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Rabindranath Tagore Jayanti 2026
Definitely as an actor, the experience you have, at least I'm talking for me, my experience as an actor is you go to the set and know what you're going to do, know your lines, you rehearse, you do your scene, you go back home. As a producer, for the first time I saw the whole picture in a completely different way.
I tend to - every time I step onto the set until the time I go back to the hotel, I just try to be in character all the time.
Obama's the one who never worked a day in his life. He never earned a penny that wasn't public money. How many fund-raisers does he attend every week? How often does he play basketball and golf? I wish I had that kind of time.
I've been thanked a lot in Wendy's, Applebee's, and Marriot hotels, I've never been thanked in Le Cirque, for some reason. I try to spend as little time as possible in Le Cirque; that's not because the food isn't good... I'm not the kind of guy who likes to find his food under his parsley.
Anybody who knows me knows that half the time I'm saying things with a somewhat humorous overtone.
You never know how you're going to be received, after all this time. The initial response we had was just overwhelming, particularly that tour of the States.
In our fathers' time nothing was read but books of feigned chivalry, wherein a man by reading should be led to none other end, but only to manslaughter and bawdry.
I wanted to make the world of 'The Last Book in the Universe' as real as possible, so I spent a lot of time thinking about it. I decided the world would be a very different place, but people would be pretty much the same.
I have vivid memories of junior high school. I didn't quite know how to deal with kids and make friends and all of that. If you talked to people who knew me at the time, they'd think I was a popular kid in school. But boy, I didn't feel that.
Every technology, every science that tells us more about ourselves, is scary at the time.
My mother was apt to fall out on the floor and start speaking in tongues. Actually, it was a great performance... It was great theater. As a 5-year-old, I understood that, although it scared me and there was a little part of me going, 'I don't know about this. This seems over-the-top to me,' at the same time, I did understand that this was passion.
I admired Mary's work very much. From the time someone gave me 'The Liars' Club,' I immediately went into a world where I grew up. And I remember, when I finished the book, I actually thought, 'You know what, I need to write songs with her.'
In the 74 years and nearly four months marking her time on what she called this crooked old Earth, my mother rarely drew a healthy breath. Still, to say that life wasn't fair for this awkwardly glib, yet deeply religious woman, would fail to take into account her towering instinct for survival.
Favorite country singer of all time... Hank Williams... Well, then there's Willie Nelson. Can I have three? I can't do one. Then if I have three, I'll need five. Hank Williams for sure. Willie Nelson. Johnny Cash and Waylon Jennings.
In my 15 minutes of fame around 'Diamonds and Dirt,' it was not a healthy time for me because of my insecurity.
With 'Fate's Right Hand,' I think I reached a level of completeness in forming and articulating ideas at around the same time I reached a place where I could match it with my singing voice. It was a kind of coming together.
I drink too much. The last time I gave a urine sample it had an olive in it.
Acting deals with very delicate emotions. It is not putting up a mask. Each time an actor acts he does not hide; he exposes himself.
For a long time, sure, I was letting the pressure of being Rodney King get to me. It ain't easy. Even now, I walk into a place wondering, 'What people are thinking? Do they know who I am? What do they think about what happened? Do they blame me for the all those people who died?'
And I'm supposed to grab her and kiss her and she's supposed to react. Well, what happened was, Julie was very nervous at that time, given this incredible part which she did beautifully.
I didn't ever think of it as a social thing at the time. I took it as a good story. Maybe because I've always been kind of progressive so I never thought of it, you know.
I'm not so sure that younger people today really appreciate the enormous bravery that went into the creation and production of that film, or how important a film at the time it really was.
I want to go out at the top, but the secret is knowing when you're at the top, it's so difficult in this business, your career fluctuates all the time, up and down, like a pair of trousers.
In the beginning I had a real work problem. Every time I had job I had to convince the immigration authorities I was the only man for that job and get a special work permit until I went under contract to MGM.
It's a big con job. We have sold the myth of Dublin as a sexy place incredibly well; because it is a dreary little dump most of the time.
Fortunately, I happened to go east at a time when live television was centered in New York.
I can't say I was unhappy as a child actor in films. I had a particularly wonderful time.
One time, I fought 90 fights in 90 days in 90 different places around the world. I didn't even know who I was: about 45 or 50 in, they just kept pushing me, and that's when I really get into a lot of trouble.
Burt Reynolds, the first time I met him, he introduced me at Madison Square Garden at Wrestlemania X.
A lot of guys that were trailblazers, if we were to go back to the actual time, were just really scared and had no choice, but the water's rushing in, and you either swim or sink.
Yes, I hit with heavy top-spin, but when you look at the little rackets I played with, the Maxply Dunlop, you had to hit the very centre all the time. I had my share of miss-hits.
We were pretty darn good - fit and ready to play - but today's level is different. Those ground strokes are ever so much faster, coming back at you at a pretty good speed. Footwork-wise, you've got to be ready to hit that next shot. It's a tough time.
I was just nine years old when 'Straw Dogs' came out, so I can't really speak to the women of the time, but I can tell you that the women of 2011 are not put-upon, and they're not victims.
If I have to answer one more time, 'Why did you want to remake 'Straw Dogs?'' with the emphasis on the word 'why,' I'm going to flip out.
I believe Sam Peckinpah is one of the greatest filmmakers of all time, and I hold him in high regard.
I suppose when any movie dealing with politics is released, there is a knee-jerk assumption that it is propelled by a liberal agenda. That may be true most of the time, but not with 'Nothing but the Truth.'
I was also lucky to play for an owner, Bud Selig, who truly cared about his players. He'd call me into his office once in a while when he knew things weren't going so well. And it's funny. Every time I left there I always felt like something good was about to happen.
I think maybe we were just a little bit overdone. It was saturated. People may have gotten tired of us. We were everywhere, all the time.
Each record is sort of like a brand new baby, where it's your favorite thing at that moment in time.
I spend more time in New York than the Dominican. I play here, I live here, so why not become a citizen?
I feel thankful for the Seattle organization and the city. The fans embraced me right away, and I had a great time there.
Club culture is always going to be a reflection of youth culture, but I think we're maybe moving into a time when the club is a place where older people can go, too. And it's a place people go to connect to themselves, it's not always about the party. It's also about letting off steam and expressing yourself and connecting to other people.
Filming costs so much money, so it's such a nerve-racking process, whereas being in a studio is quite cheap compared to that, so you have more time to work on things until you feel good about them. That makes it easier to explain a certain feeling and be in a vulnerable place while making sure it does what you want it to do.
I don't know much about making films or TV programs, but what's cool about being in the studio is that you have more time.
You can trick yourself into doing things by doing it one step at a time and never letting yourself see the overall picture.
You realize that the first Bryan Ferry album was pretty good although at the time it seemed a bit cheesy.
When you think about great teams, The Beatles and the Pythons immediately spring to mind. The Pythons were as much a part of their time as The Beatles.
I've been able to make a good living as a musician, but now it's time to do all the other stuff.
When I was 14, I spent a huge amount of time on the Internet, but not the Internet we know today. It was 1994, so while the World Wide Web existed, it wasn't generally accessible. Prodigy and CompuServe were popular, and AOL was on the rise, but I didn't have access to the web, and no one I knew had access to the web.
Queen Latifah was the first time I had ever professionally written with another woman of any color.
When I wrote for Jordan Knight, I was 17 or 18, they were pretty much the only songs I was writing. By the time people like Christina or Usher came around, I was able to know that I was writing for different points of view and people that might not want to say certain things. So you have to be considerate of whichever artist you're writing for.
While I was with Procol Harum, the only time I'd see my guitar was either when I walked onstage or in the studio.
What I need to address are the situations when people are taking it upon themselves to think for me, make assumptions, or interpret things as if they are me. Last time I checked, my head was still attached to my body, so I'm the only one who knows exactly what I'm feeling, and that is not what I or the fans have been reading.
Great players must always produce and at any time or in any game. Give them a ball and a pitch, and they will show what they've got. That relaxed, calm spirit you don't really have when you are young.
I always want to win, and it was time to win some club prizes, some titles. I never would have gone for the money, but wanted the chance to get a bit further in my career. And it turned out to be the right decision.
As someone who writes and teaches YA fiction, I spend a lot of time trying to define its character and readership, and I don't think I'm alone - genres are all about boundary drawing, and the YA genre is, in a lot of ways, about carving out boundaries around adolescence, a space for teenagers to do teenage things.
I'm not up there with Kate Winslet and Julia Roberts. I don't sell tickets. I've known that for a long time.
From the time I was wee big, my mother was one of the first members of Mary Kay Cosmetics. Women going door-to-door and letting housewives have their own business - that was really a breakthrough. It was huge.
I think that my passion for writing fantasy began at about the same time as my passion for reading fantasy.
One idea I explore in my stand-up show is whether, if you try looking at the universe rationally and avoid coping mechanisms like mysticism or religion, you can still be happy knowing you are going to die after a brief time on this spinning ball.
I refused to do a lot on mobile Internet until around 2009. But because we didn't start early, it took us some time to figure out what's the important thing, what's the most relevant thing for Baidu.
I loved theater growing up, and my mom always took us to the touring productions that would come through town. We would go to Chicago all the time and see shows. I loved it.
The 20s are like the stem cell of human development: the pluripotent moment when any of several outcomes is possible. Decisions and actions during this time have lasting ramifications.
Parents bobble between a nostalgia-infused yearning for their children to play and fear that time spent playing is time lost to more practical pursuits.
I have a background in theater. At the time I read 'The Loved Ones' script, I was playing Catherine the Great of Russia onstage. Straight after that, I played Stella in 'A Streetcar Named Desire' and Isabella in 'Measure for Measure.'
Let's put one lie to rest for all time: the lie that men are oppressed, too, by sexism-the lie that there can be such a thing as men's liberation groups.
So you start one person at a time. Change one person, you can change a village.
I never cooked before I became vegan. Preparing a meal as opposed to ordering in all the time, you start thinking about where your food comes from and how it gets to your table. You notice that chain.
It was part of the reason I almost didn't go public with my diagnosis - I was embarrassed. I felt, 'Oh, I've always talked about exercising. And I got cancer.' And then I realized it's a great example of showing that cancer can hit anyone at any time.
Once every seven days, do something that frightens you. Every time we do something that we resist and is frightening, we actually grow in our power.
The starting point of discovering who you are, your gifts, your talents, your dreams, is being comfortable with yourself. Spend time alone. Write in a journal. Take long walks in the woods.
Leaders understand that the real fight is the fight against time. There's so much to achieve in such less time.
Too many people start their day like a five-alarm fire. Instead, I teach people to start their day a little earlier than they usually do, and urge them to take the time to prepare, to practise, so when you get to work, it's show time and you're at your best.
I believe we can accelerate our acumen, performance and success by leveraging our associations and spending time with people better than us.
The most effective adaptation of racism over time is the idea that racism is conscious bias held by mean people.
It became clear over time that white people have extremely low thresholds for enduring any discomfort associated with challenges to our racial worldviews.
This is one of the most effective adaptations of racism over time - that we can think of racism as only something that individuals either are or are not 'doing.'
White people in North America live in a social environment that protects and insulates them from race-based stress. This insulated environment of racial protection builds white expectations for racial comfort while at the same time lowering the ability to tolerate racial stress.
As white people in this society, we are socialized from the time that we're born to see ourselves as superior, to see white people and things associated white people as superior. At the same time, I'm encouraged to never admit to that. I'm taught that racism is very bad and immoral.
What I do used to be called 'diversity training,' then 'cultural competency' and now, 'anti-racism.' These terms are really useful for periods of time, but then they get coopted, and people build all this baggage around them, and you have to come up with new terms, or else people won't engage.
Amazon has overreached. In service of its fledgling drone delivery operation, Prime Air, Amazon appears to be planning to force communities to accept drone flights at any time of day or night - and is working overtime to ensure that states and cities cannot protect their residents from drones.
If you have a chance to accomplish something that will make things better for people coming behind you, and you don't do that, you are wasting your time on this earth.
After I failed to win the Most Valuable Player Award in 1960, I made up my mind I'd win the batting title in 1961 for the first time.
I laugh when Floyd Mayweather says that if he went back in time he would beat us all. I'll tell you this: if he was in the same era as Hagler and Hearns and Leonard and me, I don't think he would be such a big name. There is too much talk.
I like to go out on my bike. That's when I do my thinking. Two or three hours on the roads - that's when you get time, and you can think without problems.
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