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When I watch a movie myself, I want to forget that I'm watching a movie, and I want to be inside the movie. That's the kind of experience I want my audience to have.
When I am not acting or performing, I want to keep quiet and not to have a conversation.
Republicans want to be tough and say, 'Illegals, you're gone.' But the answer is a lot more complex than that.
Everything, everything, everything! I want to know everything. I want the privilege of being a crone.
My mother was a talker, but there are still so many things I want to ask her. She died when I was forty. But she did teach me to be a talker with my own children.
It become totally untenable to me that after acting for 25 years - I've played Juliet, Cleopatra and Anne Frank - there I was, sitting in Hollywood, just waiting for somebody to want me.
Basically, all novelists should want to tell a story, and if they don't want to, they shouldn't be novelists. I think story-telling is important and underrated.
If you are a Christian, you want to give as much as you can away. It sounds pious, but it's not a duty; it's a kind of joy.
So many people want to be seen not just as a mom or a wife, but they want to be seen wholly.
A lot of readers want characters to behave in a responsible way, or they want to understand the characters' dilemma and act, in a way, on their behalf.
As the rich consume more and more, they are clearly not going to want to downgrade their own status.
A lot of writers want everything put on screen, but it doesn't work like that. The screenwriter brings her own imaginative interpretation, just as the director and actors do.
The one thing the Victorians really believed in was philanthropy. I think we've forgotten the obligation to be philanthropic. I think we need smaller government, but I want to make it clear I'm not the Sarah Palin of the Cotswolds.
I write about the men you want to read about but don't necessarily want to be married to.
I'm pragmatic. I like efficiency. I want to read what's in front of me and not have my hands tied.
Everyone has a conflict inside of them - the conflict between what you should do and what you want to do.
As an actor, I don't want to talk too much about my future films because this industry is such that even after half a film has been complete, it can be shelved.
All these other nations seem to appreciate what I'm doing and they want me to play the furthest out things.
We do have business relationships; we do licensing relationships, and people want to use Google services on top of Android. But in theory, you can use Android without Google.
If I want to enter politics, it will be only from Mandya. Otherwise, I will be totally away from politics as it is not my ambition at all.
I'm definitely one of those actresses who comes to a set knowing how I want to do a scene, and I definitely love input from my directors and my writers.
From now on, we want to put on even cooler performances, be cooler, be better, so look forward to it. Please, always look forward to it.
We believe that we'll get what we want if we continue to be BTS and know what to do as artists and performers with passion.
I want my fights to be seen as plays that have a beginning, a middle and an end.
Too many pupils at schools in the U.K. want to have careers as footballers or TV hosts, or models, because that's what they're constantly exposed to as the heroes of our time.
Am I not peaceful? We want to be free - completely free. Free to be free. We want to be left alone.
I came across a lot of young composers who have got passion but lack experience. I want to help them out.
I've gotten so into the thing of moving, moving, moving, but I'm desperate to have a home. I just want my own little spot - I'm saving, but it's difficult because of the shopping... I'm actually addicted to online shopping - it's something about the packages arriving!
If I want to look half decent, a blow dry is a godsend. I'm crap at doing my own hair.
We teach teens what we think they ought to know, and we never tell them what they want to know.
I write all over the house. Because I write in longhand, I can go anywhere I want... I have some notebooks here and there, and then I type it in and pull it out, and I do the revisions all over the place.
As far as cinema is concerned, I want to do something huge. I want to be recognised everywhere I go.
My first exposure to sanitation issues occurred when I got admission into an engineering college. They probably didn't want to admit me and informed me that there was no ladies toilet in the college. I was adamant and pursued my studies in engineering in that very college.
When I turned 30, the first question I got was, 'How much longer do you want to play?' And I don't see why that can't be when you turn 40. I really don't.
For a lot of players, it's not that they don't want to play anymore or that they get tired of it or bored of it. It's that their bodies give out.
I don't want to write formula. I don't want to crank these books out like sausages. Every book is different, which takes a hell of a lot of ingenuity on my part.
Football's in my blood - and eventually I want to be the one making decisions.
I want them to be fully committed to the work place and fully committed to the people they work for.
I'd worked with directors who wouldn't collaborate. Then I've also worked with directors who didn't really know what they wanted. I knew I didn't want to be either one of those guys - or girls.
Actors want to be told what to do - they really do. But they also want to have an input and be recognized for that.
I want people to talk to one another no matter what their difference of opinion might be.
I want to praise activists through the years. I praise those of the past as well, to have them honored.
Croatia did not want Europe to be divided as to the start of Croatia's EU entry talks.
You don't want to play a character you can't inhabit or commit to fully.
When you wrestle for 15 years, you don't want to go back to driving that forklift.
In a film score, the last thing you want to do is take people out of the movie. The music is secondary. In opera, the music is the main event.
In the small remaining journey of life that I have left, I want to choose who I want to be with and to hang around.
I come from a family of losers, and I've rejected my family as something I don't want to be like.
I'm going to do what I want to do. If he wants to go to the ground, that's fine. I'm a wrestler.
If I want to do an orchestral record, if I want to do an acoustic record, if I want to do a death-metal record, if I want to do a jazz record - I can move in whichever direction I want, and no one is going to get upset about that. Except maybe my manager and my record company.
If you want to find somebody and you want to be married and you want to have children, don't make it a rock star.
For the most part, I feel really comfortable with what I've given to the people. I want to give it to them again.
Likewise, with solar, especially here in California, we're discovering that the 80 solar farm schemes that are going forward want to basically bulldoze 1,000 sq. mi. of southern California desert. Well, as an environmentalist, we would rather that didn't happen.
Once a month the sky falls on my head, I come to and I see another movie I want to make.
I want to know exactly how the first few measures are going to go, and the rough shape of a movement or the whole piece and its essential character.
I would not want to be a leader of a country that had launched ICBMs against the United States.
Fear is one of those really primal emotions which you don't want to have incredibly exciting modulations and complex harmonies and all that kind of stuff.
I started watching movies my grandpa did, and I saw what an impact they made on the world. That's when I said, 'Hey, I want to do that too.'
So many American and international producers want to shoot in the U.K. because of our crew base and tax incentives.
A story invites both writer and reader into a kind of superficial ease: we want to slide along, pleasingly entertained, lost in the fictional dream.
There are some things that other people just don't want to forgive you for. For instance, Woody Allen and Soon-Yi.
I learned a couple things. The government can do to you whatever they want. They can break the laws, federal laws, as they see fit... You can't turn laws on and off as you deem fit.
I just want to go out there and do what I can do, contribute in the ways that I can. Whether I get exposure or not, it's about winning.
I want everybody who is watching to come to the Academy Awards with us. I'm going to pay for the bus.
The most important consideration I have is I want my legislative shop to have a functional office suite that is conducive to getting their work accomplished.
This generation... they have a different attitude. Instead of sitting and watching something, they want to be a part of it - they're very hedonistic and sensual.
This office is smaller than the last one I had. I'm not trying to impress people. I want to be close to them.
I remember seeing my sister in a play when I was very young, and I remember telling my folks, 'I want to do that.'
I don't want to coach too far into my 60s. By then, I'll be playing golf four or five times a week.
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