and let it pull you forward.
There is a point in the grieving process when you can run away from memories or walk straight toward them.
All I can tell you really is if you get to the point where someone is telling you that you are not great or not good enough, just follow your heart and don't let anybody crush your dream.
A show is exhausting when it stinks. It's exhausting when you have to work overtime to make something work.
I'm totally Italian, but I'm not a diva. If you could see the way I'm dressed in daily life, that's not a diva. Appearances are so not important to me.
I am in musical theatre, but it isn't necessarily what I listen to in my leisure time, do you know what I mean?
It's not easy being an actor, and having said that, everybody's an actor. Do you know what I mean? Paris Hilton's an actor, which is kind of scary. But if you want to honor your craft and yourself, strive for the nobler instincts.
I'll tell you what I think in general about people who want to make their Broadway debut that are not trained stage actors. Don't they know, Broadway ain't for sissies? It is a tough gig. You are responsible, physically, mentally, emotionally, for eight shows a week, at the top of your game. It's not easy.
If I’m successful. It’s because of hard work - not for any other reason. Everyone on the Tour works hard, you can’t be on Tour if you don’t.
You know that once you're successful, there's going to be good things and bad things that people say and, honestly, to me it doesn't really matter.
Just be you. Play golf. If you get riled up, show it. If you aren't happy about something, it's all right. Just play golf.
You know, that's one great thing about the sport we play is you know, whether it's here, whether it's anywhere else we play or whether it's around the world. A lot of the fans, they respect great golf and they want to see great golf.
You just have your teammates and yourself out there to pick you up, so just kind of shows you how strong you really can be.
Honestly, people can write anything they want about me and I could care less, but once you start writing stuff about my family, my wife and my daughter and son or my mother-in-law, then you’re drawing a line.
You don't want the world destroyed, because, you know, that's where your shoes are.
When you're 14, anything with a sword and a dragon is pretty cool. But when you're 21 and you've read 2,000 fantasy novels, you start to realize that some of those books, well, they weren't really good. OK, let's be honest. A lot of them were crap.
The problem with dragons is that everyone uses them. All the time. When that happens, they become commonplace. A lot of people think you can just throw them into a story and suddenly whatever you're writing is 28% cooler. But that doesn't work. All that does is make dragons into some boring cliche.
You've got a great chance in college to do all sorts of terrible irresponsible things, and you should totally do them. I mean, make huge mistakes. This is the time in your life if you screw up, it's okay because you can bounce back from it.
I never set out to become 'famous.' I mean, when you're 14 you think 'I'm gonna become a writer and people will want my autograph and that'll be cool,' but you grow up and you learn that's just not how the world works. I resigned myself to the fact that I would probably never be published and if I did it probably wouldn't be a big deal.
Fantasy is my favorite genre for reading and writing. We have more options than anyone else, and the best props and special effects. That means if you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead.
You can have an interesting story about a person living an interesting life. And if it's done well, that is just as engaging as the end of the world. A million people dying - we can't process. One person, we can process.
As authors, most - most authors, our art is portraying the human condition. Trying to show you what it's like to be somebody else, trying to make you feel for somebody else. That means you have to have a high degree of empathy.
The myth of writer as, like, Asperger-style misanthrope, or, like, the Jack Nicholson, 'As Good As It Gets' - it just doesn't work, because writers, in order to write good characters, need to understand people. You need to understand your audience. You need to have so much empathy you could almost encourage empathy in others.
Humans are kind of story-propagating creatures. If you think of how we spend our days, think of all the time you spend on entertainment. How much of your entertainment centers around stories? Most pieces of music tell stories. Even hanging out with your friends, you talk, you tell stories to each other. They're all stories. We live in stories.
I'm struggling with what is epic. People decided I was epic - if by epic, do you mean a big, heavy book? 'David Copperfield' is a big book - is it epic? Amount of time covered, length, drama, or story - that's the real appeal - if the story is long you have a better chance of becoming more connected.
A lot of new writers assume you have to know the where the story is going and that it flows out as molten gold. But really, sometimes you think you are going to one place, but then you decide that is dumb idea. Then you go somewhere else and it is a worse idea. But then you switch again and you might have a beautiful accident.
My grandmother always said, 'when you receive a paycheck, you always have to put a certain amount to your savings, and 10 percent right away to charity.'
If you look upon chronic diseases as an epidemic, and you see that the chronically ill are the poor, then you see that this issue of the uninsured is not really a moral but a financial obligation to change health care.
What we discovered, counter-intuitively, is that when you start killing a cancer cell, one of the things it does in order to survive is to spread even further. It causes itself to form new blood vessels. We've termed this 'reactionary angiogenesis.'
We're really going after truly creating sustainability of a disease-free state, creating a complete system for managing cancer patients for life, so that you can manage from onset of disease all the way through.
You have in the U.S. around two million new diagnoses of cancer a year, and 13 million survivors, so you have about 10,000 patients that require analysis every day. That's about five petabytes that need to be transmitted and computed on a daily basis.
I am convinced that in order for you, as a patient, to be protected, it has to be transparent, evidence-based, objective information. Not self-serving information. Not pharma-driven information. Not ad-driven information. It is transparent, objective, evidence-based information.
We know that if you just were to take the drugs that you were supposed to take for diabetes or hypertension, just take it, as opposed to not take it, we could save $7,000, $3,000 per patient per year.
You'd believe that a patient with hypertension, if you know you have hypertension or diabetes, you would take your drug every day. The compliance rate is more like 30% or 40%. Which means that 60% of patients don't take their drugs, and they actually go into these crises, end up in the hospital.
It is what you do from now on that will either move our civilization forward a few tiny steps, or else... begin to march us steadily backward.
The music business is one of a few places where everything you've heard about it seems entirely cliche, but it's true.
I think you can totally be a totally normal kid from the suburbs of Chicago and go off and play shows. It's one of those things that when you go home, you're still the nerd you were when you left, and your parents still get to yell at you about cleaning up your room, and your girlfriend still drags you to the pet store.
There's no amount of money that makes you feel better when people think of you as a joke or a hack or a failure or ugly or stupid or morally empty.
There's no first impressions anymore. You go to a job interview, and they'll probably Google you. It's a shame - people should play it a little closer to the chest as far as what information they release to the world. If I'm angry about something, I'm not going to take to my Twitter.
Good music is good music, regardless of where it comes from. I think that's a really important thing to carry with you.
When you're a little kid, you just like music that makes you happy and is fun. As you get older, you reach college or your 20s and you decide that music should be challenging and all art should be smart. So you start to think it makes you like high art more to put down things you consider low art. I don't even think things are low art.
Everyone wants to pretend like they sprang out of the ground with an Animal Collective record in their hands and a David Bowie haircut, and that's just not the case. You discover these things gradually.
When you make art, you get really invested in it. When art happens by accident and you were just along for the ride? It's way more fun.
There's a certain fear of simplicity. I think that's the thing, when you're younger as an artist, you get this idea in your head that complexity equals quality. The more notes you're playing, the better.
I think when you're 17 and you're angry, you're angry about very short-term things. And there's nothing wrong about writing that record. It's a very real record to write; it's the realest record I could write when I was 17. The problem is, when you're 28, it's not the same thing; it can be a put-on.
As far as criticism, I don't mind critics. I mean, I wrote for 'Rolling Stone' for a hot minute. I like criticism. I enjoy criticism. The thing I don't like is cruelty for cruelty's sake. You don't have to be a jerk to say something negative. You can say something in the negative sense and have class.
If you live through the initial stage of fame and get past it, and remember thats not who you are. If you live past that, then you have a hope of maybe learning how to spell the word artist.
You can't be pregnant in leotards, and this is the last chance for us to get our bodies into the shape of concert dancers and capture it with the magic of film.
One thing I'm not going to do is chase staying alive. You spend so much time chasing staying alive, you won't live.
I dropped about 20 pounds in the blink of an eye. And then when you see it in the mirror, when all of a sudden you pull your eyes down, and the bottom of your eyes go yellow and jaundice sets in - then you know something's wrong.
How do you nurture a positive attitude when all the statistics say you're a dead man? You go to work.
You can imagine me as a kid growing up in redneck Texas with ballet shoes, tucking the violin under my arm. I had to fight my way up.
When you are a pit bull, and you love what you do and you are going to continue to grow, that talent will find its way out.
Talent deserves to be honored. Hands deserve to be slapped if you do something stupid as well, but don't take it too far.
I wasn't ready to manage straight away. You have a few players who stopped and managed a first team straight away and were successful, and then there are the other ones who take different pathways. And I think what was important for me was to understand what I really wanted to do.
When you're in youth development, you have to develop players - win or come in second. But the job where I am and the reality of our industry is to win to be successful, and that is what I have to do. I have to be successful, and I want to be successful, so we'll do everything we can do to win.
When you are 14, 15, 16, you can train every day in France, and sometimes you can train twice a day.
You train far more in France than in England. Here, we still see football as a game. Football is a job. There is still the mentality where training is at 11, you come in at 10:30, and when it is finished, you leave straight away.
When I told Arsene Wenger I was leaving, he said to me, 'I have £25m to spend on a few players.' My answer was, 'Obviously, Mr. Wenger, you are not shopping in Harrods. That will only buy you one good player.' Now I have been proved right.
Arsene always gives freedom to his players. To have that freedom is good, but if you can give them the freedom and respect the tactical aspect of the game, it will be even better.
When, in 2005, there was an offer from Juventus, I was in the Bahamas. When I came back, Arsene said to me, 'There is an offer from Juve. What do you want to do?' I understood that he was saying, 'If you want to leave, leave.'
In my time at Arsenal, we had a really good balance. We had players who were fast, players who were really strong physically, and players who were really creative. When you look at the generation of Arsenal at the moment, they may be playing better football than we used to, but they win less than we used to - so, where's the balance?
If you think about people's lives, you think about what's significant. And the things I find significant in my life are not the moments when people are yelling at each other. They're the moments when someone says something that is very poignant, but oftentimes not loud.
You don't make a fortune doing cartoons. It's a lot of fun, it keeps you busy, and it's better than a kick in the pants, absolutely. But doing voiceover work doesn't make you rich. It just doesn't.
Tick is a cartoon character, I don't know if you're familiar with him. This is the third step in his evolution. Comic book to cartoon to, now, live-action.
There's not a fortune to be made doing voiceover work unless you're one of the main voices on The Simpsons. See, there's The Simpsons, and then there's everything else.
The greatest risk is really to take no risk at all. You've got to go out there, jump off the cliff, and take chances.
So, deadpan I think just means not acknowledging for one second that you think that this is funny and clever.
I'll work with Jerry Seinfeld any day of the week. Get a nice little paycheck there, but you do it for free. It's just good to be associated with that man. He's a great guy.
I thought he was an interesting central figure, central character, one who is definitely not your typical central character figure in a film, who's easy to like. He's not easy to like. It forces you to involve yourself with what's going on.
I have heard nothing from my friends at The Family Guy. Yeah, I heard that they got picked up again and all that good stuff, but I haven't heard anything yet. But, you know, I'm very elusive and hard to contact.
And in the Second World War, you didn't just read about it in the newspapers because you weren't allowed to read it in the newspapers. It was all censored, you know? So nobody knew what we were doing.
I went to acting school, but only for nine months. If you're an actor, you know, don't really need to learn how to do it.
It doesn't work that way, you know, because most parts that you think you'd do well, most other people don't. So they offer you something - The Avengers is a good example... I fitted into that because I came from that sort of background. It's not even acting.
The only danger about websites, you know, is people who remember something you did or said thirty or forty years ago, and bring it up against you, so you're going for a job and you don't get it.
Until the year 1967, it was a crime, for which you could be put in prison, to make homosexual love to someone in your own house. If they came in and caught you at it, you could be put into prison. This has changed - I'm talking about England, incidentally.
Well, you know, I was through the whole of the Second World War and saw all my friends killed.
The very first thing you learn if you're a gentleman is that you never compare one woman to another. That's the way of all death.
No one really sees pro athletes behind the scenes. They don't know how hard they work. They don't see how you work on the basics. They couldn't possibly know. You wouldn't think that someone who hits like Alex Rodriguez needs to use a tee every day. But that's how he stayed on top of it.
You dream of your first NFL start when you're a little kid, playing football in the backyard, but until you get there, you never know what to expect.
When you play the Oakland Raiders when you're the Kansas City Chiefs, you know they're going to come out with that mentality that they're going to win. They're going to come out fighting. It's a rivalry game.
You can't have a good Thanksgiving meal without a little bit of ketchup on the side.
I think, as quarterback and as a football player, you always want to get better.
When you go into a game, and there's something that was drawn up the way it was supposed to be drawn up, and you missed the throw or the catch, as a receiver, it's something where you feel bad about that. You can always regret just missing it, but as a football player, you have to move on to the next play.
You see Tom Brady, you see Alex Smith, and you see all those guys in the pocket and how quick they are with their footwork and how they get the ball out fast. I have to get like that.
For me, it's always fun. You're playing football and living out your dream.
Not a lot of people see that when you're growing up. You don't get to see that people really have to work hard to become as good as they are.
You can have the big arm, and that's good, and it helps out in the games, but it doesn't help you necessarily win games.
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