Work Quotes
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As an actor, you don't want to ever get too comfortable where you're like, 'I know this character,' and you don't do the work anymore.
When I'm on set filming 'One Tree Hill,' I get up and work out four to five days a week.
During election time, I work over 21 hours. My day starts around 6 A.M., and I address meetings through the day. Between 10 P.M. and 2 A.M., I meet local leaders, where we discuss local issues and local problems.
The rules of the global economy are rigged against those who have to work to earn a living and in favour of multinational corporations and the ultra-rich.
There is no doubt that the participation of women in the workforce is a serious productivity boost, but to enable this ambition, there must be investment in care - child care, aged care, disability care, health, and education - which are essential social support structures to enable women to work.
Care work contributes enormously to the well-being of our societies and to the sustainability of our economies.
We all need to work together, because there are no jobs on a dead planet; there is no equity without rights to decent work and social protection, no social justice without a shift in governance and ambition, and, ultimately, no peace for the peoples of the world without the guarantees of sustainability.
When work is not underpinned by social protection, people risk falling into poverty traps.
What Qatar chose is a system where a worker is owned by his employer. When your employer forces you to live in squalor, makes you work longest hours in extreme heat, doesn't allow you to change jobs, doesn't pay your wages on time, abuses you physically and psychologically, you have no way out, you can't leave. You are trapped.
#MeToo shows this bias is systemic, that people get away with violence against women, get away with discrimination - whether in work or society in general - because, for too long, silence has been the answer.
Many women drop out of the work force altogether, which holds back our economy with a loss of skills and personnel.
The concept of 'green jobs' or a 'green economy' is often attacked as the work of the Grimm Brothers by those wedded to the grim science of free-market economics.
Governments that fail to provide jobs to those who are willing and able to work begin to lose their legitimacy and will face the anger of the electorate.
We must make both our distributional and democratic systems work for our communities.
South Carolina is a 'right to work' state - a misnomer of a phrase, as the laws limits union representation of workers. It does does not guarantee workers a job or fair wages and conditions.
The competitive pressure to produce, buy, and sell to our global multi-national companies is so intense that contractors in supply chains are motivated to pay low wages, intensify exploitative conditions, keep workers fearful with insecure work contracts, or simply sack workers who have formed a union to fight back.
Corporate greed, corporate bullying cannot be tolerated - it's time for a global rule of law to guarantee fair trade, rights, minimum wages on which people can live with dignity, and safe and secure work.
As I see it, we are all connected and share a stake in our collective future. We are all part of a greater picture. I greatly encourage businesswomen everywhere in the world to take personal responsibility, stay connected to their own intuition and unique potential, work hard, deal with reality, but don't give up.
I grew up in a business-inspired environment, and over the years have started and run several businesses and philanthropic organizations. Understanding how large corporations work, by having hands-on and board experience, I apply that knowledge to the benefit of all that I do.
If you're going to turn on an innovation engine, a lot depends on whether managers listen for the brilliance in their employees' ideas that they can then help test, or whether they listen for what's wrong and why it won't work.
I think that's the real work of leadership: figuring out where you really believe you have significant risk.
I want to work as hard as I can. But I also want six kids! It takes a lot of courage as an actor to take time off for family. But family is everything.
It doesn't matter who you are or where you come from - if you put quality work out there, it will be appreciated.
I am very driven. I work really hard, whether it's acting or my charity or even poker. When I focus on something I give it my all.
It's always been important to me to do work that I'm proud of and be part of stories that I'm proud of, so being on a popular show was never really the goal.
It's always been my dream, it's always been my vision to work as an actor in Hollywood, in drag and out of drag.
Mentally, my key is just focusing on the little things I need to do in a race, whether that's tempo, turn entry, start speed, things like that. I'm not thinking about that much before or during a race. I just trust in my ability and all the hard work I put in and let the race come to me.
The real preparation for races is done in the off-season. I put in the hard work during the summer and fall, and I'm always working on technique so that when the actual races come around I'm ready to go.
I definitely learned that when you stay humble, you really focus on the work, and you remember that it's about the work. And you have people working with you who support you and love you, then nothing can go wrong.
Bringing exercise bands, ankle weights, and a jump rope is a great way to work out while you're traveling. You can find amazing workout videos online to help with your training.
Besides training, you need to be focused and not shy away from hard work.
Before the heart attack, I used to do a lot of work - what's needed and what's not needed. I used to sing songs that leave an impact and those that didn't. I could never say 'No.' Now, I have learnt to say it, though, and believe me, it has not been easy to do so.
All my fans tell me what a glamorous life I have, but I tell them how hard I work and how many nights I spend alone with my dogs, eating chicken pot pie in my bedroom.
There's part of you that, when you show up for work, you kick into professional mode and try to do your absolute best.
I got a degree in math, from not a good school in Texas, and then I went to work as a software engineer. Just not glamorous at all.
I've heard stories about movies that are really maybe difficult and really dramatic and good, but they are being sold as romantic comedies. All it's going to do is just... that's hurting the work, because that just makes it impossible for anyone to see it correctly.
As a viewer, that's work I respond to - work that I know is singular in some way. If I'm being challenged by something on screen, if I don't quite know why it's happening, I want to know I can do the work of pulling it apart and that there'll be something satisfactory about it. If the architecture is sound, you can be lyrical in execution.
The work of community, love, reconciliation, restoration is the work we cannot leave up to politicians. This is the work we are all called to do.
No matter what somebody thinks about your videos or whatever, everyone can agree how much work it is.
I started pitching shows and sold a show, 'Losin It,' about my Jenny Craig days. It never was made. I think it didn't work, partially because I didn't write it.
To be someplace for ten years or to work anywhere for ten years is a tough deal. But to work in the WWE for that long, knowing how their dressing room is run with this top heavy, condescending 'do this and nothing else' attitude, it gets tiresome.
My mum and dad ran a family cafe in Sligo for 35 years and worked long hours. We grew up in a very hard-working family and had a lovely atmosphere, as we lived above the restaurant. It definitely made me want to work hard, whatever I chose to do. As the baby of seven kids, I was definitely a bit spoilt.
I guess initially I was amazed that somebody would see something within my work that they could really relate to, but the more it's happened, the more people have come forward, I've really realized that we're all kind of going through the same thing at the same time.
A quarter of my life has been spent on 'Secret Life.' I'm 20 and I've been doing it for five years, so I think the best moments have been when all the cast members get to work together and we get to collaborate and share experiences. We all grew up together.
You want to be skinny and have a good body? You have to work out every day and say no to certain foods.
Your intuition will tell you where you need to go; it will connect you with people you should meet; it will guide you toward work that is meaningful for you - work that brings you joy, work that feels right for you.
I relax completely when I'm at rest. I don't think of numbers; I don't think of work.
I don't think I'm a singer that likes to flex my vocals. I'll do some runs and a bunch of high notes, but that's it. I really pride myself and I really work on just trying to sing. Like emotions. Just using my voice, not doing anything extra.
I have these guilty pleasures, these failed films that don't work at all, but I'll watch them if they're on. Like 'The Game.'
I've turned down lots and lots of work. Things that could have made me some money.
I'm not cocky at all. You ask anybody, I'm one of the nicest guys. I try to be as humble as I can, but if you work hard, sometimes you know that you earned more respect.
Some people say, 'Shah Rukh, you work so hard. Why don't you sit back with a glass of red wine or go out on the terrace for a smoke?' But that's not me.
I am very clear that when I work with a director what he or she says is the last word.
We have to stick to basics. Sometimes, you expect that miracles will happen, but it does not work out that way.
I had always told my father that before working with him in the same frame as an actor, which I was petrified to do, I wanted to learn from him, so I had pleaded with him for two years before he agreed to write and direct 'Mausam.' It was our dream project and a wonderful opportunity for us to work as a family.
My so-called 'reservations' and personal comfort zones can't define my work. That's not being professional. I feel that even if an actor is cast for the lead role or for any other part in the film, it is his job to do the film and not create an issue.
It feels bad when a film doesn't work; everyone puts in a lot of effort to make a movie. The positive side to failure - they make me work harder.
You can do anything you want to do. You have to work hard, you have to create your own luck, and you have to have some luck also.
I don't really listen to music when I work. I really have to focus on one thing at a time. I like a lot of quiet and peace when I'm working or when I'm thinking or when I'm reading.
I've noticed that, over time, the intensity of my workouts is so high that I can get away with eating whatever I want. And I love eating a lot. So if I wanna eat more, I'll just work harder.
I don't see myself in the ring as a high flyer or brawler or technical guy, but I feel I can do everything, work with everybody, and bring out the best in different people.
Is E.T. out there? Well, I work at the SETI Institute. That's almost my name. SETI: Search for Extraterrestrial Intelligence. In other words, I look for aliens, and when I tell people that at a cocktail party, they usually look at me with a mildly incredulous look on their face. I try to keep my own face somewhat dispassionate.
The bottom line is that finding orphan planets - small, faint, and located who-knows-where - is not for the faint of heart. The task is comparable to observing a match flame at the distance of Pluto. The WISE satellite, a hi-tech, space-based infrared telescope especially suited for such work, has found only a few.
Most of the things at the zoo don't look like us. We're one design that works. Our chimp pals sort of look like us, so that's a different take on the same basic design. But fish don't look like us, and giraffes don't. They look a little like us, but not too much. And insects certainly don't look like us, and they work just fine.
In school you teach us not to fight with others, to work things out, to respect others, to clean up our mess, not to hurt other creatures, to share, not be greedy. Then why do you go out and do the things you tell us not to do? You grownups say you love us, but I challenge you, please, to make your actions reflect your words.
It doesn't matter how beautifully a film is photographed. The acting tells your story. It's what people relate to. If you don't believe the characters, it doesn't work.
Many people came out and said, 'Boy I'd love to make a film that way.' Well, borrow some money, get some people together - you can get people to work for nothing, just treat them right, treat them as human beings, not stars, give them all an equal share, make them feel a part of what they're doing. There's no big secret to it.
I wait for something good or something that will be fun. But they've got to pay me if they want me to work.
The whole idea of a festival to me is that filmmakers get to interact. You see someone strolling, you get to meet them and tell them you like their work, you admire their story.
I've had people ask me to come and work for them. I went to Vienna and did three scenes in a movie for a guy that I met at a retrospective of Cassavetes films. It's a great way to travel, to meet people, to see different countries and cultures.
Bush can talk about 100,000 people wanting to go work in the police or in the army. It's because there's nothing else for them to do. They're willing to stand in line to get bombed because they want to take care of their family.
I think politicians know how to misrepresent data in order to support a political agenda. Politicians and the people that work for them - I should say - are expert at that.
I feel like the luckiest guy on the planet. But, I literally work all day, every day, seven days a week, 365 days a year, and that's not an exaggeration.
I think zombies have always been an easy metaphor for hard times. Because they're this big, faceless, brainless group of evil things that will work tirelessly to destroy you and think of nothing else.
If a novelist has created vivid characters, interesting relationships, settings the reader can easily imagine, and intriguing stories, a screenwriter has loads to work with. The challenge comes with deciding what to cut and what to keep.
If you're Stephen King and you have a massive body of huge-selling well-respected work, you can pivot and do whatever you want. I don't have that body of work, I don't have that audience that's comfortable with me enough yet to follow my bliss with me.
I mean, we make a 15-minute show that's incredibly silly, even though all of our scenic designers, puppet builders. animators, everybody that works on the show take their work very seriously. So somebody saying that we'd even be in contention for a very respectable award is really nice.
I was never specifically associated with a part, I didn't have tons of money, I wasn't conventionally tall or handsome, so you know the things that were available to me were hard work and perseverance.
Over the last four years, I've made a habit of coming into my office in the morning and just getting to work.
Of course, not everybody's willing to go out and do the experiments, but for the people who are willing to go out and do that, - if the experiments don't work, then it means it's not science.
People say, 'Oh, you're doing the job of journalists.' I think it's very important to note that we can't do our job without journalists. Journalists can do their job without late-night comedians. They'd be just fine without us. But we, of course, use their work every day to build our pieces.
I've actually seen a good amount of the shows at Lincoln Center Theater. I went to school right across the street at Juilliard, so some of the first stuff I got to see here in New York was at the Lincoln Center Theater. I've always been inspired by the work that they do.
In theater, you get to rehearse several weeks, you memorize everything, and by the time you open, you know what the play is. In film, it's almost the opposite. You do your work on your own and maybe have a couple of minutes to rehearse. When the camera rolls, you generally don't know what's going to happen.
When I was six, someone in my family gave me a yellow pencil holder that had my name printed on it. I still have it, and when I'm doing table work in rehearsal, I use it to carry my highlighters and other writing utensils. I love it.
When you're home-schooled, you have to have a certain level of work ethic. Otherwise, you don't get anything done.
I've gotten pretty good with a tray between acting jobs. In fact, when I got the TV show 'Gravity' I was still doing my catering work. I told my director I had to miss rehearsal because I had to work a party. He was like, 'You're on TV. You need to get over that.'
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