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I think if you work as an actress and are supposed as a character to be in love with some actor, then to some extent you do have to be in love with him.
It's good to have a manager who shares your interests, or goals. You can presumably trust a husband. I don't know if it's the best way to work. I really shouldn't discuss this.
The prices are ridiculous... I don't see how people can go back and forth to work or to school. How can we afford the gas?
There's really no differentiation between the work I make and the world I live in.
My office has two buildings that function like the right and left sides of the brain. There's a room where everything is being edited for an upcoming project, but you can pull out of that into a tranquil space to work in a different, more solitary medium. It's an architectural unfolding of the process instead of just one chaotic structure.
We are all affected by the time we are born into, and of course that feeds into your work. Society is based on storytelling - religious myths, opera, film - and 1968 was always seen as a time of rupture and fragmentation. I have always been interested in those words.
I give a lot of credit to Darrell Bevell and to Tom Cable for their work and their development of the players that they had that was available to them. They did an extraordinary job, and I do think, as Bevell was our offensive coordinator, we broke every record that the Seahawks had offensively. So there's a lot to be said for that.
The crew members for 'The Price Is Right' at night are the same guys who work 'Y&R' during the day. It's even in the same studio. I've been in the place for 15 years. So all the faces at 'The Price Is Right' are familiar.
Really, even in this whole Obama initiative, and everything that's going on with the economy, the only way to jump start it is we have to give each other opportunity. That's the only way to make it work.
The trouble is that right now I want to put as much work into football as I can. It's very important for me to get off to a good start. By the same token, I feel a responsibility to handle the media and those sort of things.
Pick a theme and work it to exhaustion... the subject must be something you truly love or truly hate.
In a show or a movie, one must work with many people. Many women just don't have the time for it.
A songwriter should have friends who are similarly interested; should move about in the milieu of work he has chosen for himself.
Every time you go out on the ice, there are slight flaws. You can always think of something you should have done better. These are the things you must work on.
We've got to work to save our children and do it with full respect for the fact that if we do not, no one else is going to do it.
In junior high, I was still writing poems and stories. In college, I was a journalism major. When I got out of college, I went to work for an educational publisher, so I was still writing, developing curriculums.
I enjoy theater just for the sheer excitement of it and the immediate response that you get, and how every night the audience is a little bit different; but then, it's expensive to work in N.Y., and stage work is limited, so you're just doing it for the art.
As a black actor, you always have the feeling that there's not as much work out there as for a white counterpart, but is America after all; you have to play ball if you're going to play ball.
I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work, and, two, that you have to give up a great deal of life, your personal life, to be a writer.
This world is run by people who know how to do things. They know how things work. They are equipped. Up there, there's a layer of people who run everything. But we - we're just peasants. We don't understand what's going on, and we can't do anything.
For the last third of life there remains only work. It alone is always stimulating, rejuvenating, exciting and satisfying.
What's terrible is to pretend that second-rate is first-rate. To pretend that you don't need love when you do; or you like your work when you know quite well you're capable of better.
Man, who is he? Too bad, to be the work of God: Too good for the work of chance!
What really fascinates me is this need that is so strong now that if you read a work of the imagination you instantly have to say, 'Oh, what this really is is so-and-so,' reducing it to a simple formula.
When I was bringing up a child, I taught myself to write in very short, concentrated bursts. If I had a weekend, or a week, I'd do unbelievable amounts of work.
I shall try and effect all that is before me to perform; and God, I think, will surely give me strength for His work so long as He directs my line of duty.
I would be cautious in embracing or rejecting doctrines. Had they been essential to our salvation, they would have been more explicitly declared in the Gospels, where we are so well taught the practice of every good word and work.
Life is not to be expended in vain regrets. No day, no hour, comes but brings in its train work to be performed for some useful end - the suffering to be comforted, the wandering led home, the sinner reclaimed. Oh! How can any fold the hands to rest and say to the spirit, 'Take thine ease, for all is well!'
A month after the scandal broke, I tried to go back to work at the pharmaceutical company after a leave of absence. But because of all the publicity and resulting pressure and stress, I finally resigned.
I also had to work through the violation of my date rape, my unhealthy relationships with men, my anger toward the people involved in the scandal, and those who exploited me afterwards.
We have to mainstream everybody. No matter what their circumstances when they were growing up. Part of that is knowing that after they're finished with school, everybody in this country gets up and goes to work.
My PhD project was actually doing something that required a high-intensity laser. It was supposed to work in a way that many, many photons of light would interact with an atom all at the same time.
Maria Goeppert-Mayer, you know, she didn’t even get paid to be a scientist. And yet, she was doing Nobel Prize-winning work. How ridiculous is that?
It's hard for me to show work while I'm writing, because other people's comments will influence what happens.
To really be centered and to really work well and to think about the kinds of things that I need to think about, I need to spend large amounts of time alone.
In order for a long piece of work to engage a novelist over an extended period of time, it has to deal with questions that you find very important, that you're trying to work out.
I just finished writing an essay about William Maxwell, an American writer whose work I admire very much.
But it's for every writer to decide his own pace, and the pace varies with the writer and the work.
The storytelling gift is innate: one has it or one doesn't. But style is at least partly a learned thing: one refines it by looking and listening and reading and practice - by work.
I was really more interested in dramatic work, but I thought, 'Well, I guess I could do comedy.'
I'd like to work with Justin Bieber. He's talented and he's so young. I know what he's going through. I've lived what he's living through right now. Working with him would complete a circle of sorts for me. And he might find it a worthwhile experience himself.
It's a lot of work to keep reinventing yourself and coming up with new stuff, but that's what it takes to be in show business.
With success came an ever-growing burden of responsibility. I lived with a near-constant low-level anxiety that I would make a mistake that would not only threaten my career, but also my brothers' - not to mention the livelihoods of many people who work with us or for us.
When you record an album and it goes platinum... yeah, you're in the studio and you work hard for months, but it's not like your whole body hurts. Maybe you get a little hoarse and tired. But on 'Dancing With the Stars,' everything hurts.
Honors and awards are very interesting, and I truly accept them. I have very high regard for what they mean. What they mean is that they're pointing to the work.
It seems to be very clear that each new generation that comes - not only audiences but young bands as well - are very encouraged and enthused and inspired by my work.
'Sunshine Superman' was a pioneering work that for the first time presented a fusion of Celtic, jazz, folk, rock, and Indian music as well as poetry.
Songwriting is a burst of inspiration and then a long bit of work and a tremendous bit of desperation.
I wasn't perfect, although during the '60s, I may have appeared to be. After all, I was partying away there for awhile. From age 17 to 25, I worked only on the outer man, and I did pretty well, but I needed to go back and work on the inside.
I do a lot of media work, I've been investing and I'm involved with real estate. It's totally different from what I had been doing but I find it challenging and fun. To be honest, I really don't miss the track. I pretty well accomplished what I set out to do and it was time to move on.
Follow your passion, be prepared to work hard and sacrifice, and, above all, don't let anyone limit your dreams.
Work ethic starts where everyone understands that you're putting that extra foot forward in order to be the best.
When you work and earn money as a child, you need to be confident, but it can make you a bit precocious, and I think I was a bit of a pain for a while when I was young.
It's so difficult. Sometimes if I have dessert, I think, 'Well, I blew it.' That's something I need to work on and control. But still there's nothing like a buffet.
We're not perfect. We're a work in progress. But man, America has gotten a lot of things right.
Originally, back in 1992, DKNY started because I couldn't find a pair of jeans. I also wanted to dress my teenage daughter Gabby. So it was the perfect street wardrobe: jeans, anoraks, jumpsuits, boyfriend jackets, sweaters, skirts and dresses. Then DKNY grew into an entire lifestyle concept, including tailored clothes you wear to work.
To me, design and style should work toward making you look good and feel good without a lot of effort - so you can get on with the things that matter.
Design and style should work toward making you look good and feel good without a lot of effort so you can get on with the things that matter.
Italians know about human nature - they understand human nature perhaps better than anyone else does. They know that people are weak and greedy and lazy and dishonest and they just try to make the best of it; to work around it.
My father read 'The New York Times,' my mother did secretarial work, we had a dog, we had a garden, I had a brother.
Sound should bring you in. We have people in all these specialized departments to make it one whole. They are supposed to work together to bring us into their world, not push us away. For example, rock music has to be loud, but it doesn't have to be too loud.
Bob Fosse and Gwen Verdon intimidated us all because she walked in and was going to be the dance captain. She was a great star, but she loved that kind of work as his assistant.
You really have to love the work. You can't look for stardom. That's a by-product.
My father was a middle manager at an oil company, but I never knew anything about his work. Whatever business acumen I have just got gleaned over the years.
And to get real work experience, you need a job, and most jobs will require you to have had either real work experience or a graduate degree.
In the execution of Presidential decisions work to be true to his views, in fact and tone.
Amidst all the clutter, beyond all the obstacles, aside from all the static, are the goals set. Put your head down, do the best job possible, let the flak pass, and work towards those goals.
Work continuously to trim the White House staff from your first day to your last. All the pressures are to the contrary.
Artists don't compare themselves to each other based on money. Nobody really knows what money other artists have. They don't care that much. The measure is the work and how you think your work is perceived. How the museums are. How you are doing.
You have a little bit of talent, a certain amount of good fortune and a lot of hard work in pursuit of whatever truth you can find in it, and if you are really lucky, a terrific partner and I have that and those four things worked out for me.
I have never planned anything. I have been doing this job for over 50 years. I have been paid to work with some wonderful people and it has been a huge gift, to me.
Joe Wright called me and I also had some trepidation along those lines but he said no, it would work. He had a very clear and specific idea of what he wanted to do.
If you're interested in 'balancing' work and pleasure, stop trying to balance them. Instead make your work more pleasurable.
We were spoiled in many ways, but we were always taught to understand the value of the dollar. If there was something we wanted, we had to earn it. Even in college, we were very fiscally responsible. I had 300 bucks a month; anything I wanted beyond that, I had to work for.
I think the reason we fought so hard during this campaign, whether it was my father and the work that he put into it, whether it was the rest of our family and the efforts that we put into it - and you know those efforts well - it's because we'd do anything for this country.
The Left only worries about people who don't want to work; they could care less. They cater more to people who are here illegally, and they care more about the feelings of countries that would love to see us wiped off the face of the Earth than they do hard-working Americans. It's ridiculous.
I think my very best work came out when I was about 60, not when I was 20. I was publishing all the time when I was in my 20s, and some of those poems I still like. And there were a few after 60, and in my 70s, that I like. But they became fewer and fewer.
Some days I feel good about my work, and sometimes I feel I've never written anything worthwhile. That's par for the course.
I was being groomed as an undergraduate to specialize in Midwestern prehistory, but going back to my teenage days, my interest has always been in our early human ancestors. I wanted to work in Africa.
Building is just skilled labor, I suppose. It's a lot of work. I don't mind other people building them, but the way things go together and are made is interesting to me; I like that a lot.
But I think you have to - whatever the environment looks like, it does enter into people's art work one way or another; it's very remote or it isn't. It's remote in my work but it has to have a certain degree of ordinariness.
I recognize very much in Hopper that it does look like the United States; it looks like the 30's and my first impressions of everything, all of which I have to deal with and which gets mixed up in my work and probably gets mixed up in everybody else's work too.
I think most of the best new work is intended to have much more impact at once.
The older painting - well, it does have an effect all at once, I suppose, but it's of a lesser intensity than a lot of the American work in the last ten or fifteen years.
They certainly aren't connected with the old geometric art. My work isn't geometric in that sense.
The fundamental work of investment management is filtering. The question is what do you filter.
I do not believe you can work with animals - certainly you cannot train them - without deciding that if humans have souls, dogs do, too.
If you don't have work for a border collie or time to train it properly, your bright young border collie will invent his own work, and chances are you won't like it.
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