Top 10 Stephen Chbosky Quotes

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As people get older, we all know, you get married and you have a child and that becomes your family, but when you're 16 years old, especially, your family is your friends.

Those writers that have zero say in their movie adaptations have zero say because they sell it. If you don't sell it, and you do it yourself, and you wait until the screenplay is ready, you don't have to worry about that.

When I did a study of all the coming-of-age movies that meant a lot to me, whether it was 'The Graduate' or 'Rebel Without a Cause' or 'Dead Poet's Society,' they all had that timeless feel. None of them were completely married to the details of their age. They felt timeless in their treatment of it. That's what made them resonate with me.

'Harold and Maude' was a seminal movie for me because it's not only a beautiful love story, but it's also about the moment when misfits find each other.

I found, through the process of doing 'The Perks of Being a Wallflower,' that I really love directing movies and I love writing books and so this will become the centerpiece of my career for the next ten or twenty years. Doing these adaptations.

I want to be an author/director and I'm writing my second book now and I want to make a movie of it, and I hope I get to do this for the rest of my life.

If the right thing came along, I would absolutely direct something I did not write because I love the process so much, but we'll see. I'm taking it day by day.

Music is a vital part of my life, and it has been since I was a kid. It helped me find my identity as a person, it helped me find my identity as an artist, and it helped me get in touch with emotions that I didn't know I had.

The girl that introduced The Smiths' song 'Asleep' to me was an important musical influence that I met in college. From there it's been an ongoing journey of different bands at different times, introducing bands and songs to me.

'Rent' was a special project for me. It was my first notable screenplay job. I worked with two wonderful directors on it, starting with Spike Lee in the summer of 2001. I wrote a draft for Spike and he was really good to me.

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