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Public enthusiasm for new advances is a key ingredient in influencing policy-makers to stimulate follow-up work with suitable funding, and it can be achieved far faster now that interested non-specialists can explore new research autonomously and can also be appealed to directly by scientists.
Some things tend not to work so well for science - things that rely on substantial written contributions by key experts are a case in point - but even there I tend to keep an open mind, because it may just be a case of finding the right formula.
There's nothing wrong with making the best of one's declining years, but what does annoy me is the fatalism. Now that we're seriously in range of finding therapies that actually work against ageing, this apathy, of course, becomes an enormous part of the problem.
I've always been comfortable thinking things through and doing it, more or less, my way. You can be as creative as you want, but if you're... unwilling to work on the details, to see those put into action, then creativity is just dreams, or worse, hallucinations.
Know that even when you want to give up or throw in the towel, in the end it will all be worth the hard work.
I try to leave my work at work, and check my work-baggage at the door before I go outside of here. I'm not a super method actor, and I think that all the answers are inside the script.
Acting can be so much fun that it's easy to forget that what you're doing is a job. But if I've got my tie on, I'm going to work.
I don't have to act for work anymore; I can act for passion. That's freeing, but it's also a prison of its own. When you can do anything you want, you're really responsible to do something great. And that's scary.
If you really want to make a relationship work, at some point in time, you're going to have to make some sacrifices and do some things that are a little bit uncomfortable.
I would just like a woman someday, somewhere, at some point in my life to say to me, 'You're a great listener.' Haven't heard it yet, and that's a superior compliment to get from a woman. But I'm going to work on it.
The sad reality of it is, as black artists in the industry, we still have to work 10 times harder to get our voices out there.
Once upon a time, I was a workaholic clocking more than 80 hours per week. That changed after I began to write. I now work only around 35 hours per week. I do not work on weekends because these are the days that I use for research as well as for my writing.
I work in a business environment forty hours a week, and writing is what I do to unwind. It allows me to transport myself to a happy place where I can indulge my hopes, beliefs, aspirations and fantasies. It also allows me to live and breathe a topic for eighteen months while I'm researching and writing.
My self-publishing adventure led to my work being picked up by a traditional publisher and eventually hitting the bestseller lists. That led to two more bestselling novels.
What I have found is that, in a family business structure, sometimes what is needed is a sense of discipline rather than creativity. You have to take everyone's ideas and make it work. When you are dealing with money, there is a limitation on how creative you can be.
Unlike a typical professional, I can't quit my job to become a full-time author; I don't have that luxury. For me, writing is therapy; if I choose to write full-time, it might start feeling like work.
Initial work is on period research where the historical markers are absolutely non-negotiable. Once that is established, a writer can take creative liberties in terms of chronology to suit the story.
Master storytellers like Jeffrey Archer and Arthur Hailey use simple language. But they manage to grab the attention of the readers right from page one. I'll consider myself a good storyteller the day people believe it's OK to be late for work or postpone deadlines just to finish reading my book.
An author entices the readers with their words, and it is painful for them to even lose a sentence. But films and books are two different mediums and should be dealt differently. What works in a book might not work for a film. When I saw 'Anna Karenina' on screen, I didn't like it at all, whereas 'The Godfather' was legendary.
When I wrote 'The Rozabal Line,' I had no preconceived notions of what a commercial bestseller should be. I have always viewed 'The Rozabal Line' as my first love and probably my best work. The fact, however, is that it is my least read work.
I remember how a man once got in touch with me to tell me that he was so engrossed in my book that he had to take a day off from work just so that he could finish reading it. Such kind of responses from my readers is extremely endearing, and it keeps me going.
My life is ruled by four W's: my writing, my work, my wife, and my whisky. Not necessarily in that order.
I have nothing in my life besides my work. I am obsessed with it. I leave my house only when I'm forced to.
Italy to me is like the mean mother. Whatever I do, it's never good enough. People say I'm the queen of Cannes, but in Italy I get turned down for work.
If you don't meet luck halfway with really hard work, luck won't get you all the way there.
The work that I engage with, whether it's self-generated or collaborative, is uplifting and supporting historically marginalized and disenfranchised people, because when I uplift up those groups, I'm uplifting myself and supporting myself - it works out in that way.
I think we're at a really critical time in terms of art, and I think it's totally possible to have a project that is entertaining but also moving the cultural needle forward. I think it's one of the reasons I'm so grateful to work on 'Billions.'
When I was given the opportunity to direct 'Senna,' I decided the film had to work for audiences who disliked sport or had never seen a Formula One race in their lives. It had to thrill and emotionally engage people who had never heard of Ayrton Senna.
Working with Salman is just fun. We share a great bond and comfort level, and therefore, work becomes pleasure.
I don't consider myself so big that I can't work with any other actress. I'm very easy-going.
I so often heard from women that they saw this beautiful fashion, but it didn't always work for them - whether it was cultural reasons, lifestyle reasons, body type reasons. So it seemed like in my mind there was a gap there, that women really wanted to be able to customize items to fit their needs and their tastes.
I worked as President of House of Waris for a year and a half, and Waris is one of my favorite people. He is not only a talented designer but also a warm and genuine person and a pleasure to work with.
If all purchases are spontaneous and simply driven by what is seen and loved, there is a high risk of ending up with 10 cocktail dresses and no outfits for work.
As a lawyer, many a time I took up difficult and sensitive cases dealing with minorities' and women's rights. Yes, I constantly receive threats, and to be very honest, at times it is very scary. But I have to continue my work.
The best of Johnny Lever's films are 'Baazigar,' 'Kareeb' and 'Love Ke Liye Kuch Bhi Karega.' I just love his work in 'Baazigar,' where he plays a servant and tries to hammer a nail on a wall and is unsuccessful.
My mum used to work for the Chanel store in Paris, so for me, I've always been very familiar with the brand because of her. I remember when I was very, very, little, our flat had Chanel shoe boxes, makeup, and some jackets.
I think it's important to understand the concrete ways things work and to respect that. But some things shouldn't be explained, and you have to respect that, too.
I remember the feeling of a tweed Chanel jacket because my mom used to wear one to work.
The first record I made when I was 17. Labels merged and plans didn't work out, but plans never work out as planned. But I never stopped making music. I never had a backup plan. I never thought, 'Maybe I should just write, or maybe I should...' I just kept going.
It is work, work that one delights in, that is the surest guarantor of happiness. But even here it is a work that has to be earned by labor in one's earlier years. One should labor so hard in youth that everything one does subsequently is easy by comparison.
People need to work on what self-love is and redefining self-love... it comes from within: who you are and how you carry yourself in this world.
It was almost like I was in the army: school, work, homework, fly to New York, get in at 2 in the morning, do a morning show at 5 A.M., then another one at 7, then a radio interview at 10, you know?
I want to be with someone who wants to work as much as I do and who respects me like I respect him.
I can take a week's vacation - maybe a week and a half - but after that, I'm itching to go back to work.
I loved performing in the 'High School Musical' movies - that didn't seem like work - but the gym felt like torture!
All the time people ask me, like, 'Oh my God, what did you do to get ready for the red carpet?' And I'm like, 'I just had Thai food.' I love to work out and do cardio and have a healthy, active lifestyle, but I also am not going to, like, freak out over food.
Nothing has been easy for me... I've always had to work for everything I've gotten and everything I've accomplished.
I need to work with people who are kind and giving. I can't work with someone I'm scared of.
Kids ask me about what they should do to make it, and I tell them, 'Just get your head down and work, work, work.'
I've had the tremendous fortune to work on games like 'Life is Strange' and 'Horizon Zero Dawn', where there was a lot of collaboration between me and the developers.
My path might not be the same as everyone else's, but I had to find a way. It's not by chance. It's not by coincidence. It's because I work hard for it... and I have to continue that to be successful.
In theoretical physics, one can, in principle, work from anyplace as long as one has a computer and Internet connection. So I do not find any disadvantage of being in Allahabad.
My work on symmetries of string theory is on what is known as strong-weak coupling duality, or S-duality.
My work on black holes was on the connection between black holes and elementary particles.
My work indicated that if we consider smaller and smaller black holes, at some stage, the properties of black holes become indistinguishable from those of elementary particles.
I work in string theory. This is a branch of physics which assumes that the elementary objects in the universe are not particles but one-dimensional objects, that is, strings.
Throughout my work, I have assumed that the standard model is correct, and hence, the Higgs boson should be found. Although this is not directly connected to string theory, the discovery of the Higgs boson demonstrated the power of theoretical reasoning.
Theoretical physics hardly requires any research funding, so I never felt the need. The overall government and institutional support has been good enough for my work.
Since my work is theoretical, the financial needs are very little. Doing the research itself is the toughest challenge.
Economics taught in most of the elite universities are practically useless in my context. My country is dominated by drug economy and a mafia. Textbook economics does not work in my context, and I have very few recommendations from anybody as to how to put together a legal economy.
We develop sentiments that we are only going to work with people like us. But you don't build up a nation by working with people like you. You overcome a history of conflict by reaching out to people very much unlike you.
I was offered seven deals from seven different major labels between 2009-2011, and to be quite honest... nowadays, you need a hit record, a great radio team, an amazing PR firm, social media, a big budget, a team that is ready to work extremely hard, and the drive and passion to win!
There are too many positive and goody male characters on TV, and they work, so its good for them. I feel each to their own. If it works for them, it's fine. I don't connect to such characters, so I won't do them.
If my work is liked, not just Karan Johar or Remo D'Souza, anyone would give me roles.
I like the fact that the audience does notice the hard work that I put in to maintain my physique, and there is nothing better than having your hard work appreciated!
'Siya Ke Ram' will leave us with hardly any scope to think of other projects. And I wouldn't want to work on something and not be whole-hearted in it, either.
When I get into the shoes of any character, I work on getting the perfect look.
A film shoot usually wraps up in a couple of months. But television shoots involve longer hours of work.
Working on television is much more stressful than working for a movie. The pace of work is relaxed while shooting a movie.
As an entertainment journalist for over a decade, I travel to great places for work, from red carpets in Rio, movie premieres in London to celebrity sit-downs in Bora Bora.
I have to be at work every day at six in the morning and then cover premieres and parties that go late into the night, so a 12-hour workday is the norm.
I have had it with people who are threatening me and my kids and my family over simply commenting on the law and criminal procedure, and respecting juries. Because they do work hard. They work way harder than I do; and they work way harder than the rest of those people making those peanut gallery comments.
Clearly, 9/11 would have to be some of the best work that I've done because I was working without a template, and that was very difficult. Having nearly been victimized by the north tower, it was difficult to remain composed and be informative.
I just continue to work on what I want to work on, and I'm not rushing to achieve anything, really.
Cricket is semi-pro for women in Australia, but the girls work damn hard, and it's credit to them to try and grow the sport.
We are not all the same. If you care that much, if you're that invested in us as artists and the changes that we're trying to make and the work that we're putting out there, then at least give us the same decency and respect to know that I am not Yara Shahidi and never will I be.
When you've got certain people like Jay-Z wanting to work with me, then it makes you think people do love me.
I think that when you use the word 'plus-size,' you're putting all these women in a category: 'You don't eat well.' 'You don't work out.' 'You could care less about your body.' 'You're insecure.' 'You have no confidence.'
My mom's parents were farmers, so every summer, my sisters and I would help out, hauling pipe and pulling maggots off the corn. We hated it, but it taught me the meaning of good hard work.
This is the thing: I know I'm paving the way for the next generation of girls, and they're not going to have to do this. That's what I hope. I'll take the brunt work and just handle it, and then you guys can just sail right on through.
When I'm traveling out of the country, a lot of guys give me a high five, and then they're like, 'I love your work!'
I work out not to lose weight but to maintain my good health. And anyway, if I did want to lose weight, it would be no one's decision but my own.
We need to work together to redefine the global image of beauty and continue to push for a more inclusive world.
I had so many agents tell me that at size 18, I would never work or work again. I heard, 'Go home and lose some weight.'
I think women think I'm inspirational because I'm unapologetic. I have cellulite. I have back fat. I've got a thick stomach. But I work my body like I don't because I don't know any other body. I don't know how to feel thin. I just know how to feel like Ashley.
In my second year in Los Angeles, when I was eighteen, I wasn't getting any bookings, so I stopped going out, stopped partying. It was a matter of getting to the work. I had to focus.
What 'Twilight' gave me was years to consider how I wanted to work otherwise.
I work with a charity called Donate My Dress. It's got chapters all over the country where you can donate special-occasion dresses. Prom is a big deal when you're 15 years old, and it enables girls who don't have the money to come in and choose something special.
I have a certain way of thinking where I see something, and I know that I want it and I make up my mind - and that's pretty much all there is to it. It was like, This is what I want to do, and I'm going, and everything's going to work out. I'm going to be an actress. There was no way around it.
When I was 15, I worked at a dry cleaner because I wanted Abercrombie & Fitch jeans. My mom told me I could have $20 jeans, not $70 jeans, unless I was willing to work for them. So I did!
I've definitely been in relationships where I've given too much, and I've been in relationships where I haven't given enough. I think it's a work in progress. I have to find that person where it clicks.
Skinny jeans are usually my go to jean. I do bootleg every once in a while, boyfriend jeans I feel like are so hard to pull off! Skinny jeans are very easy and you can kind of pair anything with them and it will work: heels and boots or nice top or flouncy top.
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