Top 10 Richard Greenberg Quotes

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When we watch a play under the standard circumstances, we've lost volition and time is passing. A still play feels like an existential threat.

The idea of a rupture between acts occurs in a number of my plays.

Frankly, seeing my plays with an audience is something I do with gritted teeth; I find the experience very difficult. I love the moment when you have just the dress rehearsal, when no one's there; that's kind of the peak to me. When people start filing in, I like to file out.

I was formed by 'The Forsyte Saga' marathon. There was something about seeing all those events telescoped that was unbelievably moving: that sense of time as something that can be tinkered with.

You do think, if you have your druthers, 'I want to sort of be, not anonymous, but unknown'. But you don't have your druthers in life, do you?

It's weird, because I don't feel prolific. I don't write anything for months at a time.

My mother wanted me to be a writer. But she was a child of the Depression and never understood that she wasn't poor. So, you know, the idea of not having a job, it would creep through. But she tried very hard to be subtle about it.

I think I can be an intimidating energy in the room. I think I come in with an aura of wanting results because as the playwright, I know how it goes, and there's the thought, 'Why can't they catch up?'

It seems that the hurdle you have to jump over is everyone's informed opinion. When you're a young playwright, you're probably too precarious in your own technique to understand that when these seemingly informed opinions are contradicting each other, it becomes this paralyzing monolith.

I don't write a play from beginning to end. I don't write an outline. I write scenes and moments as they occur to me. And I still write on a typewriter. It's not all in ether. It's on pages. I sequence them in a way that tends to make sense. Then I write what's missing, and that's my first draft.

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