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I have noticed when you get a bunch of dudes in a room together, and you just have one woman or two women, the dudes will bro out. And the woman won't get heard.
We're told all the time to give up everything for love. That's the Western notion of what love is - love conquers all, all you need is love. And there are so many different kinds of outside, conflicting pressures on women.
In Los Angeles, I drive a hybrid and live in a very simple home. Anything you do from carrying a canteen of water to starting a recycling program in your office makes a difference. Reusing what you already have has always been green - from clothes to boxes to glass jars from the supermarket.
I love the simplicity and freedom of running. A pair of shoes, and you are all set to explore new trails.
In film and theater, you know the story and the journey from beginning to end, but with TV, you can keep peeling away layers and exploring a new world each week.
If you have feelings for someone, be honest with yourself and the person you care about, but trust that there is someone out there who will love you for who you are and will stay by your side.
It's very difficult when you have $1.50 per day to spend on food and drink, but for people who live this reality, that money also has to cover medical expenses and education, fuel and shelter - sometimes for an entire family.
You are the only you. That means you don't lose roles to anybody else. There's no competition, so they either want you or they don't want you, and it's not that they wanted someone else over you.
It's a strange thing that we're actors, and we're always playing a character, and then suddenly we're at a place like Cannes, and we're getting photographed as ourselves, and you're like, 'What do you do?'
Early on, you don't have the luxury of a lot of choices. Sometimes you're forced to do things that will advance your career and not necessarily things that fulfill you artistically, but I've been fortunate to do a lot of both.
If you play a doctor on TV, you probably shouldn't try performing surgery.
Wrestling is like improv. You have to feel and sense what the other person is going to do next and respond faster than they do.
I find theater terrifying. There are no do-overs, you know? It's all happening live. You need to be in it 100 percent at any given moment, and the audience is right there. I'm really intimidated by theater, but it is my first true love. I love theater. I love that anxiety.
I think everybody, especially every woman that you speak to, has gone through periods of their life where they feel uncertain or insecure. But I've been fortunate in my own life never to have gone through extended periods of crippling insecurity.
I think you always carry a little bit of your character you've ever played with you. And I hope I'm able to carry some of Mrs. Maisel with me.
I wouldn't say that a big family is for everybody, and I've brought my kids, for example, to New York City, and I can tell you it's much harder to raise that number of kids in a city like New York than it is to raise them in rural Wisconsin where I live.
And what happens when you have a lot more kids is you gain more confidence, you figure out what's necessary, what's not, and you learn to manage your time better as a mom with kids who are over the age of 10.
I always say that my motto when it comes to children is: My job is not to get you into Harvard, it's to get you to heaven.
I always give the opposite advice of all the feminists: I say you must get your education or decide what you want to do in that regard, but then get your love life in order.
If you aren't talking to your kids about socialism, someone else is. So use car time, dinner time, tax preparation time, and time spent together at your work or small business to teach your child about the virtues of capitalism, the system of government that has lifted more people out of poverty.
When it comes to talking to your kids about economics, start early beause the progressive culture-makers are starting earlier than you think! Cartoon storylines regularly denegrate competition and other foundational principles of capitalism.
And if you think I'm conservative, my mother is twice as conservative.
If you were to ask me what the No. 1 lesson I learned from being on 'The Real World', and I challenge you to go back to the episodes and you will see that I'm right: I learned the myth of liberal tolerance.
Because a lot of people really associate liberalism and Democrats with tolerance, and I found it to be quite the opposite. They're tolerant as long as you agree with them! I felt like not only was I tolerant, I was curious and open-minded.
We are protecting civilians. We are unarmed. We are no threat to you. Please do not shoot.
It's a taboo that comes back over and over, to suggest that women can feel divided - that you can love your child and want to do everything for it, and at the same time want to put it away from you and reclaim something of yourself.
I'm particularly drawn to actors in their own little drama. I find it's that area I'm very alive to. And I don't encounter it that often. You have to be far from civilization, you have to be far from New York or London to find people who do that.
I don't think I knew that you could be a novelist. I think a lot of my students are in the same condition. I thought it was unreachable, that it was sort of dead people. It took me a long time - I think I was well into novel writing before I really thought, 'Actually, this is a valid pastime.'
I remain fascinated by where you go as a woman once you are a mother, and if you ever come back.
Some people are better at maths than others: no one thinks you can be 'taught' to be a mathematical genius. And no one thinks of teaching, in that context, as a kind of forcing of the will. But there seems to be an idea of writing as an intuitive pastime which is being dishonestly subjected to counterintuitive methods.
Shame is something you'll find a lot of - particularly Catholic - girls feel about their bodies, about their sexuality, about their diet, about anything you like. Shame is the way you keep them down. That's the way to crush a girl.
To be optimistic about something that is absolutely unknown to you is unfounded.
Society in the English countryside is still strangely, quaintly divided. If black comedy and a certain type of social commentary are what you want, I think English rural communities offer quite a lot of material.
Initially, when you start working out, it takes at least six months for the results to show.
As for the future, you can never predict it, so I don't even think about it.
You evolve with each and every film you do. In every film that I did, I learnt something or the other, and I am constantly learning and hopefully becoming better.
I think it's very important to grow as a person from the experiences you encounter in life.
No matter what strategies you make, if you don't get the right script, everything is going to go down.
Nobody gets any fun out of baseball any more. I guess a kid's crazy not to be serious about it when he's drawing down $20,000 or $30,000 a year, and any smart-aleck gag you try may be your last. But what's life without a laugh?
I jokingly say if there was one great thing about, you know, the Lebanese Civil War was that it forced me to read.
If you go through any culture that has had wars, go to the bomb shelters, and you'll hear some amazing stories. Yes, it's a necessary thing that we actually both distract ourselves and it's a way to bond.
I always say show me a storyteller who doesn't embellish, and I'll show you a bad one.
I stuck out more in an English public school than I would have had I marched in a May Day parade with the Red Army in Moscow or sashayed the Yves St. Laurent catwalk with supermodels or hunted seals with the Inuit or - well, you get the idea.
Language, after all, is organic. You can't force words into existence. You can't force new meanings into words. And some words can't or won't or shouldn't be laundered or neutered. Language develops naturally.
If you want to know whether soccer is big in America, pick a weekend, go to any park in the land, and pay attention. We're there. We've always been.
The Lebanese Civil War, 1975-1990, spanned four World Cups. It would have been a more symmetrical five had the Lebanese begun in 1974, but you know, we're Mediterranean, and timing isn't our forte.
I don't want to sound too Oprah-ish or anything like that, but I really believe that if you have the power to imagine particular things, you have the ability to transform them.
Gray hairs are signs of wisdom if you hold your tongue, speak and they are but hairs, as in the young.
You know, we have to take these characters - who, granted, have their separate personalities but, on a lot of levels, are pretty two-dimensional - and make them into people with flaws, with insecurities.
Make big pots of soups, stews and chilis - they stretch a buck, and you can live off them for days!
If you want to look at the state of humans, you should look at the state of animals first. People are choosing whether or not they can feed an animal and their family. And every shelter coast-to-coast is stuffed.
When you're out grocery shopping for your family, maybe you can put a can of cat or dog food in your cart and bring it to an animal relief center.
I wish I could be as thin as Jessica Simpson. I think she looks gorgeous! I have had Jessica on my show several times, and I can tell you that girl is genuine and funny with a great self-deprecating sense of humor.
When men I have dated over the years whined about, 'Oh, you make no time for me' - see ya! I just dumped them. I don't need that pressure in my life.
I don't think young men or women should feel pressured into marriage. You shouldn't marry anyone, in my opinion, who you have to try hard for.
Television itself is an intimate medium. It's in your house. You're visiting with these people... Not everybody's going to like it, just like not everybody likes everybody on the playground. I mean, that's life - especially if your job is to just go out there and be yourself.
When I do a 30-minute meal, for instance, on Food Network, that's my food you see at the end of the show and it's not perfect. And if sometimes things break or drop or the pasta hits the wall when I'm draining it, they never stop tape. They just kind of let me go with it.
Whatever it is you want to do, take a job in that field. You will learn by experience and, slow and steady, you'll get it done!
Work hard. Laugh when you feel like crying. Keep an open mind, open eyes and an open spirit.
Never be a food snob. Learn from everyone you meet - the fish guy at your market, the lady at the local diner, farmers, cheese makers. Ask questions, try everything and eat up!
The thing that 'Annie' means to me is that it is good to always be strong, and if you have a goal, go for it, and if there is something in your way, just go around and find your path again, and go for your goal.
If you are a 5-year-old, you just go ahead and try something. You don't think about it. You are just a little kid.
When the opportunity is there, you have to let your creative juices start flowing and reach and grab for it.
In politics you must always keep running with the pack. The moment that you falter and they sense that you are injured, the rest will turn on you like wolves.
I've always been a fighter. If you tell me I can't, I'll die trying to prove you wrong.
I don't often know exactly what's coming next, and that makes it more fun. And you know, for me, this entire genre is all about that; it's all about having fun and getting away from the mundane world for just a little while.
When I'm telling stories of my video game days, when I was a really hardcore MMO player, I played 'EverQuest' for two years and played 'World of Warcraft' and several other games for the last ten years or so... 95% of the stories I'll tell you are 'EverQuest.'
Only in very rare circumstances will you see something cut out of my first drafts. Maybe it's because of the way I write. I'm very focused on the logical progression of the story, and every character has a role to play.
Writing can be a tough gig. Whenever you do something in which you put yourself out there - if that becomes the focus of your life, you miss the point of living. You've really got to get the grounding of family and the things that are important in your life and make that your focus.
You have to understand that while I pre-plot the meta story of a given book, I often have no idea of what will happen on the next page, let alone the next chapter. That's what makes it fun for me; I write the books the same way many people read them.
There is nothing in a caterpillar that tells you it's going to be a butterfly.
If you are the master be sometimes blind, if you are the servant be sometimes deaf.
Most of my advances were by mistake. You uncover what is when you get rid of what isn't.
Children do not give up their innate imagination, curiosity, dreaminess easily. You have to love them to get them to do that.
No matter how much you've done before, you wonder if there will be a light at the end of this particular tunnel. It's the nature of the beast, and it's a part of what compels us. Every movie is a new lesson you learn making your way through it.
Whatever storytelling muscles you've developed as a documentary filmmaker will be extremely helpful as a narrative filmmaker.
I think the biggest challenge we faced in making 'The September Issue' was the fact that people in the fashion world are very suspicious of cameras. They're used to a camera being the enemy, something that is prying and looking to catch you in a compromising position, something that's judging you.
With 'If I Stay,' I want you to feel that the whole story is being told from a larger, spiritual point of view. So the beginning is very theatrical.
The presidency made John Adams an old man long before there was television. As early as the nation's first contested presidential election, with Adams and Jefferson running to succeed Washington, you had a brutal, ugly, vicious campaign that was divisive and as partisan as anything we're experiencing today.
The great thing about 'American High' is that, every year, you can do a completely different environment.
'Taxicab Confessions' always cracks me up. And if you are in the mood for a good game show, I like 'Survivor' because it's well made.
On some level, you could say you wouldn't have 'In Style Magazine' at all had Anna Wintour not decided to put celebrities on the cover of 'Vogue' from her earliest years as Editor in Chief.
As with the subjects in all of my films, the incentive is left to the subject to determine on their own. I never ask someone why they say yes to me. After all, if you invited someone to join you for dinner, and they accepted your invitation, your next question wouldn't be, 'Why are you saying yes?'
They say marriage will change you but it didn't change me. Being in love changed me.
I want America to know that you can't believe everything you hear, and nowadays, you can't believe everything you see.
I've programmed myself musically to come up with love-feeling tracks that are romantic, sexy, but classy, all in one. And that's the challenge. Once I create that music, then the lyrical content starts to come - you know, the stories and things like that.
People can say whatever they want about you without knowing the facts. They can criticize you without even knowing you, and hate you when they don't even know you. All of a sudden, you're, like, the bin Laden of America. Osama bin Laden is the only one who knows exactly what I'm going through.
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