Work Quotes
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It's a dream for me to work with Ron MacLean and Don Cherry as well as my old friend Jeff Marek, who I started my career with.
By definition, intelligence deals with the unclear, the unknown, the deliberately hidden. What the enemies of the United States hope to deny we work to reveal.
It's my responsibility to make the movie work with the schedule and money we have. It's my job to get the best movie we can do in the time we have.
Workers must participate in progress to enjoy their work and take pride in its product.
Prayer is not a substitute for work. First we have to do all we can ourselves to understand a situation. Then when we ask for help, sometimes it is very evident, sometimes it isn't. Sometimes we may well be helped by not getting a decision.
My religion is my most precious possession. Except for it, I could easily have become excessively occupied with industry. Sharing responsibility for church work has been a vital counterbalance in my life.
I haven't written an awful lot recently, but I think I probably will start again very shortly. Being so much on the road, when you have a couple of weeks off, you're likely to avoid sitting at the piano, and taping, and giving yourself more work to do.
I'm not doing my philanthropic work, out of any kind of guilt, or any need to create good public relations. I'm doing it because I can afford to do it, and I believe in it.
My foundations support people in the country who care about an open society. It's their work that I'm supporting. So it's not me doing it. But I can empower them. I can support them, and I can help them.
I give away something up to $500 million a year throughout the world promoting Open Society. My foundations support people in the country who care about an open society. It's their work that I'm supporting. So it's not me doing it.
We know that a man can read Goethe or Rilke in the evening, that he can play Bach and Schubert, and go to his day's work at Auschwitz in the morning.
I believe that a work of art, like metaphors in language, can ask the most serious, difficult questions in a way which really makes the readers answer for themselves; that the work of art far more than an essay or a tract involves the reader, challenges him directly and brings him into the argument.
I personally like to see films that are the work of as singular a consciousness as possible.
Three takes. You're either going to get it, or you're not going to get it. There's no use persisting; it just had to work that way.
I had done some work when I was starting in with photography on westerns, and photographing them was the greatest pleasure I had. If I was ever qualified for anything, it would have had to do with making westerns. But as I started working on pictures with people like Katharine Hepburn, I got further away from the thing I really liked to do.
A Swedish physicist can not discuss his work with fifty people unless he goes abroad. A Swedish economist can get opinions and instructions in his native language from thousands upon thousands of his fellow citizens.
But in this Second Work if thou extract our Air and our Fire with the phlegm water, they will the more naturally and easily be drawn out of their infernal prison, and with less losse of their Spirits, than by the former way before described.
The transition state of manners and language cannot be too often insisted upon: for this affected the process at both ends, giving the artist in fictitious life an uncertain model to copy and unstable materials to work in.
Work is not man's punishment. It is his reward and his strength and his pleasure.
If you think of a work of fiction as a kind of scale model of the world, then the positive valences - where things turn out better than you thought they would - ought to be in there somewhere, too.
Unless they have disabilities to cope with, no family should get more from living on benefits than the average family gets from going out to work. No more open-ended chequebook.
I'm not a legislator. I've never been a lobbyist. I've never worked a session before, but based on my conversations with leadership in the Senate and the House, I get the general sense that people want to work together to make things happen.
The invisibility of work and workers in the digital age is as consequential as the rise of the assembly line and, later, the service economy.
With work increasingly invisible, it's much harder to grasp the human effects, the social contours, of the Internet economy.
Every movement, to stay alive - a very difficult thing to do historically - has to find a way to harness that initial surge of emotion and turn it to the hard, steady, un-sexy work of recruiting new members, strategizing, negotiating with those in power, keeping itself going.
Part of the mystique of blogs is their protean quality: They work both sides of the divide between politics and media, further blurring the already fuzzy distinctions between reporter, pundit, political operative, activist, and citizen.
We can't just throw a switch and say Indian Point is going to be safe, we have to look long-term because it will ultimately be decommissioned and we have to work aggressively now to bring in new sources of power.
I knew that good people who wanted to be a part of the American dream have become trapped in dependency because the federal government and the state government had made it in their economic interest not to take a job because the benefits that they didn't work were better. I changed that.
I want to be read. When you write a TV show like 'The Wire,' you've got three to four million readers watching your work. Even Grisham doesn't sell that many books.
My goal is to get a real film industry started in Washington. An actual one, not where features come to town and shoot second unit for a few days. I would love to get something started here. Hire local crews. People could work year-round and raise their families here.
I try to pay it forward. I do a lot of philanthropic and charity work. Some of my greatest awards, greatest rewards, have not been for comic work but for charity work.
It is not only my laboratory and my place of work but also my home, so that on the 30th October I was able to share my happiness immediately with my students and collaborators and, at the same time, with my wife and family.
Tonight I should like to thank all those who have shared my work and to acknowledge the debt that I owe to my wife whose encouragement to put research before all other things has been a great strength to me.
I believe that a writer learns from every story he writes, and when you try different things, you learn different lessons. Working with other writers, as in Hollywood or in a shared world series, will also strengthen your skills, by exposing you to new ways of seeing the work, and different approaches to certain creative challenges.
I work for two years on a book and it comes out and two days later I've got my first e-mail: When is the next one coming out?
I was a novelist first. But in the mid-'80s, I did work in television for ten years. And yes, that was frequently the reaction to my scripts. People would say, 'You know, George, this is great. We love it, a terrific script, but it would cost five times our budget to shoot this.'
I have done a lot of work in Hollywood myself. I worked in television for roughly 10 years, from the mid-'80s to mid-'90s. And I was on staff at a couple of shows. I did some feature films, including originals and adaptations.
No matter what your work today, if it is worth while at all - time to plan it out, time to do it well, and time to finish it, is your day's greatest gift and your greatest job.
I've achieved what every artist wants, which is that some of their work will outlive them.
The fact I had my father as an adversary was such a powerful tool to work with. I subconsciously fought him to the degree that I drove me to be one of the most successful musician in the world.
I have to believe that somebody up there thinks I've still got some work to do.
The natural mind is ever prone to reason, when we ought to believe; to be at work, when we ought to be quiet; to go our own way, when we ought steadily to walk on in God's ways, however trying to nature.
How important it is to ascertain the will of God, before we undertake anything, because we are then not only blessed in our own souls, but also the work of our hands will prosper.
Often the work of the Lord itself may be a temptation to keep us from that communion with Him which is so essential to the benefit of our own souls.
I did a lot of musicals when I was younger. And then I went to Northwestern University, and I did more musicals. I went on to do more work in Chicago, and then while I was in college, I got flown out to Los Angeles to do a screen test for 'Back to the Future.' When I got to Los Angeles, I was like, 'Hmmm, this is different.'
As an actor, you always feel like you're not going to work again. You're always unsure about how things are going to work out, and you start thinking you're going to just fade off into the distance.
So I started to relax and would work on my act eight hours a day, sitting at a desk writing at my grandmother's house, and I would put on Richard Pryor Live on Long Beach and would play it like a loop and think and write.
I had a very difficult childhood. I was surrounded by people who had both parents, which made me feel different. Having a bit of a rougher existence early on, it made me appreciate the work ethic that my grandparents instilled in me.
Working hard is very important. You're not going to get anywhere without working extremely hard.
It's hard work making movies. It's like being a doctor: you work long hours, very hard hours, and it's emotional, tense work. If you don't really love it, then it ain't worth it.
I started out in anthropology, so to me how society works, how people put themselves together and make things work, has always been a big interest.
I'll drop something for a while, a year or maybe several years, and then pick it up again. I think that's the way successful innovators work. They keep juggling ideas, keeping them in the air, in the back of their mind, to inspire them or enable new recombinations.
Nanoengineering is learning how to make devices as small as 10 to 100 atoms in width. Much of the work is going on in the electronics industry, where there is great demand to pack more components onto computer chips.
The number of people who really work creatively on new sources of water isn't enormously large for the reason that I don't think people have very many ideas on how to get fundamentally new sources of water. We sort of think we've thought that problem through. I hope that's not true.
One of the issues in electronics is that we work only in two scales - transistors and collections of transistors - and that's the device. But to take full advantage of nano, we're going to have to think about that full hierarchy of levels of structure.
When we are out of sympathy with the young, then I think our work in this world is over.
The more I work with the body, keeping my assumptions in a temporary state of reservation, the more I appreciate and sympathize with a given disease. The body no longer appears as a sick or irrational demon, but as a process with its own inner logic and wisdom.
It is our best work that God wants, not the dregs of our exhaustion. I think he must prefer quality to quantity.
My dad used to work in the theater as a stage manager, production manager, and lighting designer.
I think, when you're younger, you're slightly spoilt with the situation you get put in and to get to work with the people I got to work with without really thinking about it.
You would not get out of bed in the morning if you were constantly worrying about the possibility of something happening to you on your way to work. But it is still something to pay attention to, I think.
As a filmmaker I find it much more rewarding to work with actors who are classically trained. It's about the work and only the work.
The human brain is a wonderful organ. It starts to work as soon as you are born and doesn't stop until you get up to deliver a speech.
I always could hit, but fielding I had to work at. I took as much pride in fielding as hitting. I became a complete ballplayer. I knew when to take the extra base. I knew about the outfielder hitting the cutoff man. I knew when and how to bunt. I knew when to hit-and-run.
When you think of a movie, most people imagine a two hour finished, polished product. But to get to that two hour product, it can take hundreds or thousands of people many months of full time work.
The first time I read an excellent work, it is to me just as if I gained a new friend; and when I read over a book I have perused before, it resembles the meeting of an old one.
Many people flounder about in life because they do not have a purpose, an objective toward which to work.
Do not wait; the time will never be 'just right.' Start where you stand, and work with whatever tools you may have at your command, and better tools will be found as you go along.
As a matter of fact, there was a period of time, especially in my first career, when that's the only one who would work out with me: my dogs. As you get better and better working out, there's no one who can keep up with you running.
After you work out, you have your dog with you. There's no better companion. You've got to have a friend. I didn't like opponents who had dogs with them. Because you know they had a little edge. They have a friend.
To build a character like Henry Warnimont required a few weeks and months of work. It turned out he was basically a very kind and generous man, which he covered up with his surface gruffness and surface bluster. And the kind of hopeless quality, that 'everything goes wrong' kind of thing.
All these tales of people sitting down and composing symphonies just as though they were writing a letter are very much exaggerated; at least, it isn't that way in my work.
It may be, however, that I am too much wedded to my own views in the matter, and as I have spent nearly eight years of the hardest work of my life in this department, I respectfully request that I may now be relieved from its command.
I work through the actors, and the more successful I am, the less my work is apparent.
Throughout the course of my life, I've been blessed to work with extremely talented people.
I just am grateful for every opportunity to go to work. I don't really focus on celebrity status.
A lot of movie stars don't want to go to TV because of how hard you have to work. You have to be a soldier.
Around '93, I had to get a couple of jobs. I had a job for a while working at a gym, just so I could work out for free, because I knew if I didn't exercise, I'd go crazy. It's the key to my mental health, actually.
If a man has wealth, he has to make a choice, because there is the money heaping up. He can keep it together in a bunch, and then leave it for others to administer after he is dead. Or he can get it into action and have fun, while he is still alive. I prefer getting it into action and adapting it to human needs, and making the plan work.
Left to themselves, things tend to go from bad to worse. Murphy's First Corollary If you tell the boss you were late for work because you had a flat tire, the next morning you will have a flat tire.
The critic is genius at one remove; he is not unlike an actor on the stage, and incarnates in his mind, as the actor embodies in his person, another's work; only thus does he understand art, realize it, know it; and having arrived at this, his task is done.
Art is expression; what is expressed is often the vision of a subtle and powerful soul, and also his experience with his vision; and however vivid and skilful he may be in the means of expression, yet it is frequently found that the master-spell in his work is something felt to be indefinable and inexpressible.
The important work of moving the world forward does not wait to be done by perfect men.
Some people see things that are and ask, Why? Some people dream of things that never were and ask, Why not? Some people have to go to work and don't have time for all that.
Most people work just hard enough not to get fired and get paid just enough money not to quit.
When Thomas Edison worked late into the night on the electric light, he had to do it by gas lamp or candle. I'm sure it made the work seem that much more urgent.
I think people should be allowed to do anything they want. We haven't tried that for a while. Maybe this time it'll work.
I can go into any working circumstance and, simply, I'm prepared to deal with the work. It was a long, hard lesson I learned.
You don't stop when a musical number comes up and do the number and then take up the scene where you left off. It all moves forward. Your work as an actor was part of your work as a dancer as well. It was dialogue through movement.
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