Work Quotes
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I don't really care where I work, actually, because you know making a movie is like living in movie world. There's such a secluded world, and the director is the king ruling the country, and everybody's building this little town to speak in symbolism.
My background is a small town with no movie theater. So... I always pictured myself onstage. I went to acting school and learned all the skills. I left early because I did my first movie and discovered that I really loved the minimalistic work with the camera.
I choose my work very carefully, always for the script and the director, and I don't think that's going to change. My work is like a house. It's built on very strong poles.
I'll be 65 in September and I work as much as I want to, take cruises with Kay, relax with my family, do everything in moderation, because I want to enjoy my life.
I definitely remember doing 'The Alamo' with John Wayne and Lawrence Harvey and Linda Cristal. We'd work six days a week, and then John Wayne would invite us down to a little place in Texas called Del Rio, and we would break bread and have some wine and tell stories.
Someone might look like an overnight success, but there's a lot of hard work that goes into it, and rightfully so. That's the way it should be. There are exceptions to that rule, but in country music, people really have to pay their dues.
That's what I do in my stand-up. I work hard and hone the material and after a while audiences expect what I do to be good.
I'm actually all for political correctness. If you want to work to change the usage of a word that's discriminatory then fine, I'm behind you. But that's a conversation that needs to be had in the culture. You can't just decide that commonly used parts of a language are evil and that the people who didn't get the memo must be bad people.
Of course, it's hard to get interested in the whole idea of government. Nothing ever changes, especially people saying 'nothing ever changes,' despite the fact their kid now has a free nursery place and their aunt was forced to work despite having dementia.
Far too often, I have been accepted or rejected for work because of the color of my skin.
I can't point to my work and say, 'This is my work.' My work lives in me, so when people criticize my work, they're also criticizing me. It's really hard to sort of divorce that sensitivity.
I am fully a feminist in this modern definition of the term. It's innate in my work because that's just who I am.
With every coach you work with, you learn something. Then, at the end of your career, when you become a trainer, you take something from every coach that you think is useful for you.
As I've been able to once again gain the benefits of speed work, I'm enjoying my running more and more.
Intervals and other types of speed work are essential to improve running speed.
So, in a way I was hedging and saying that if the Olympic stuff doesn't work out at least I can be a lawyer.
The potential elite runner must realize that hard means hard, easy means easy and they must patiently seek out what combinations work for them. They have to learn to be persistent and patient with their training and racing.
If you hear Bing Crosby trying to swing, it doesn't work. He swings like a rusty gate.
I grew up in the Boys & Girls Club. That's where I really started playing all sports, and that's why I'm a big advocate for the work they do.
The economy in the Valley will need to grow if students want to come back and work with their specialized degrees. We need to develop more to create more opportunities.
I've always wanted to make a career in the arts, and I think that my only hope at doing that is to make it more about the work.
I've written some great things. That's a gift, but there's consequences. Yeah, you get this great work, but you suffer. You really, really suffer.
The more work I do, the more important it is to work with people I like - who are very talented.
My attitude toward graduate students was different, I must say. I used graduate students as colleagues: I gave them the best problems to work on, and I encouraged them.
You travel across the country, you visit departments, you give talks, you talk about the work at your laboratory - what's going on, what the opportunities are there - you talk about your own research.
I thought I was kind of a hotshot because I had had two years of work experience at Morgan Stanley, and I was about to get my Stanford M.B.A.
I can't stress the importance of working hard enough, work on all aspects of your game. If you does that and you have the ability, you'll come through.
I think as far as kids go, you just have to work hard. Work on your skills, keep focused.
I think I work harder on the pitch, I cover more ground and my passing is more accurate.
What helped me most were my failures and slumps - when I couldn't get work, people weren't interested in me or had written me off.
But in order to be the thing you want to be, you have to work like a dog at the thing you love.
I say I don't need a tax cut. It will not do me any more good. I can't buy more, I can't eat more, I can't do more, and I want it distributed among the ordinary people who work every day.
Nature is my manifestation of God. I go to nature every day for inspiration in the day's work. I follow in building the principles which nature has used in its domain.
Simplicity and repose are the qualities that measure the true value of any work of art.
I work all the time; whatever I do, I do it, and I don't necessarily look at it as work. You could say the Auschwitz project was work, or the Lowy Institute is work, or Westfield is work, or the football is work. It is life.
I admire certain priests and nuns who go off on their own and do God's work on their own, who help in the ghettos, but as far as the institution of the church is concerned, I think it is despicable.
He came to the States in 1963, I think with a view to making up with my mother, but that didn't work. He came for three weeks, and drank his way all over Brooklyn. And went back... I went to his funeral in Belfast.
In the comic-book world, there tends to be an overblown sense of tradition. Bad habits die hard. There are ways I think the form could work more effectively if we lost the bad habits that were created before we were born.
I don't own an ounce of the work I've ever done on 'Batman,' and I still work on 'Batman.' I love the character, I think it's a lot of fun, and it's kind of fun to be in that ballpark every once in a while, where you're seeing a different crowd.
Comics are so full of amazing work. And I can't look at a drawing of a woman without thinking of, for instance, Wallace Wood and his amazing way of capturing beauty.
As an arts journalist in London, working mainly for the BBC, I interviewed hundreds if not thousands of authors. From them I gleaned a great deal of passing instruction in writing and I observed one fascinating detail: no two writers approach their work - physically - in the same way.
If you need proof of how the oral relates to the written, consider that many great novelists, including Joyce and Hemingway, never submitted a piece of work without reading it aloud.
I hope my work has inspired young artists. I have always tried to maintain my freedom as an artist and I feel it is one of the main reasons I have been successful.
Well, I've always just - I've never really gone out looking for work. I always waited for it to sort of hit me on the head.
For me, every day is a new thing. I approach each project with a new insecurity, almost like the first project I ever did. And I get the sweats. I go in and start working, I'm not sure where I'm going. If I knew where I was going I wouldn't do it.
Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.
Some people may say my curved panels look like sails. Well, I am a sailor, so I guess I probably do use that metaphor in my work - though not consciously.
I can't just decide myself what's being built. Someone decides what they want, then I work for them.
Bilbao opened in 1997. It was only ten years later that I was asked to do another museum. A lot of other people got work because of Bilbao.
The fact is I'm an opportunist. I'll take materials around me, materials on my table, and work with them as I'm searching for an idea that works.
You can be talented, but having great talent isn't enough. You have to work every day or someone will pass you up.
I know of no greater work for humanity than in the cause of peace, which can only be achieved by the earnest efforts of nations and peoples.
If we will maintain our hope and confidence in the genius of our people, they will work out this problem, and their ability and industry will bring us back to normal conditions.
It's sour grapes, I admit, I want to be more famous so people are examining my work couplet by couplet, you know what I mean? That's the level where I want to go.
It's a vast, lonely, forbidding expanse of nothing rather like clouds and clouds of pumice stone. And it certainly does not appear to be a very inviting place to live or work.
So, I think even in Saudi Arabia there is movement. And we have to remember that over the years they've stabilized the oil price and that is tremendously important for the economies of the world. I think we have no choice but to work with the government of Saudi Arabia.
The thirties were troublesome in Belfast, and then of course there was no work for people, and it was terribly religiously divided.
Was I a businessman to start with? I'm not sure. I mean, that comes slowly, when you start having the products out. But at the same time, I was very determined. I knew that I had to make it work. I had no choice.
I prefer to be busy all day long, and when you work for someone else, you're not busy enough.
To put down an ideogram of a table so that people will recognize it as a table is not the work of a painter, but to sense it for a moment as a magic carpet with a leg hanging down at each corner is the beginning of a painter's imagination.
The unity in any painter's work arises from the fact that a person, brought to a desperate situation, will behave in a certain way... style.
I have now established myself in a most enviable manner. Those who require something of me must seek me out - I remain apart. I work for no one unless he is a high-ranking personality or a friend.
With all my work, I have not more, with my shares in the bank and the Academy, than twelve or thirteen thousand reales a year, and with all this, I am as contented as the happiest man on earth.
I just go wherever work brings me. I share a house with friends in L.A., and I share a house with friends in Montreal when I'm there.
An education program is, by definition, a societal program. Work should be done at school, rather than at home.
I don't want euro bonds that serve to mutualize the entire debt of the countries in the euro zone. That can only work in the longer-term. I want euro bonds to be used to finance targeted investments in future-oriented growth projects. It isn't the same thing. Let's call them 'project bonds' instead of euro bonds.
If there is not a united policy, this mechanism will not work: it will collapse, and it will... undoubtedly be the end of Schengen, the return of national borders.
Watching some heavyweights like Mike Tyson, he inspired me to work with my speed because he beat people with power, but most of the time, he beat people with speed.
The one who intimidates me is myself. I'm scared to fail. That is the thing that makes me the most afraid, to fail. Just to think that I can do a mistake and lose the fight scares me, so that is why I work out a lot: to bring more chance to my size and less chance to my opponent.
A new gadget that lasts only five minutes is worth more than an immortal work that bores everyone.
Put off thy cares with thy clothes; so shall thy rest strengthen thy labor, and so thy labor sweeten thy rest.
When people ask me what it is about Brazil and my work, it's not something that I can say literally. It's unidentifiable. It's like when you do research and things inspire you. If you're smart enough, then obviously you don't take it literally. The inspiration will come out later somehow.
I'm so not interested in gossip. It just gives me the creeps. I love the work; I love what I do. If somebody sends me an interview that has any connotation of something that's not interesting or genuine, I'm not interested. I really detach myself from it.
But if we can work with people in other parties to get the right answer for the country we'll do that.
Usually, the stuff that's your best idea or work is going to be attacked the most.
The stuff that I got in trouble for, the casting for The Godfather or the flag scene in Patton, was the stuff that was remembered, and was considered the good work.
I liked to work in a shop down in the basement and invent things and build gadgets.
I had an older brother who was very interested in literature, so I had an early exposure to literature, and and theater. My father sometimes would work in musical comedies.
Long before the idea of a writer's conference was a glimmer in anyone's eye, writers learned by reading the work of their predecessors. They studied meter with Ovid, plot construction with Homer, comedy with Aristophanes; they honed their prose style by absorbing the lucid sentences of Montaigne and Samuel Johnson.
A work of art can start you thinking about some aesthetic or philosophical problem; it can suggest some new method, some fresh approach to fiction.
I start work by spending time in personal Bible study. Because my projects center on a question in my own faith walk, I find Bible study essential. And God gives me scriptures daily that speak to the question with which I'm struggling.
Like everyone else, there are days when I don't want to go to work. However, writing is a job like anything else.
We should so work as if we were to be saved by our works; and so rely on Jesus Christ, as if we did no works.
Scientists must venture outside their comfort zones to show the public how cool - and how important - their work really is.
I'm going for the big moments - I want the big moments. I just tell myself, 'Remember the work you did, the things you went through. And keep going.'
Obviously, maturity helps, knowing that you definitely have to make every day a good day. If not, somebody else is out there putting in the work.
It really shaped me as a person going to DeMatha. Anyone that plays athletics or does music or does whatever, it teaches them to work to the best of their abilities.
It's not like everything was given to me. I had to really work hard for it and earn it.
I think my serve and trying to come forward a little more are what I need to work on.
The thing is, everybody wants to be famous. Everybody wants to be successful. Everybody wants to be that dude, but not everybody wants to do the work for it. And I think that's probably one of the reasons why there's so many juniors and only a couple that make it. Because I really wanted it. I wanted it real bad.
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