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Not only is it not remarkable to be a single woman, there's no stigma attached. You see more and more women choosing to be single as well as happenstance.
Some days you realise that everything is a burden, both physically and mentally. That it's not about fun, but you have to deliver without a doubt. Even if you are injured.
No matter how much striking power you have got, you need to have a sense of defensive compactness from everyone.
Being in a career and going from highlight to highlight and playing a lot of matches you go through it and think it's normal when you play in front of 60,000 and you almost want to vomit in front of every game.
If Messi has the ball, he is fantastic to watch and difficult to stop. You have to double up on him, triple up on him even, stay with him constantly to block his way to the goal.
Never tackle, never go down, we've heard it over and over again. You have to try to keep Messi away from the goal and block him with multiple players while being as close to him as possible. He is too quick, too fast, too intense with the ball.
At Arsenal you are replaceable so quickly as a player, I don't want to stand in someone's way.
You never stop working, you never stop doing things because there's someone behind you - in a respectful way - who is giving absolutely everything in every single training session.
If you just protect and you have no chances on the break and you miss one chance to kill the game, then it's difficult in the Premier League to win any game.
To me, a book is a book. A novel is a novel, and you have hundreds of possibilities, options, and they may all be fine. Charles Dickens or Ingeborg Bachmann, Claude Simon or later writers. The one and only condition is that it has to be good: it has to have quality, substance, atmosphere.
Some critics said, 'Hey, why are you writing historical novels?' I say they're not historical, they're contemporary, because people walking around who lived through this, even a little bit, they carry it inside. The contemporary isn't just what you can see now.
If you're a Norwegian writer, you are not visible in the world. The door of the English language is very hard to open for a Norwegian writer.
When you are a sentence-based writer, they have to be good. They have to be really on the spot. Because when you don't have a plot, really, what shall you rely on? Just language. And sometimes I am so afraid of writing the wrong thing, I just sit and wait for the right thing to come.
I rely heavily on rhythm when I write. You should tap your foot when you read it, all the way through.
In a household tragedy, you are very much aware of being alone. It is something that is possible to grasp, and that is why it hurts so much. Because you are alone. I know a little about this.
To tell you the truth, I don't edit much at all. Most times, when I have finished the first draft, that's the book. Of course, I work on the page I am on until I am happy with it. I might even say that I try to state the landscape.
I quite like to, y'know, chill and catch a vibe where you can actually talk, as opposed to standing on the floor in the club.
I think, with any kind of Netflix show, it's quite nice at the end of - just even watching the end of Episode 1, you have that kind of moment to yourself where you're like, 'Okay, I need to see the next episode here.'
When a thing is said to be not worth refuting you may be sure that either it is flagrantly stupid - in which case all comment is superfluous - or it is something formidable, the very crux of the problem.
I don't think that you can possibly embrace the kind of joy which one who has worked with plants and plant structures such as I have over a period of nearly 40 years, how wonderful the plant laboratory seems.
I remember being this little girl missing her daddy and living so far away in France and from anything that was familiar to me. I felt so different and so isolated. When you're removed from everything that's familiar, you realize who you are.
Even though I was manically overachieving and involved in everything, I still never felt like I belonged. That's definitely affected my whole life and why I wanted to become an actor and tell people stories, because communication and feeling like you belong is such an integral part of our social fabric.
Before you approach a production entity or even a potential producer, you should write up a treatment and register your show with the Writers Guild of America.
For the most part, studio movies have huge budgets. They don't do anything under 30 to 40 million. When you have that much money at stake, you have so many people breathing down your neck.
If you are looking for a producer, try to contact established producers. Don't let the fear of theft paralyze you, or you will never get anywhere with it.
You don't go to a comedy and try to laugh. You laugh in spite of yourself. You don't just come on stage and cry. Something has pushed you to cry.
When you play someone who is an iconic figure you can't go into it lightly.
You can't look at people being crucified. Even if you know it is just pretend.
The trouble with anyone when they're unhappy or in a relationship they recognize is not working but don't know what to do about is that they can't see farther out than that. If the relationship is not working, if what was there isn't there anymore, you have to do something about it.
The thing about being an actor is that you turn into other people. You have to hide yourself a bit in order to let that other person come out.
I don't tell everyone my life history because if everyone knows your inside-leg measurement, how can you surprise them?
You need to keep on doing things you have never done before in your career. You have to have a go.
When you come to L.A. as a kid with your mom, you're lured into doing things that you think are cool and fun and a good idea, but they're cheesy and awful. And recording a pop single was one of them.
Money is... I'm very conscious of it because I have it. It's powerful, man. It can change you ever so slightly, ever so slowly, and all of a sudden you're addicted to a million-dollar lifestyle and you've got no choice but to make a bad movie.
Whereas you have someone like Houdini, who works really, really hard to get really, really famous, and then has actual intellectual ideas that he puts into the culture that stay there.
When you're watching Psycho, there' s that moment when you have a visceral reaction to watching someone being stabbed. And then you have the intellectual revelation that you're not, and that's where the celebration comes in.
The First Amendment says nothing about your getting paid for saying anything. It just says you can say it. I don't believe that if a corporation pulls all the money out of you or a network pulls their money away or you get fired, you're being censored.
If I go out to dinner with you and you order wine, I leave. I won't be around drugs and alcohol at all.
I'm a hardcore libertarian - I want everything legal - but I also believe that you have the right to free association.
I'm a big fan of huge populations of people, so you'd think with 300 million people in the country, you don't even have to please 1% to be phenomenally successful.
But it's much more exciting to make Die Hard. One of the reasons that I think that movie is so successful is it deals with those very important blue-collar relationship themes. But it's more visually beautiful to show things blowing up. It just gives you more on the screen.
Before you can read, you know the difference between a story and reality. And, of course, by the time you're old enough to do any real damage with an Uzi, you've learned that difference.
If you want to talk about magic, the stuff that blows me away is the stuff that's done close up.
You have in Vegas the most heterogeneous audience you're gonna get anywhere in the country. In Boston, Chicago, Miami, you know who goes to the theater. In Vegas, you have people who only see one theater show a year, and it's in Vegas.
No one can tell you the rules of 'Celebrity Apprentice.' No one. Donald Trump just does what he wants, which is mostly pontificating to people who are sucking up to him, while the network people try to manipulate him into making the highest-rated show they can.
Charities are really good. To a certain extent, the ones you pick are arbitrary.
If you want to turn out an atheist child, unconditional love constantly is a good way to do it.
If you spend a lot of time lying to people, you think a lot about what the truth means.
It is really funny to see people that you know acting unpleasantly just because there are TV cameras on.
Tolerance is you saying something crazy and me smiling and saying, 'That's nice.'
When you look at the actual numbers, the number of people who died after 9/11 was greater than the number of people who died in 9/11, even if you are talking Americans. But you know, I don't like to talk Americans. I want to talk everybody. More innocent people died after 9/11 because of 9/11 than died in 9/11.
This is going to sound horrible, but I don't even know how much I make in a year. It must be, you know, a couple of million dollars, a few million. I know it's more money than my dad, a jail guard, made in his lifetime; more money than I'll ever need.
Once you have somebody that is telling you, 'We are interpreting God for you,' it seems like you either agree or you don't. You either say, like Martin Luther, 'I'm going to have a direct relationship with the word of God,' or I'm going to go through a conduit of God on Earth,' which would be the Pope.
Of course you want people to notice you're back, and you're playing well just to be respected. Because I was an All-Star, a first-team All-NBA guy. But I don't need the media putting a spotlight on me.
You wanted to compete against Michael Jordan, because they were the best. You wanted to beat them. Never once in my mind, I went, 'I would love to play with him.' I was always like, 'Man, we've got to beat them.'
Jerry Sloan was a guy that I always respected, but I thought he was mean. Like, he was a guy that was just no nonsense. When coach and I got closer during the Olympics, I said, 'Coach, I always just thought you were this mean guy, but it was really nice to get to know you and your family.'
When you accomplish certain levels of success in a number, you want that number to always be a part of you. In a way, you're bringing that success with you when you're wearing it.
I was as popular as you can be - All-NBA, Olympian. You couldn't get any higher than where I was.
With Shaq, you have to let him know that he's the man. You have to do that with him.
There's the hardest thing - when you cannot be as athletic or perform at a level you really want to. Your mind is telling you, but your body is not allowing you.
Writing for Mills and Boon taught me a lot of discipline. You have to produce books in a short time scale and four a year, and it teaches you a lot.
There are two questions that you ask yourself as a writer, and one of them is, 'But why?' The question that takes the book forward is, 'What if? What if x y or z happened? How would those characters react?'
As long as you try your best, that is all that matters. You don't have to be the fastest runner or top of the class.
You always have to make sure your husband knows he isn't going to be replaced.
People often say that if you have to work hard at a marriage, then it's not naturally good, but I think that's totally wrong.
Rod and I are naturally in love, and that is what binds us together. But to keep the spark alive in your relationship, you really have to work at it.
I tell stories so only the independents do that and they don't pay you that much. I'd rather do TV or an HBO movie.
If you're not having a good time, find something else that gives you some joy in life.
We all used to collect baseball cards that came with bubble gum. You could never get the smell of gum off your cards, but you kept your Yankees cards pristine.
If you look at the old 'Mod Squad's, there was a lot of space in between our dialogue.
I advise my daughters to moisturize, moisturize, moisturize, but worrying too much about the way you look will age you.
If you join government, calmly make your contribution and move on. Don't go along to get along; do your best and when you have to - and you will - leave, and be something else.
You don't have to be old in America to say of a world you lived in: That world is gone.
If you commit a big crime then you are crazy, and the more heinous the crime the crazier you must be. Therefore you are not responsible, and nothing is your fault.
I ought to pray as much as God's on my mind, because then I'd pray a lot. All I can tell you is God is real, and so that infuses everything.
The president - every president - works for us. We don't work for him. We sometimes lose track of this, or rather get the balance wrong. Respect is due and must be palpable, but now and then you have to press, to either force them to be forthcoming or force them to reveal that they won't be.
You don't tell people who disagree with you they'd be better off somewhere else. And you don't reduce them to stereotypes; you address them as fully formed people worthy of respect. You try to persuade them.
I lived at home off and on until I was 37. I have about a million college credits. I'd worry about writing about anyone else because I'd be invading their privacy, but you can use your mom and dad and their dog for everything!
Opening myself to criticism was a big door to go through. You can be afraid about something your whole life, about being out in public where people know your name but not you, and it can cripple your ability to try new things.
When you make illustrations, you're supposed to have a subtext; you're not just communicating words - you're actually adding another story altogether.
When you look at children, they're so beautiful, and they seem so peaceful because their faces aren't all wrinkly and worried. They're like beautiful little pieces of pottery or something. You want to think they have this peace because they have no big responsibilities, but it's just not true.
I was inspired by the men who walked on the moon. It really was my inspiration, I think, you know, as a kid of 9 years old - I know I'm dating myself, but - I thought, 'What a cool job!'
I knew I wanted to be a part of NASA in any case, and so I chose my goals in education to be consistent with working at NASA even as, you know, a scientist.
To be able to float and move around and, pretty much effortlessly, do whatever you want with your body in space is pretty amazing.
Life in zero gravity is hard to simulate. We practice on the ground what we call 'the day in the life' simulations, but it's just practicing some of the tests. It can't prepare you for the fact that all of your tools float if you don't pay attention to where they are! If you don't Velcro things down, they're gonna float away.
Gravity always sucks. It really, really does. It's a big challenge just re-adapting to feeling heavy again, you know? Even my arm feels heavy. My legs feel heavy.
Everything every day here on Earth is based on gravity, and you don't realize it until you don't have it anymore.
The advice I give young people is that you have to pursue something, and you have to have fun along the way.
Space flight's good for age; I have a lot less wrinkles up here. It's a good place to be as you get older.
You see billions and billions of stars and recognize that you know some of those have planets, too, and maybe there's life out there, and this is just one of billions of galaxies... and so it gives you this huge perspective of how far we potentially have to go for real exploration.
The first time I went into space was just so much more than you could imagine or prepare yourself for.
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