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Timothy Morton Quotes

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You wouldn't believe how many philosophers are afraid of movement.

Inevitably, ecological awareness has this kind of '70s flavour to it.

I like to think of myself as the corniest, most awful thing you could possibly imagine.

I can get quite well known, and then I can unleash this kind of anarchist-hippie thing that I've been holding like a very precious liquid, carefully, without spilling any, for years and years and years. And now I'm going to...

I believe art is a way to attune to what reality is, which is a weird reality.

It truly seems to me that there is some kind of shift happening towards ecological awareness - not just in terms of PR for the science.

An artist attunes to what things are, which means sort of listening to the future, which is just how things are - I think time is a sort of liquid that pours out of hatpins, underground trains, salt crystals. So...

The Severing is a catastrophe: an event that does not take place 'at' a certain 'point' in linear time, but a wave that ripples out in many dimensions, and in whose wake we are caught.

The waste products in Earth's crust are also the human in this expanded, spectral sense. One's garbage doesn't go 'away' - it just goes somewhere else.

Am I simply a vehicle for numerous bacteria that inhabit my microbiome? Or are they hosting me?

Anyone who has trouble imagining causality as magical and uncanny need only consider the existence of children.

Losing a fantasy is much harder than losing a reality.

When you make or study art, you are not exploring some kind of candy on the surface of a machine. You are making or studying causality.

One advantage of arguing that causality is aesthetic is that it allows us to consider what we call consciousness alongside what we call things.

Humans can no longer ignore nonhumans: they end up haunting the words we use and interrupting everyday talk.

The trouble with ecological invocations of Nature is that they're like calling for a medieval tool, perhaps a portcullis or an arrow slit, to fix a modern problem.

Invoking Nature always measures the distance we have yet to travel to achieve real progress on environmental issues.

Nature was developed to resist the onslaughts of capitalism, but it's really not a very good defense - rather like resisting a steamroller with a Christmas tree ornament.

Aesthetic experiences are powerful, to be sure, and probably inescapable, but Nature will not remain effective for very long.

I'm not unhappy with the idea of appealing to people's self-interest if that's what makes them understand something about the non-human world.

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