Work Quotes
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I knew I could never be an actor as a man. It just doesn't work, you know? And so when I was doing drag, I realized I could do that kind of stuff, and then when I was transitioning, I kind of gave up on the whole thing because I didn't think that this time would ever come, you know?
I never think about the knockouts. I go into every fight, do my work, and none of that stuff puts pressure on me at all.
For a writer, published works are like fallen flowers, but the expected new work is like a calyx waiting to blossom.
I am born and raised in the Bronx. Where I grew up, it is a really working-class neighborhood and it does give you a really good work ethic.
Fashion Week is horrible. I mean, it isn't horrible, really - it's amazing. But having to work that much every day is.
I have a great support network - my family, my model agency Storm, and people I work with in the fashion industry. And, of course, there are all my followers on Twitter who stop me from feeling lonely; I love them all. They keep me grounded.
I'd love to work with Tarantino, Scorsese, Sofia Coppola - all of them! I love thrillers and action movies. I love good horror films. I watched them so much when I was younger that I find it impossible to get scared.
I can't sleep in the evenings. Most of the pictures people see of me are me going to work events: a Fendi dinner one night, a Prada dinner the next, and working all day.
When you're coming from a place of living just to work, it's never as good as you want it to be. It's never as authentic.
When you have balance in your life, work becomes an entirely different experience. There is a passion that moves you to a whole new level of fulfillment and gratitude, and that's when you can do your best... for yourself and for others.
I think everybody is intimidated by Jack Nicholson. But he was really nice to work with.
The thinnest I've ever been was after I had my appendix out, during the London run of The Seagull. I went down to 112 pounds and realized my brain doesn't work when I'm that thin, so I can't do my job. That's why, when I came out here, I never had that whole Hollywood pressure thing.
We have been spending beyond our means, we are going to focus on the projects that we committed to in the election but importantly if there is additional projects or new things that come up they have to have a business case, they have to work and they can't impose financial stress on families and private individuals and businesses.
I only made two studio movies, that was a long time ago and obviously I removed myself. I think some of that is geographical. I live in New York and I want to work there, it's as simple as that.
To me, it's just like, if you have talent, and you're lucky enough to find where you fit, and you work with the right people, it's not exalted at all.
Since I was from the theater, that's how I learned how to go through the process of being a character. That's how I learned, and that's what I was comfortable doing. And then, the first feature films, I'm sure I was no fun because I did not want to be spontaneous in that filmic way that really can work for you.
Shakespeare is rich and beautiful, and it can be an amazing experience to read and to watch and to work on.
Being a wife and mother are the single most important roles in my life. They take a lot of work, a lot of patience, and help from God and His Word, but if you put in the effort, it's more fulfilling than anything on earth.
I am not a passive person, but I chose to fall into a more submissive role in our relationship because I wanted to do everything in my power to make my marriage and family work.
Today I know that there is still work to be done, but along the way my I am achieving my dreams.
It's something that I love about this business and that scares me about this business, but in a good way. You just never know what's going to happen. And things change constantly. But there's always opportunities for new work, so you just have to enjoy the job that you're on while you're on it because it doesn't last forever.
When I began work on my first book, 'The River of Doubt,' which tells the story of Theodore Roosevelt's 1914 descent of an unmapped river in the Amazon rainforest, I thought of it as a tale of adventure, exploration and extraordinary courage.
We're a very active family, and I like everything in its place. I'm all about designing every little space. It will help me in the business of being a mom. Every single day is so crazy with my work that I just need to be able to come home and do that business as efficiently as I try to do my professional work.
A relationship is like another job, you know, you have to work at it all the time.
The barrier to entry, to being a model, is not hard work. You don't need a degree. You don't need to win an award. It's just about how you look.
I've had a few conversations with people who are horrified: who tell me my work is demeaning, is sexist, is negative.
If I ever had needed to put together a CV, it would be quite short. Like many young people, I'd highlight my desire to work hard.
I think from going to fittings once a week and having to look in the mirror for two hours, I feel like I built a intuition for what's gonna work and what isn't, and I noticed how important tailoring is, especially being a more petite body type.
Because I was able to submerge myself into the character, I didn't have to go back and forth. You don't have to work hard to bring emotions. It all just comes naturally, you're there living it.
You don't have to work hard to bring emotions. It all just comes naturally, you're there living it.
I'm not a dark person at all, so those roles are the most challenging. I don't think I'm necessarily drawn to dark things. It just seems to work out that way.
All pregnant women are warriors. It takes strength just to get up and go to work.
You find me at work; excuse the dust on my blouse. I sculpt my marble myself.
Perhaps there is no greater issue facing contemporary women than the choices they must make about balancing home and work.
It's time for a recovery and reassessment of North American thinkers. Marshall McLuhan, Leslie Fiedler and Norman O. Brown are the linked triad I would substitute for Jacques Lacan, Jacques Derrida and Michel Foucault, whose work belongs to ravaged postwar Europe and whose ideas transfer poorly into the Anglo-American tradition.
Nature, I have constantly argued in my work, is the real superpower of this godless universe. It is the ultimate disposer of human fate, randomly recarving geography over 10,000-year epochs.
The reason I was angry all the time was that Gloria Steinem and all those people, without reading my work, were saying all these horrible things against me.
I love the Web, but the basis of my work is going through the physical books. When you go to the library, you see other books around on the shelves that you never knew existed. You can flip through a book and see the whole outline of it.
Cover the canvas at the first go, then work at it until you see nothing more to add.
Work at the same time on sky, water, branches, ground, keeping everything going on an equal basis... Don't be afraid of putting on colour... Paint generously and unhesitatingly, for it is best not to lose the first impression.
I met a guy, and we were seeing each other for about a month or so, but as it got more intense, I started to freak out a little bit. I hadn't been in a relationship for quite a while, and I just said I was going away and not sure if it was going to work.
I used to work full time in an office, hiding away in my desk. Now, I have the opportunity to do something I love. And every day is a dream come true for me. I'm just generally grateful for all the love and support, and I will continue to give my 101 percent.
The creative process has been a little bit of an experience, really - to try and make that work for me. The only way I know how to do that is just to remain genuine, humble, and true to everything I know already in my life.
Knowledge comes, but wisdom lingers. It may not be difficult to store up in the mind a vast quantity of facts within a comparatively short time, but the ability to form judgments requires the severe discipline of hard work and the tempering heat of experience and maturity.
All growth depends upon activity. There is no development physically or intellectually without effort, and effort means work.
The team doctor, the team trainers, they work for the team. And I love 'em, you know. They're some good people, you know. They want to see you do good. But at the same time, they work for the team, you know. They're trying to do whatever they can to get you back on the field and make your team look good.
I gotta go through, like, a little routine when I wake up in the morning to get everything functioning and ready to go. But, the only thing is everything just goes back to gridlock so fast once I sit down, 'cause you know you go to work again.
Be real with yourself in whatever area of your life and your game that you need improvement on. Once you figure that out, you just have to go out and work on it. For me, it's footwork. I constantly work on it, and it's a never-ending process.
You love the game, but it's hard to do the things you do when you're feeling like you're a leg down all the time, literally. Or you're always beat up, even coming into the season. So it's just not as fun when you're down, and you got to work your way up. And you can't really get there because you're so beat up.
I would like to go down as the greatest receiver in this game. I'm not doing all this hard work for nothing.
Trying to be smarter, work smarter, and just take care of my body more and more.
Yellow's more like, I'm not trying to be this sexy vixen or anything, obviously. I'm a very friendly person, and I literally do just want to be your friend. I think all of that is wrapped up in yellow. It seems to work. I like being in it.
Music videos are an especially fun thing to watch - I bet from the outside, too - because you learn so much, just like in our music... It's really fun work.
I've grown up on set, so I understand a lot of things that a new actor wouldn't, whether it's etiquette or how things work on a technical level.
It gets very tiring when you are filming and then taken to a room to do school work. I never get any rest time. It is either work or school. Once you are an adult, you get to take a nap in between shots.
We opened a theater in 2006 called Loft Ensemble in Sherman Oaks. And we write our own plays and do goofy characters and pack a whopping 20 people per night to watch our work.
I mean, I can get things done if I need to, but I can really be completely irresponsible and procrastinate until the very, very, very bitter end. In fact, sometimes I work better under pressure.
I think that anything that you do, any accomplishment that you make, you have to work for. And I've worked very hard in the last ten years of my life, definitely, and I can tell you that hard work pays off. It's not just a cliche.
I don't want to go to work and get into bed with someone else, not even Tom Cruise. It's not like I enjoy it.
I am in that glorious position where I can redesign and re-package my own work.
I work a lot of hours, and in this business you really try to keep as busy as you possibly can. Sometimes when you really focus on kids in your free time you lose the husband and wife relationship to some degree. It's been a real focus for us to make sure we stay focused on us two.
The more deeply connected you are with the people that you're working with, the better the work and the character, and then, I think, that really translates to life. It will help you in life to be more grounded and genuine.
I work out, and I try to stay active and fit so I can enjoy certain foods that I like to eat. I try to keep everything in moderation. I used to be insane about it.
To work with anyone you admire and respect, and have for a very long time, is a surreal thing.
Dance has always been my number one. I started when I was seven years old and I've had the opportunity to work with some really amazing artists.
We did some cool wire work in 'The Pact' - they had me strapped to a harness underneath my shirt so they could fling me around the house and slam me into doors. I definitely got some bruises even with all the padding!
I had one of my best years in 1991; I was 31. I made a renewed effort to work harder. I got better at my diet. I paid attention to how much sleep I got. I was always someone of routine. I became more strict.
When you're in the day-to-day grind, it just seems like it's another step along the way. But I find joy in the actual process, the journey, the work. It's not the end. It's not the end event.
Nashville, I think, for me, personally, would be where I want to live and work. L.A. is a whole other world and has a whole other vibe to it, so I would like to come out here for work for a couple of months, but L.A. is just not really my scene, per se.
I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
I don't know anyone male or female who can quote-unquote have it all. It's a made-up idea. Men don't have it all. They may have it better because they get paid more for the same work, but they don't have it all.
There is always this perception that you want to shoot for the top, but I think there's this great place to shoot for the middle and get consistent work and try different things and do the work you want to do with the kind of people you want to do it with.
I'm so excited about 'Shattered;' it's something I've really enjoyed working in, and it's very different from anything I've done before. I've always been a character actor and done a lot of support work. I've never really been the lead actor, so I'll try and use what I've learned along the way from the other projects.
I do believe every artwork has its own charisma. Sometimes it's different from what I expect. When a work is finished, it exudes its own charisma and lives its life independently.
Any work that is born out of natural serendipity or reverts to simpler times is poignant for people - in any era.
Temporality and the transformation of energy are two very important aspects in my work.
I have always found that if, while creating an artwork, the artist constantly feels that some accident would occur if he is not careful, then it is a very significant moment and a significant work.
I just had such a lucky experience working with incredible actors, getting to see their work ethics, their different techniques... Jeff Bridges is such a legend! Getting to watch him and see how he worked was a blessing.
Know what your strengths are, but also keep in mind what your weaknesses are; always work on your weaknesses.
I grew up watching my parents work in the fields. That's where I get my work ethic from, because I saw them work hard my whole life.
Let me be clear: MMA training is tough work, and every fighter has had to enter the Octagon with aches and pains as well as exhaustion. This is the game.
Every Mexican fighter has the heart; they work hard with their training, and they never give up. That's the mentality I always had and always saw growing up.
That's how fighters get better. They watch film, and they work on what they need to work on.
You have to work your way up the ladder just like everybody else. Nothing is given to you in this world, so you have to work hard.
I'm still in the gym every day for training, putting in the same hard work every week. That's the only way I know how to do it.
The mentality is nonstop, to work for what you want, your mind keeping your body in the best shape possible.
I think if something's wrong with me, I just kind of work through it. That's my mentality.
So many paintings have hidden meanings or need wall texts, but my work is not in that category.
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