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Sadly, all good things must come to an end, and 'Buffy the Vampire Slayer' wound up teaching me another, accidental lesson: that sometimes you're so excited to keep going down the road you're on, you drive right past your destination.
James Reed is inspired, if he is inspired by anyone specific, by P.T. Barnum. He's set up to be the ultimate American showman. His whole job is to sell you shadows. But he's not a nice person, he's not a good guy.
We don't have any CGI with any of the car stuff. I think it's a real experience when you see this car going through really fast really wild and you see me driving a lot of the times and also a big chase in downtown Atlanta. It's just incredible.
I grew up in Minnesota and everyone is so nice there. It is like Fargo. Everyone's so chipper and you make friends just grocery shopping. We kill each other with kindness.
I find that when you see somebody in the tabloids all the time, you have no desire to see them in movies.
So, it ended up being what you have there, seven songs brand new and ten live songs which is a good mix.
Well, you know, if you do 200 shows a year, they're not all going to be like Castle Donnington.
To think that when they come out with these gigantic songs, it's pretty tough to top them, you know.
I mean, MTV or the mainstream media can tell you one thing, but when there are 40,000 people in front of you, who cares about all that?
I went to audition for an episode of 'Law and Order,' and they didn't understand why I was talking so fast, and I was like, 'No, you don't understand. I was on a show called the 'Gilmore Girls.' We had to say everything like that.'
I think if you can get to that point, exercising, when you really enjoy it, then you're pretty much set for life.
All pressure is self-inflicted. It's what you make of it or how you let it rub off on you.
The great thing about athletics is that it's like poker sometimes: you know what's in your hand, and it may be a load of rubbish, but you've got to keep up the front.
I do genuinely believe that young people who play sport at a competitive level, sensibly controlled, sensibly organised, that has to be a good thing. It will teach them to win, it will teach them to lose with dignity and magnanimity - all the things you want. It's a pretty good metaphor for life.
I've never sent an email in my life. My kids laugh. I often hand the phone to them and say, 'Can you text this message to somebody.' I don't even have a computer on my desk.
The biggest fragility in a project is often just the inability to be able to explain to people why you are doing it, and when you're going to do it, and what's going to happen.
When I moved to Sheffield and went to a secondary modern in the Seventies, there were certain challenges: if you've got a name like Sebastian, you either learn to fight or to run.
There's a difference between hurting when you lose and being a bad loser. You don't compete at the highest level of sport to feel comfortable about losing, but you behave in a civil way when it goes wrong because that is the flip side.
I don't know how you can understand other people or yourself if you haven't read a lot of books. I just don't think you're equipped to deal with the demands and decisions of life, particularly in your dealings with other people.
Bond doesn't have an inner life. There would be moments when I'd think, 'We need to gather our thoughts here and have a breather,' where in another novel you'd slow the pace, have some description and see what Bond feels about this. But Bond doesn't reflect. All you can do is move on to the next bomb or shark or car.
Life can be lived at a remove. You trade in futures, and then you trade in derivatives of futures. Banks make more money trading derivatives than they do trading actual commodities.
If you have only one life, you can't altogether ignore the question: are you enjoying it?
Certainly, we all have within us the potential to live in a hugely different way. And how happy you can make yourself, I think, a lot depends on how much you beat yourself up about that; and how much you can, in some sort of providential way, console yourself and say, 'Well, it's all worked out for the best, in the best of all possible worlds.'
I believe that love between people is the greatest life-giving force in the world. It's intensely frustrating and inevitably makes a fool of you, but you can't stop going back to it, and it's pretty much the defining experience of a human being.
Why would a novel - which is all about the inward processes of people's developing feelings and developing relationships - why would you be able to portray that in pictures with as few words as possible, which is what the best films are?
I believe your stomach tells you what it wants, and I don't think mine asks for anything that unhealthy. I'm a trained health machine.
My dad emphasized athletics. My mom did as well, but my mom was really hard on the academic end of things and always stressed, 'Hey, you've got to have the grades, you've got to be prepared for life outside of sports.'
We're not in the business of making doorknobs. We're in the business of people. There are things you have to do these days as a coach and as a teacher to deal with the modern athlete.
You're doing yourself a disservice if you're not building your roster and your team to give yourself a legitimate chance to score 21 points.
Being around a couple good tight ends in my history, both in Philadelphia and Carolina, namely in Chad Lewis and then in Greg Olsen, you see how that helps a young quarterback whether he becomes a security blanket, he can turn a five-yard completion into a 15-yard gain.
I think it's no accident that a number of coaches and personnel guys have come out of William and Mary. To me, it's a credit to the type of program Coach Laycock runs. There are set rules, there is clarity when it comes to expectations. You're expected to go to class and be a student-athlete. There are no cutting corners.
We're dealing with men here. What we're trying to do is help them become the best players they can be, and we're all collectively trying to win games. So what I always tell people is that the way you earn these players' respect is, do you make them a better football player?
I think he's accomplished so much, I don't think it's fair to put me in the same category as Coach Payton. I think, hopefully, if you achieve even close to what he has in this league, then maybe you start to get mentioned.
You show me anybody that's great in anything they do, I'll show you somebody that's persevered, demonstrated that mental toughness to overcome some obstacles and adversity.
I think people underestimate when you have a brace on your knee how much that truly restricts you.
It's not normal when you finish playing collegiate ball to be able to jump right into the NFL and work for Jon Gruden. That doesn't happen if you don't have your grandfather that has the connections and has earned the respect around this league. And for that, I feel very fortunate.
I would say that I probably remember football stuff... but it's not like you see it once and then it's just there. I go back and watch film, watch plays, and, in my brain, I probably only have room for so much.
I've been around great veteran coaches, and they want to help you grow as a coach if you're willing to learn.
Part of the challenge of being an entrepreneur, if you're going for a really huge opportunity, is trying to find problems that aren't quite on the radar yet and try to solve those.
Running a start-up is like eating glass. You just start to like the taste of your own blood.
There came a time when these two incompatible notions of who I was, well, something had to give. Either that 'something' is where you acquiesce to the world around you and you conform, or you sort of defiantly break whatever remaining bonds connect you to that world and create for yourself a different set of values.
Gray hats are the ones who think they're doing good, but they're not. You learn that when the FBI shows up on your doorstep.
You start to accumulate your library of music. You want that music everywhere - that's the point where we monetize. If you want portability, mobility, and access, then you buy it.
You actually don't want people thinking your product is cool, because then you're a fad.
You want people using your product because it's a part of your life, then they can't stop using it.
You can now be a master of your own destiny. I'm not sure why you would sign up with a record label.
I think being a wealthy member of the establishment is the antithesis of cool. Being a countercultural revolutionary is cool. So to the extent that you've made a billion dollars, you've probably become uncool.
Facebook isn't helping you make new connections, Facebook doesn't develop new relationships, Facebook is just trying to be the most accurate model of your social graph. There's a part of me that feels somewhat bored by all of this.
You just keep pushing yourself harder and harder to achieve more and more - I don't think it's ever quite as glamorous as it appears on the outside.
I think the perception of wealth and power is that things just become easier and easier when in reality as you raise the stakes things become more stressful.
Sometimes you do a film because the script is amazing, sometimes you do it because you get to work with amazing people, and sometimes you do a film because they pay you money.
The best films in the world, you've got to beg and plead and try your best to get.
I did study the art of being a barber because I wanted to figure out what my routine would be. Do you start in the front or back? Top or bottom? Swivel the chair or walk around? What I did discover is there's no such thing as the perfect haircut!
When you're doing a play you get to go full speed ahead, all night, in front of an audience. It's a roller-coaster ride, responding to other actors, it feeds you.
Sometimes you have to take a break from being a crazy kid. You can't be doing that all the time. Sometimes you just have to pay respect to your own simple-ness.
Music is your own talent and is an important tool. Even if you don't want to be a role model, get ready to be in the public eye. Energy is there, you just have to use it.
With everything that's thrown at you, whether it be problems at home, problems at work - whatever - basically, if you remain positive, you can see your way out of that.
Every time you think a negative thought, it's one step in the wrong direction, for me.
Music tells you about the artist and what they were thinking about at the time, because the person has to think about it to sing it.
On 'Sufferer,' I'm talking about the younger generation that has no other option for success than to find a gun somewhere. I try to appeal to them: 'I know you a sufferer, but it doesn't mean that you can't or shouldn't expect any better.' It's a lot different than from what I usually say, like, 'Get busy, shake that thing.'
In between, I go broke because I seem to do movies where you're not paid a lot as an actor.
If you're willing to put two thoughts into a picture then you're already ahead of the game.
Well, look at all of these summer blockbusters. You can't help but laugh a little, because you've already seen a lot of these movies 482 times.
What happens is things come to you - director, script - and if you respond to it, it's because it's tapping into some part of what's inside you, and different roles tap into different parts.
That on a romantic level, if you feel it about somebody and it's pure, it means that they do too.
Well, I think that when you direct a movie or write it. And in the case of the two movies I did, I wrote and directed, they occupy a special place for you.
The major studios are by and large banks, and they give you what is by and large a loan to make a movie. Like banks, they want their money back plus.
I don't consider myself specifically political, you know? I think of working as an actor as being a human thing. The concerns I have that fall into politics are human concerns.
I just want real creative freedom without worrying about, you know, car payments.
In Cape Town, there's a drive from Cape Point to Camps Bay where the road is hewn out of the cliffs. It's just stunning, particularly if you do it as the sun is going down.
Acting's the best job there is. Pretending to be someone you're not is good fun. It's also a non-ageist profession, and you get to work all over the world with people you admire.
Yes, I am scared of prison. It's the last thing if you are after building up a business over 38 years and you are approaching your 66th birthday and you never owed a man a penny and you feel hard done by and you try to protect yourself and your family and go to prison - if that is the society we are living in, I am happy to accept that.
I was never one to run away from trouble - I intend to continue to fight my corner and try to redeem our reputation in some way. It's very difficult when you see the PR campaign that Anglo have built up against us. A lot of the media would be very anti-Quinn and have fallen hook, line and sinker for the Anglo story where they are the good guys.
I'm a hard-nosed businessman, that if a company is paying its way, increasing profits for thirty-odd consecutive years, you don't put it into receivership.
My art is based on impurity. You have to mix things from different refined cultures to get something raw, to make it go again.
I think that I make chords when I paint, so I think you would be listening to the cello. It's deep, and it's resonant. A lot of people have compared me to Brahms - that slightly melancholic sensuality that's highly structured. Well, that describes my work right there.
I don't think writers should have writer's block. I think they should write. Imagine you were a bus driver and you said, 'I've got bus driver's block.' Get over it.
If you stand over on the edge of the west coast of Ireland and look west, you are looking at something you can't see, only imagine. You know America is there, and you can imagine it being there. But you're also looking into infinity, because you can see nothing.
A dream without ambition is like a car without gas... you're not going anywhere.
I think you need people of principle, of character, that are leaders, that take stands on important tough issues that will affect the future of this country.
One of the best lessons I learned early is that not everything in life is about you. It is about service. If you want trips and excessive gifts, then don't get into public service.
One of my producers said this business is like a hamster on that little wheel thing that goes around and around. You may have a great day and get great ratings, but then you've got another show to do - whatever moment of success or happiness you have you've got to keep grinding it out for the next day.
You can play golf with liberals, be neighbors with them, go out to dinner. I just don't want them in power.
You don't have a face to work with, so your voice has to do all the work until you see the animation. So, a lot of it I had to pull back because it was too big.
Through that, I got to know Jerry's work, and I am definitely his number-one fan right now, which is interesting because it usually works the other way around: you usually create a project based on your hero.
And I'd like to believe that's true, you know, kind of showing gay people in this kind of light and - where it's not about that, it's just about the characters for the first time, like those shows were.
There's nothing worse than talking about yourself to find out that you're not that interesting.
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