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I think if you place Jesus firmly in the historical context... you can make very educated hypotheses and guesses about how he lived.
Any good thing that happens to someone you love can only be good for you too.
There's one thing about TV that I really think is true. If you find the right cast and the right writers, and you got some chemistry going, even if a show is taking a little while to find an audience, if you keep it there, that audience will find it. Because that's what happened with 'Cheers.'
I watched 'The Neighbors' when it first came on, and I thought it was hysterical. And every time I think something just tickles my funny bone, I call my agent and say, 'You know, I like this show. If they're ever looking for somebody, I'd like to work with them.'
I know you're supposed to be thick-skinned in this business, but I'm not. I kind of like to hang on to being vulnerable.
In rural North Carolina, you can get lots of great advice about how to clean and quarter a deer carcass, but we didn't really have anyone to ask for video advice, so we just kept learning through trial and error.
A lot of young girls don't realise how diverse the career opportunities are in games development. Many think that you need elite math skills and a vast knowledge of all things tech to work in games, and haven't thought about avenues like design, producing, art, writing or composing.
Being 21 years old is not easy in the sense that you're still trying to get to know yourself.
Writing for videogames is really unique. You learn all the rules of writing, but there's a whole other set of rules for game writing, and we're changing them as we move along as well, which makes it more challenging.
The type of Alzheimer's Dad has is rare - posterior cortical atrophy or PCA - and it affects his spatial awareness and the way he judges distance. His first symptoms were erratic typing and spelling, but to talk to him, you'd never know there was a problem.
I enjoy co-directing or even being there just for support because you get to see your script come to aural life in front of you.
People say, 'I'm tired of thinking about race, it's a drag.' Yeah, well, welcome to my life! I don't care who you are. We have the time and the headspace for this stuff. The least you can do is take a moment.
White people are so fragile, God bless 'em. 'Well, I didn't own slaves.' No you didn't. Nobody is asking you to take personal responsibility for this. But you're a beneficiary of a system that did. Just own that and move on.
Well, you know, the original banjos were all handmade instruments. Gourd - it would be made with gourds and whatever, you know, materials would have been around. And, you know, first hundred years of its existence, the banjo's known as a plantation instrument, as a black instrument, you know?
So my mom's folks are from one side of Greensboro - and, you know, outside of Greensboro. And my dad's folks, the white side, is from another very small town outside of Greensboro. So both sides are coming from the country.
I think that we definitely want to experiment, and if there's a hip-hop song that we like, we'll cover it. We don't want to be one of those bands that's like, you know, you know - Carolina Chocolate Drops does hip-hop. I mean, just know - you know, if it naturally works itself in, you know, cool.
We're not here as a black band playing white string band music. You know, we play stuff in the Appalachians, we play stuff in the white community, but we really highlight the black community's music.
You know, I really feel a responsibility to the music, and I teach workshops in music sometimes. And folks do come to me and they go, 'How do I make this blues song my own? How do I feel like I'm not an impostor doing this?' And I'm like, 'That's an excellent question.' That's where you should start, where you go, 'How does this speak to me?'
You have to find the balance of figuring out how can I be effective? How can I use my platform for good, you know, without jeopardizing everything so that I don't have that platform anymore.
At some point you have to take responsibility for who you are and where you are and being able to listen to other points of view, whichever side of the tracks you're on.
Each song has its own way that it likes to be done, but it can be more than one way. If you tap into it, you can feel it.
We have been fed so many false narratives, many of them racialized to deliberately feed a racist agenda. It's important to address and dig into that wherever you can.
When you hear composer, you think, like, Beethoven: guy in a powdered wig, at a piano, furiously scribbling on manuscript paper. That's not the only image that a composer should bring up, you know. But that's kind of what we've said it is.
To sit in my concert and be uncomfortable is brave. Because you could always leave, you know?
There are people who have incredible stories that we don't talk about. People who did amazing things, men and women who faced incredible odds, and there's nothing wrong with them being heroes for once, you know?
My life used to be record, tour, record, tour. You can never say no as a freelance musician. I was on the road 200 days a year.
When you are a commercial music artist, your music depends on your popularity.
There is music out there that is commercially driven, whether you like it or not. That's a peculiarly American innovation. We innovated the commercial music business.
In the commercial music world, the folk world, we sell records and concert tickets - this is the way I make a living. You go out, you make your art and hopefully people will put their money down for it. But it's getting hard. I have to be on the road so much to keep the lights on.
Remember, if you are criticising, you are not being grateful. If you are blaming, you are not being grateful. If you are complaining, you are not being grateful.
I was trying to change things on the outside and you can't. You've got to feel it on the inside and everything else will change.
You want to do something that shows some type individuality and talent and imagination - at the same time, you want to be truthful to the predecessors, because obviously the audience liked something about them and you have to replicate that experience to a certain extent.
You just never give up, no matter how hard the challenges are, and observe this world with a healthy dose of criticism and don't just follow the herd like somebody else might do.
In Finland, getting a university degree is the first thing that you expect your kids to do.
I think the reason why we were able to actually get it made was that we were so extremely naive - we had no experience at all here. We didn't even know that you were supposed to have an agent. We didn't even have a lawyer. We didn't know one soul.
I've continued to always keep in mind having a healthy does of that in Hollywood, now that I am part of the system and obviously have to follow the way the system works - you still have to have that crazy determination.
As an architect, you cannot be so arrogant as to say you are 100% sure about what you do.
Every year I spend one month just sailing, but I still work when I'm on the boat. You never separate work from leisure. A boat is like a magic world, like a little island.
In architecture you should live for 150 years, because you have to learn in the first 75 years.
I don't like the idea that the first preparation when you start to design your building has to put your label. I think this is not fair. It's not fair to the building or to the people, to the client, because every building tells a different story.
In some way, people believe that if you are permeable, if you are a good listener, you don't have the quality of somebody with a firm attitude. This is what, fundamentally, I got from my mother.
As an architect, you have to provide a shelter to enjoy art. And you have to love art. It's like when you make a concert hall. You must love music. This is the reason why you make the space, to enjoy music - making a space for art is the same thing.
When you have new jeans, you don't like the ones you just wore. It's crazy, but that's fashion.
Sometimes you don't have the time to prepare yourself for looking good in front of the mirror with what you're wearing. And then when you go to work or go out, you don't like it. I spend a lot of time preparing.
I think that feeling of being thrown into the deep end and doing something you never thought you would accomplish is really powerful.
Some people worry about our federal deficit, but I, I worry about our bravery deficit. Our economy, our society - we're just losing out because we're not raising our girls to be brave. The bravery deficit is why women are underrepresented in STEM, in C-suites, in boardrooms, in Congress, and pretty much everywhere you look.
Coding, it's an endless process of trial and error, of trying to get the right command in the right place, with sometimes just a semicolon making the difference between success and failure. Code breaks and then it falls apart, and it often takes many, many tries until that magical moment when what you're trying to build comes to life.
We went through a period of time when if you were of Asian descent, you would play a terrorist or you would play, you know, like, the 7-Eleven guy or you would play that. And then really watch television now.
I remember winning the first time, you know, suddenly everybody expects, well, okay, now he should win every time he tees it up, win six tournaments.
Golf is growing, and there are more good young players, but you don't see them going abroad. It's so expensive to travel.
Golf is flexibility, and I notice more guys injured. You can overdo this conditioning.
Just about every player on tour has a bad back. It's just one of those games that does mess you up a little bit. You've got to keep looking after it.
You can't really measure your game. You can shoot seven under and lose and you can shoot even and win.
I mean, to win a major, you've got to be a good player and you've got to get your breaks, as well, to win.
The best shows to tweet about are the ones that are hilarious, but they might not necessarily be trying to be hilarious. Those are the easiest and the funniest because you're like 'come onnnn.'
I want to do acting as much as I can. When you're on contract with a show, you can't really do other shows. It's hard to do film. I haven't had the opportunity to even audition much for films because I don't have an agent.
'Buffy the Vampire Slayer' - I had a lot of friends who told me to watch it. And I was like, 'I'm not buying seven seasons of a frickin' show.' It got to the point where, 'Seriously, you have to watch it.' Buffy is not my favorite, but it's amusing.
I started once a week in North Carolina at a pub called Charlie Goodnight and met a lot of comics there. Then I moved to L.A., and if you're not known, it's hard to get stage time. So you start out doing what they call 'bringers' - you have to bring five people if you wanna get on stage. It was a lot of hustle, a learning curve.
'Glee' is very easy to clown because I feel like it's just crumbling. 'Smash!' 'Smash' is the ultimate. I love it because I'm all about theater. I did plays in high school and college, and it totally brings me back to that feeling: how excited you get on opening night, how it sucks when you're not learning the dance moves.
I didn't have an agent before 'Parks,' and once you're on a show, they're not going to make money off of you. So if you've already booked something without an agent, unless they really want to hustle during the downtime, there's seven months when they're not going to make money off of you.
As a Jew, even if you were not born in Poland, the very name, Poland, gives rise to a shuddering in your body and a longing in your heart. This country was the breeding ground for the soul of the Jewish nation, and unfortunately, also grounds to the largest Jewish cemetery.
We must immediately find the way to come and say to the U.S., 'Despite the difficult differences of opinion between us, there are no closer friends, and no better allies than you to us, and we to you.'
There will never be peace unless we have open borders. But that does not mean open on our side and you continue to hit me on the other.
Exhilaration is that feeling you get just after a great idea hits you, and just before you realize what's wrong with it.
All I can say to the kids is if you've a problem in fishing or life, if you talk to an older person, you're gonna end up alright, because nine times out of 10, they've been through the same thing.
The moment you start thinking about what other people and other artists think, you're going to start writing like other people.
As long as you're being yourself and putting out what you want to put out, it'll be the best thing you could do.
I realized that you can achieve so much at the front of a stage, releasing the music yourself and being something more selfish than just the drummer.
I think there's no limit to ambition, and if you want something, you can make anything happen, so go for it.
'Apricot Princess' is like an inside album. You can listen to the album and feel all of those emotions within one night.
Our dad is recognized as being one of the great defensive coaches, probably arguably the best, in the history of the game. You can't say he's not in the top five, certainly.
I should be paid to go out. You see, I'm good for business. I class up a joint.
You don't know how pretty you are when you're young. Just being young is beautiful. And I was astonishingly pretty - you know, very skinny.
That's a really good question - what is it like living with a writer? I guess it depends on the writer. You know what? They live in a fantasy world a lot of the time. My husband lives in a fantasy world.
I do love acting the two seconds that you are in front of the camera - and this is going to sound like I'm complaining, and I don't want that because I'm blessed to even have a job - but there is a lot of down-time when you're just sitting in your trailer.
Oh, my gosh, I've never seen a film unless, you know, if I have to go and do ADR, loop-loop. But I don't watch after. I'm too critical.
I can say that when you model,when you get to a certain age, that's it for you. I remember there was a time where I was like, 'What am I going to do with my life?' I am a high school dropout who's only modeled. So there was desperation with that.
I didn't want to be an actress when I was younger - not even when I was older, to tell you the truth.
I'll be honest with you: I'd rather have BAFTA over an Academy Award any day. Because it's just cool.
One hundred percent, all your Shakespeare training serves you in the work in musical theater today: specifically in modern musical theater, our soliloquies, and now what we call rap. It's the reason it's so easy to learn, because it's verse; it's rhyme! It just sticks in the soul very easily.
I think you have to chase your life even harder than you chase your career.
When you get to live your dream, with singing and dancing and acting and playing these wonderful stories, you really have already won, and you always have to remember that.
It's a trippy and really magical experience when people like Michelle Obama are looking at you saying, 'Great job,' when all you want to do is say, 'Great job,' to the First Lady of our country.
No voice teacher can be all things to all people. You have to gain information from whatever sources you can. You have to listen.
With classical singing you have to put out so much air - you project, you emit force.
At this stage in my career, I don't have to take any big risks. You want to take a calculated risk, not one that leads to people saying 'yes, but there was that one time when she made that big mistake.' It's always a shame when that happens, especially if you've gotten by for decades without anything hugely tragic.
Some of my first teachers were incredibly tough. You could never sing more than three words without being stopped and having to do it over 20 times. I loved that - that sort of process of dissecting and trying to figure out and master this incredibly mysterious instrument.
When you think about things like power efficiency or performance or Internet connectivity as major technology areas where you have multiple investments, multiple products - security is like that.
Security can be enhanced with hardware. You can have a software-only solution, but it can be made more robust in conjunction with hardware.
If you don't have women working for you, you really don't know what the people who are buying from you really want.
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