Top 10 Marcel Dzama Quotes

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I try not to censor myself at all.

Everyone was saying computers were going to be the future of art; everyone had to do something in this medium. And it was almost some sort of rebellion that I wanted to do these small, intimate drawings.

I don't go digital. I was never good with technology. I didn't have a cellphone until I moved to New York. My gallery was like, 'What? How are we supposed to contact you?'

Every now and then, I like to take a break from the visual arts and play a few songs on guitar. I don't play them for anyone.

I'm always interested in seeing how other artists work. I want to know what their working patterns are. I even like to know if they listen to music when they draw or what time of day they draw, even materials they use, what they research, if they use photographs.

The process of the body changing and making a whole human fascinates me.

I feel that, for each show I've been doing, there's a character that dominates. Then in the next show it plays a smaller part, and then in the next it has a sort of cameo piece. So they all have their moment.

I find that I'm constantly drawing. Even when I'm on holidays or when the baby's sleeping, I'll just start doing some automatic drawing, something like that, and then it will turn into a piece, even though I thought I was just doodling.

I've always remembered 'Where the Wild Things Are' so clearly, which isn't the case with most other children's books. 'Wild Things' was a favorite from the start.

I use dull colors in my drawings because I started out using a root beer base, because it seemed like an interesting idea, and when it turned out that it worked quite well as an ink, I started using other colors that would complement it, like grays from Higgins black writing ink and, more recently, Dr. P.H. Martin's olive green and vermilion.

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