I really want to bring ensemble playing back to the forefront - not just for me, but for everyone in jazz. When you have a group, a true co-op group, you can really heighten the possibilities of all the treasures...

My father, I think he played percussion in high school. My mother played piano when she was very young, but only for a brief while. I don't think she had a great teacher. In any case, neither of them were...

I had experiences or exposure to music in church. I went to a church, it was very unique. It was a predominantly African American Catholic church. So they would have - one mass would be traditional church music, and then...

I consider myself very fortunate. I mean, I think there's that old saying, 'Where there's a will, there's a way,' and I just have such a passion for jazz music and playing the piano that I just find a way...

I'm not saying that in order to be a great jazz musician you have to be a great classical pianist first. But I am saying that it makes things easier when you can get around the instrument, and you have...

The older I get, the more I realize the importance of maintaining an even temperament - not getting too emotional, focusing on the task at hand. You don't want to make a business deal based on your emotions.

There's a huge part of me that's thinking about perfection. I have to fight that urge, to try to live in the moment, reach for something that I might be hearing, and not second-guess myself.

When I see young people interested in music. I always look out for that passion in their eyes. You never know where that might lead.

A lot of times, we look at jazz in eras. How can we not keep those eras separate and think of the language as one complete continuum? It's all interrelated, and it's all evolutionary.

It's much like playing jazz, flying. It's multitasking in real time. You have a number of instruments that alone won't tell you exactly what the airplane is doing but together give you a picture of everything that's going on.