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When I began 'All Our Names,' I did so wanting to create parallel narratives between Africa in the nineteen-seventies and America during that same period.

When I think of my work, I'm aware that I'm American and African at all points and times. And without a doubt, my experience and understanding of America was shaped by having immigrant parents.

I wrote my first book without being to Ethiopia since I was two years old.

'The Beautiful Things that Heaven Bears' is very much about America - it just happens to have African and Ethiopian characters, and in fact, it happens to have more characters who are not Ethiopian than who are.

Obviously, in marketing, the best tool is to show the autobiography in fiction. It's inevitable how that happens, but it's generic. Say I've written a story where my sister dies. 'Well, did your sister die?' No, she did not. But people use those straws to grasp at the difference between reality and fiction.

As a writer, it's a great narrative tool to have that character who is slightly detached but at the same time observant of his reality, because I think that's pretty much what being a writer is - being there, watching and internalizing.

When I was growing up, Forest Park was full of integrated families. It was amazing. One my best friends was Vietnamese. Another one was half-Mexican, half-black. Another one was from Colombia. Another one was born in the U.S., but his mom was from Germany and spoke with a German accent. So we all had multiple identities.

My parents never referenced Ethiopia that much, largely because of the circumstances under which we left. We left during a time of political upheaval, and there was a lot of loss that came with that, so my parents were reluctant to talk about those things. So I had, by and large, an American childhood.

In high school, I began to dig my way into Ethiopian history, and began to understand myself as a young man formed by multiple narratives.

Peoria is such a seemingly quintessential American city, and I had always wanted to draw on that in either my fiction or in nonfiction. The Midwest is also a landscape that I have always been infatuated with, perhaps because it's the first one I can truly remember.

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