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Us comics guys tend to get really good at the things we draw a lot. I'm good at creepy old forests, Victorian houses, underground goblin cities, and beautiful but creepy fairies.

I think there's too much saturated color in comics, thanks to digital color techniques.

I dug up some old John Buscema 'Conan' comics. Man, when Alfredo Alcala was inking, that was some of the most beautiful black and white comic art ever published. The stories are good, too, though early '70s comics based on Conan is a festival of sexist, racist stereotypes.

Urban Fantasy is a subgenre pretty much designed for teenagers. It's pretty twee, but I adore it. I've been trying to come up with an Urban Fantasy comic ever since I'd read the Nancy Collins 'Sonja Blue' series years ago.

Basically, Urban Fantasy means D&D in New York. Ordinary people have no idea that they share the world with fantastic, supernatural creatures. It can't just be vampires or werewolves; it has to be a whole continuum of fantastic beings, with their own society within society.

I like characters with character, not just pretty faces. Anyway, I think people can be both grotesque and beautiful at the same time. Look at Mick Jagger in the seventies. Look at Angelina Jolie.

I love gothic monsters, but I like to root them more firmly in the traditional folklore from which they sprang. Or at least, I like to evoke the feeling of those folk stories.

I think one of the reasons Stephen King's stories work so well is that he places his stories in spooky old New England, where a lot of American folk legends came from.

The living werewolves have genuine needs and desires, which, though they may oppose ours, are valid. Even if they want to eat humans, you can't really call them evil, any more than mice can call cats evil, or chickens can call humans evil. It's all just a matter of where you're standing.

Character design, like story design, requires a hook to grab the reader's attention.

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