Writing Quotes
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For me, writing is more a process of discovering the book than planning it.
The line of demarcation between history and legend is too thin to observe while writing; the two overlap each other unconsciously and unknowingly.
There's a beautiful, kind of seductive trap in being autobiographical in our writing of songs: We just get stuck in our own syrup, and it's so personal that it almost can be embarrassing to the listener.
After seven years of writing - and working many jobs to support my family - I finally got published.
Of course, like all organic processes, there is an ebb and a flow to writing. One does not exist without the other. The writer needs to be vigilant in protecting both, confident in the knowledge that the village will be there when we choose, finally, to open the door.
I was always the observer, trying to understand what was going on. I was always the new kid. Writing became my safe place.
Latinos that are in the industry writing and producing, they can't be afraid to go out there and say, 'I want my lead to be Latino. And I want to talk about this, I wanna write about that.' And Latinos as a whole, as a people in America, need to go out and support.
When I did start writing books, I didn't realize it, but the girls that grew up watching the show became moms.
I like writing about the issues we all bump up against as we get older, but I try to present them in a fun way.
I like terrific writing, but I also like a terrific story. My favorite books have both, and they're by contemporary, commercial American writers.
Opera tells stories through the pure emotion of music. An exhibition has to tell a story purely visually. I've tried to incorporate both of those things - pure emotion and being more visual - into my writing.
I was always interested in writing from an early age, but it seemed so far away and inconceivable, like wanting to be an astronaut or a pop star.
My overnight success was really 15 years in the making. I'd been writing songs since I was 6 and playing in bands and performing since I was 14.
I loved writing the Spellman novels, but I never had any plan to only write in one genre.
My writing process is chaos. I usually start with an overarching theme. Then I establish several story threads, but I don't outline. I just start writing and keep notes for what may come. It's an organic process that's usually pretty flexible.
Mostly singing was cathartic, writing was cathartic, therapeutic. I don't think I had a goal, particularly, to sing or put it out there for anybody.
I have enjoyed writing my own stuff, and it's been a privilege to be able to scrap some money together to be able to make films from my own scripts.
It wasn't until I was 23 and got married to a guy who was really bookish that I got completely hooked on reading and writing again. He had so many paperbacks, I didn't have to buy a book for four and a half years.
If one of my romantic-comedy colleagues had written and directed 'Love Actually,' they would have been torn limb from limb. I thought it was awful, contrived, dreadful. I could see every twist and turn. I thought it was despicable. It was the writing that got me.
When Truman Capote wrote from the perspective of condemned murderers from a lower economic class than his own, he had some gall. But writing fiction takes gall.
I'm writing a film. With our access to these powerful media, we're going to take over, because it's really disgusting what is put out there now to be consumed.
Fairy tales and folk tales have always played a role in my writing in one way or another.
I should add that it is open to debate whether what we call the writing of history these days is truly scientific.
The writing is all done, so it's all about verbalizing everything from point A to point B, and certainly there's a bit of politics involved, so it's a different thing.
He is not in the least arrogant. The last album was written in a room in Sussex. He was like a mad professor, spending all day writing and then coming out with brilliant tunes.
I can't listen to music while writing - any such distraction would have dreadful consequences.
Writing on your own is, in a way, a very lonely profession. There's no one there to help you.
Unfortunately, writing and reporting the truth is not allowed under Castro's tyrannical dictatorship.
One of the achievements of which I am most proud was the codification, the writing into U.S. law, of the U.S. embargo on the Castro dictatorship.
When I was in high school and college, my other real focus was, actually, fiction writing. So in college, I had done all these seminars with these various writers-in-residence.
If I had to give young writers advice, I would say don't listen to writers talking about writing or themselves.
They're fancy talkers about themselves, writers. If I had to give young writers advice, I would say don't listen to writers talking about writing or themselves.
My actual writing process? I have to just love the beat before I even write on it. I can't force myself to write to a beat that I'm not immediately loving.
If I'm not tasting wine and food... I'm thinking about wine and food. If I'm not thinking about wine and food... I'm writing about wine and food.
I got signed to a development deal when I was 15. That fell through after about a year when the company merged with another label. Then I got picked up by Sony publishing. So I was writing professionally from 16 to 18. Then I started making my own records.
When I was younger it was a lot of quantity over quality. Just writing, writing, writing. Hundreds of songs. Now it's fewer songs. If I write 10 songs I believe 80 percent of them are good and gonna be used.
Because I came to acting quite late, I kind of think one of the few attributes that I do have is that I try to be honest with the character, with the writing. I'm not a tricksy actor; I'm not exactly a scenery-chewing kind of actor.
I don't think writing open-ended lyrics is necessarily an important part of writing good pop songs.
If you're writing about what you're feeling about something, then you're in good stead.
I'm not trying to reinvent the wheel. I'm just writing songs that I like, and that's where I've always come from.
We need to include more writers from different backgrounds and ethnicities. We need to see different experiences instead of the same people writing the same kinds of stories.
I fell in love with the idea of writing songs when I was a child. I thought I was going to be a journalist at first, but I gradually fell in love with all these great writers like Irving Berlin and Cole Porter, who were at the peak of their powers then.
It's much easier to write a song for a musical than just writing a song because, writing for a musical, you know what the story is about, so you know what the songs have got to say.
When you're writing a sketch, it has to be surrounded by a situation. It can't just be out of the air.
Every creator sets up their world differently. That's what's so amazing about someone like Aaron Sorkin and his writing.
The bass is just the crayon that I picked out of the box. I'd probably be writing similar stuff if I played guitar or trumpet. The pictures I want to draw I do with this crayon I chose, which is the bass.
As I've moved through life, I've found that I like things to be as casual and as spontaneous as possible when writing.
English of course is your major tool, but it is not nearly so important as other aspects of writing for example you have to have some natural ability you can't buy it no one puts it there you're born with it.
Writing, basically breaks down to relationships between people and that is what you write about.
I have been writing for 50 years and readers still read my first book from when I was in the Marine Corps.
I was washing dishes at Del Frisco's Grille and busing tables at a Tex-Mex place and writing songs the whole time. I did a lot of my writing at those jobs, thinking up melodies in my head.
I think there have been some periods when the writing almost became a bit of a burden.
When I was speaking about communicating, I meant that the listener - we have to reach the listener; otherwise, of course, you're writing the piece, as I say, only for the satisfaction of seeing it on the paper for yourself, and then it ends right there.
I'm really interested in writing a piece of music that will move you, that will really move you. That is really the only reason that I'm writing music.
If you can't turn yourself into your customer, you probably shouldn't be in the ad writing business at all.
Something about writing needs a sort of distance not to be involved as a writer - just something that makes it easier to write. You have to make choices all the time - what to tell and what not to tell.
One of the things I learnt over the years is that there is a craft to writing, like there is a craft to acting. I hadn't done my apprenticeship as a writer. I did try to be a writer for hire but I'm not any good at it.
Work controls my life, writing controls my life, performing controls my life.
I had never really thought of myself as a writer; any writing I had done was just to give myself something to draw.
I started creative writing classes at Aberdeen Central Library, and the writer-in-residence there, Todd McEwen, encouraged me a great deal. He showed my stories to his editor, and I thought that was just what happened to everyone who took his classes!
The Bible is obviously a mixed book. Literary and nonliterary (expository, explanatory) writing exist side by side within the covers of this unique book.
The filmmaking process is a team effort. A screenwriter cannot possibly do exactly what he wants as if he was writing a novel.
Suspense arises naturally from good writing - it's not a spice to be added separately.
Writing a screenplay is an act of faith. First, that it's interesting enough that anyone would want to make it. Secondly, that anybody would want to watch it, let alone enjoy it.
I have a confession to make. For years, I earned a living - or a sort of living - writing negative book reviews.
I have three desks. One empty for paperwork, one for the internet and email, and one for the writing computer.
The lovely thing about the writing life is that you can point it in any direction.
Under Bill Clinton's HUD Secretary Andrew Cuomo, Community Reinvestment Act regulators gave banks higher ratings for home loans made in 'credit-deprived' areas. Banks were effectively rewarded for throwing out sound underwriting standards and writing loans to those who were at high risk of defaulting.
We should teach kids how to question. Now having said that, of course, to be a productive adult, there are certain skills that are required - reading, writing, and, in the old-fashioned days, we used to say arithmetic. Now we say mathematics.
I really don't write much anymore, and I'm not uncomfortable with that. I've tried writing and the sentences come out fine, but I write a few pages and I don't want to go on.
The question is not really about a shift to the economic cone where officers are writing about the balance of payments and the need for economic stabilization.
Sadly, the only constant in my writing environment stems from some inexplicable need to listen to the news. CNN loops over and over in the background from the time I wake until the time I finally, blessedly, fall asleep.
It's the hardest thing in the world to dedicate to writing, but if you do that even once a week, after six months or a year you'll have something substantial.
So much of writing is done alone in a room in sweatpants, with only the Internet for company.
There's a horrible stereotype of both the romance writer and the romance reader as somehow undereducated and unprofessional, when in fact there are a number of incredibly well-educated professional women who have chosen to leave their other careers and go into writing romance.
I went to grad school with the grand plan of getting my Ph.D. and writing weighty, Tudor-Stuart-set historical fiction - from which I emerged with a law degree and a series of light-hearted historical romances about flower-named spies during the Napoleonic wars.
When I'm in heavy-duty writing mode, there's something great about reading a series. Soothing, but not distracting too much.
I have always been a writer of letters, and of long ones; so, when I first thought of writing a book in the form of letters, I knew that I could do it quickly and easily.
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