Top 10 Susanna Kearsley Quotes

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There was no DVR, no Netflix, and no binge-watching. We didn't even have a VCR till I was nearly out of high school.

The best way to show an emotion is not through a character's words, but their smallest expressions - to take what an actor would visually do and try putting that down on the page for the reader to 'see.'

I have seen and really liked the varied movie adaptations of the book, but 'Little Women' has a sprawling, richly tangled story that needs time and space to weave its magic.

I was born in the city of Brantford, Ontario, Canada - but by the time I'd left high school, I'd moved seven times with my family, my father's engineering work taking us to places as far-flung as Bay City, Texas, and Wolnae-Ri in South Korea.

Brantford was the fixed point of my universe, growing up. Both sets of grandparents lived there, with various cousins and uncles and aunts, and no matter how far we'd moved off, we came back there for regular visits. In a way no other houses have ever been, my grandparents' houses were 'home,' and the sale of the last of those houses was hard.

I spent five years of my childhood in Port Elgin and came back to spend another five years of my young adulthood there as well, including the years in which I was first published.

My children are as at home in the Port Elgin library as I used to be, and they've sat in the cinema seats where I sat with their aunt every Saturday afternoon, watching the matinee movies.

The recent controversy over the portrayal of Ken Taylor and his embassy staff in the movie 'Argo' brought home to me the great responsibility we writers have when telling stories that involve real people.

Even a writer like me, who, in 'The Firebird,' is telling the story of people who've been dead for nearly three centuries, needs to take care. Those people may not be around any longer to tell me what actually happened, but neither are they able to defend themselves against unjust portrayals.

In the years that I worked in museums, first as a summer student and eventually as a curator, one of the primary lessons I learned was this: History is shaped by the people who seek to preserve it. We, of the present, decide what to keep, what to put on display, what to put into storage, and what to discard.

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