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At various times over 20 years, I did preliminary designs for aircraft like the Stratolaunch. For that whole time I was encouraging us to do something that almost everyone else felt you could not do.
There was a wonderful little short four-year time period when marvelous things happened. It started in 1908, when the Wright brothers flew in Paris, and everybody said, 'Ooh, hey, I can do that.' There's only a few people that have flown in early 1908. In four years, 39 countries had hundreds of airplanes, thousands of pilots.
With any luck, by the time NASA's space probe hits Pluto, you'll be booking a spaceflight with a privately run suborbital airline.
By 1973, we had a space station, the Skylab, and we had multiple probes going up to planets. So, all this wonderful stuff happened in 10 to 15 years. About that time, there should have been enormous initiatives to make it affordable for people to fly in space, not just a handful of trained NASA astronauts and Russian cosmonauts.
On our show, I must tell you, it was... the 60s was a period of time when everything was free love. People made love to each other. It was a very open life, you know?
You know honestly, I enjoy working with everyone because remember, these were all real pros that had been around the business a long time.
Most of my ambitions were seeded at St. John's. My time there was some of the best time I have spent on Earth thus far.
As a member of Guess Who, I think 'No Time' was the best thing we ever did. It was a pivotal song in our career.
Since stepping down as laboratory director in 1999, I have devoted an increasing fraction of my time to international issues. I am involved with energy, environment, and sustainability issues, particularly as they involve new energy sources free of greenhouse gases.
Total failure isn't something I want to spend a lot of time envisioning. I'm pretty sure I'll recognize it if it comes.
Whether it's working on five or 10 different things at the same time, I've got to stay in people's faces.
It's been three years since I last performed here so I'm dying to tear the roof off Wembley Arena with some old school joints and brand new bangers. When I'm done, you're gonna remember it for a long time to come.
Birdie is amazing and such an incredible child and I'm having such a great time being a mom but I still want to have a career and I still look forward to auditions and parts, and when I don't get them I'm disappointed.
I never doubted that I would work, and every time I went to an audition, I went into the room with the knowledge that I was going to get the part. Ninety-nine times out of 100, I didn't.
Also, this is what a pregnant Busy Philipps does in her free time, I'm taking master fondant cake decorating class with Anna from 'Ace of Cakes' at Duff's Charm City Cakes. It's, like, 4 three-hour classes.
And then I went to 'Dawson's Creek,' which is a show that was, for better or for worse, all about the language. It was a word-perfect show, which I'd never had any experience with. And it was really shocking for me. I felt really hemmed in. At the time, it wasn't my favorite working experience.
I'm a jewelry girl. I became with friends with designer Irene Neuwirth a few years ago. At that point, I just used to wear my wedding rings. Very low key. Now, if I could, I'd be draped from head to toe in her jewelry all the time. Everything she makes is beautiful.
From time to time I think I made some errors in judgment, but I have some really fashionable friends and I feel I've cultivated my own sense of style and what I feel comfortable with over the years.
I have great ideas, but the follow through is always really difficult for me. As my kid gets a little bit older, if I feel like I have a little bit more time on my hands, I'd like to get more into developing ideas and writing things.
My children make me cry on a daily basis about everything. Tears of joy, tears of pain, tears of sadness - all the tears, all the time.
We have traveled with our kids since they were babies. We've had some crazy times, obviously, with the kids. My husband and I both work, and they just really look forward to our vacation and our time to be together to reconnect.
At the time - but we've since made amends - James Franco and I really didn't get along. When we were on 'Freaks and Geeks,' we were 19, and we really, really disliked each other. He shoved me to the ground once; it was really brutal. We're friends now, and we really like each other now as adults - but as kids, we did not get along.
As you fall in love with friends, you want to spend more and more time with each other.
Six years of your life is a long time to do anything, and especially in this business, where you get so used to being nomadic and moving on to different jobs.
I called my mom sobbing when Birdie was a few months old and said, 'I'm sorry. All this time, I had no idea how much you loved me.'
I have my own grown-up versions of temper tantrums, too. I have a hard time not getting hurt when my kids have meltdowns.
It is important to give your kids that individualized attention while also making time for your marriage and for yourself.
I make sure that I'm not focused on other things when I'm spending time with my children.
Honestly, I don't have time for a lot of TV. And it's unfortunate, because I love TV.
For a long time, our only mode of travel was an Econoline van. Eleven of us, with nine sleeping in the back on two mattresses.
Phil Walden had complete faith in us, and I'll respect him forever for that. I think he sunk about $150,000 in us. He was close to bankruptcy a lot of the time, and Atlantic kept telling him we didn't have a chance.
I don't think we listened to any rock n' roll at all in the early days. It was Miles Davis and John Coltrane 95% of the time.
I remember somebody came in with Chicago Transit Authority, and we listened to it one time.
When I listened to Elvin Jones, man, for the first time I heard a drummer that had all the technique plus emotion, passion, feel, and just - good God!
A lot of the cities where we have a strong following, we don't even get to every year anymore. But Stony Brook was a place that, from the very first time we went, the chemistry was right. They loved us, and we loved them, and we just kept going back and going back.
If we go back to the moon, we're guaranteed second, maybe third place because while we are spending all that money, Russia has its eye on Mars. Landing people on the moon will be terribly consuming of resources we don't have. It sounds great - 'Let's go back. This time we're going to stay.' I don't know why you would want to stay on the moon.
I'm convinced that sending people to Mars is so expensive that if you go once and bring the people back and then go again and bring the people back, we're eventually going to run out of money. But what if we send people the first time and they don't come back? What if they stay there?
I was motivated to improve the U.S. strategy of going back to the moon in 1985. That's a long time ago. Going back to the moon would be a great achievement for tourism adventure flights.
By refocusing our space program on Mars for America's future, we can restore the sense of wonder and adventure in space exploration that we knew in the summer of 1969. We won the moon race; now it's time for us to live and work on Mars, first on its moons and then on its surface.
Timing has always been a key element in my life. I have been blessed to have been in the right place at the right time.
When the time comes to start building deep space transports and refueling rocket tankers, it will be the commercial industry that steps up, not another government-owned, government-managed enterprise.
I think we need to move to the moons of Mars and learn how to control robots that are on the surface. It's not the impatient way of getting there, but Mars has been there a long time.
I'm looking forward to wrestling Tony Nese, defending my title, and cementing my legacy as the greatest cruiserweight of all time.
Between us and the writers, it was comedy hour the whole time. We could hardly get through it.
I think at one time every drummer wanted to play like Krupa or wanted to win a Gene Krupa drum contest. This is the big inspiration for drummers and naturally it has to be the same way for me.
I would love to sit at home all day and play with my kids. It's my favorite thing to do in my time off.
The first trip of the Pony Express was made in ten days - an average of two hundred miles a day. But we soon began stretching our riders and making better time.
The greatest of all the Sioux in my time, or in any time for that matter, was that wonderful old fighting man, Sitting Bull, whose life will some day be written by a historian who can really give him his due.
The time I save setting up and cleaning up probably balances out by the time I spend on output.
Another time factor is output: proofing and printing. That is, getting your work out of the computer and onto paper and having it satisfy you. It can be time consuming and expensive.
I put all my time into Indian rights, and I think this is something I know something about, and I think that my time is best spent insofar as my political views are concerned.
I've had a different kind of career on the periphery of show business. I've never been on any kind of corporate timetable whereby every six months I have to pop out a record like a pulping mill. I've called my own shots. When I get tired, I take time off.
I was adopted without the benefit of papers. They used to hide adoption in the forties; I don't know why. Perhaps it was shameful. I could have been kidnapped - there are all kinds of crazy things that people have done - but I got over dealing with that a long time ago.
Although we dealt decisively with all terrorist organizations, we at the same time not only maintained, preserved our democracy, but kept improving it.
But if we leave them alone, just satisfying ourselves with social work, economic work and the building up of a national army, it can make progress, hopefully within a short time.
In 1965, I went to what was called the worst Bihar famine in India, and I saw starvation, death, people dying of hunger, for the first time. It changed my life. I came back home, told my mother, 'I'd like to live and work in a village.' Mother went into a coma.
I learned the major difference between college and pro football. In the pros, you're up against a top receiver almost every minute of time. In college, maybe one comes along every third game.
The NAACP was not a black-run, black-originated organization. It was run by 21 white, socialist, atheist, Marxist Democrats. It was the antithesis of Rev. Martin Luther King Sr.'s community at that time, which was capitalist, Christian, very pro-life, and pro-America.
When working with classical musicians, it is important to be clear as possible in the score about what my intentions are. Because there isn't a lot of rehearsal time, especially at the ballet, it's best if everything is written in the score.
My background in music is classical - I did graduate school in music. At that time, I was studying composition, but I was studying classical guitar very seriously.
Obviously, any living musician born after 1960 has been touched by rock and roll. It's the music of our time, and it's 'in the air,' as Steve Reich would say. My experience of it is just really direct because I'm actually playing in a collaborative band.
People say, 'Weren't you deprived of your childhood?' No way. I would not take anything back at all. Everything about it was great. I got to go places, meet people, play baseball against older kids and better competition. I had a great time.
I love the way people talk crap. I hear it all the time. 'Overrated.' 'You suck.' I'll just do something to shut them up, like, 'I'll show you.'
I want to get on base every single time I get up there. Whether it's a walk or a base hit, I really don't care how I want to get on base. I just want to be on.
It was in Cardiff, and the cast was 60 per cent Welsh-speaking. It's the first time I've walked into a rehearsal room speaking my mother tongue, which in itself was a breath of fresh clean air from the Welsh mountains. Singing Hans Sachs is always a milestone, but I was happy to be part of such an achievement, not personally but as a company.
I was in New York in 2014. It was still cold outside. I was sitting there working on 'Exchange' and 'Right My Wrongs' at the time, and a fan had commented on one of my songs called 'Let Em' Know' that was already on my SoundCloud and said, 'trapsoul movement.'
Whenever you fly into Louisville, you see a sign that says, 'It's Possible Here.' I remember my first time seeing it - I think I was coming home from the studio in L.A. - I was working on my debut album, and I just thought, 'Wow, it is possible here.'
I grew up listening to T-Pain and The-Dream, and they were doing that thing, rapping and singing at the same time. That's where I get it from.
Vine is where 'Don't' started popping off. A lot of famous Viners used the song, and that was crazy because I had never been a part of something like that. I drank champagne for the first time when it got 100,000 plays.
I'm from Louisville, Kentucky, and nobody gets out of there. So I'm like, how am I gonna get out of there? Nobody else can. So it took some time. The struggle made me realize I didn't really want to be 'normal' anymore.
Every time I go home, I look around, and it feels surreal. Like, I'm not living out of my car anymore, I don't have to ask people for money.
When people screamed novelty the first time around talking about an ugly video and stuff I was really insulted because, hold on a minute, everyone you see in the video are real life.
Deliverance is about what I went through the first time. And I chalk it up as a learning experience.
I was shooting in the low 70s and 60s by the time I was 12. That's the great thing about golf. It doesn't matter how old or young you are. If you're 90 and can shoot a good score, people will want to play with you.
I usually make sure that my stories are from Africa or my own background so as to highlight the cultural background at the same time as telling the story.
What I always meant by that was that I do believe that a lot of directors, and writers, and sometimes producers just lose their edge because they haven't seen anybody or talked to anybody or been with anybody who isn't a kind of replica of themselves for a long period of time.
I was not bitter by not being allowed to play in the major leagues. I just said, 'The time has not come.'
Lady Limelight is a jealous lady. She wants all of your attention. You don't have any time to think of anything else but Lady Limelight, because pretty soon that light will be shinning on somebody else. So you better do it while you can.
I got to realizing that I wanted to record, I wanted to experiment. And doing those same old songs the same old way - I said, 'I think it's time for me to have some fun.'
I never expected to record again. I knew I had done everything I ever wanted to do. I was satisfied. But... all the time I'm watching the country music horizon. And I'm sayin' 'Lord, is there anybody gonna come?'
I'd like just to be remembered as a guy that came along and did his music, did his best and showed up on time, clean and ready to do the job, wrote a few songs, and had a hell of a time.
Sitting at home the way I do, I'd just love the hear from people. It'd be a great help in passing the time.
The day after high school, I was off to basic training at the Great Lakes Naval Station. You gotta understand, we didn't care about sports. We wanted to win the war. We wanted to win the war! And at the time, we didn't know if we would.
Being cold for a short period of time is not life-threatening. You can perform a task when you're cold. We proved that when the Vikings played outside.
Some of the most innovative things in football I see at high school games. It's not the play - it's when you run it. The right time.
I happened to be in a position in Superior where I could play three sports, and when I came to Minnesota, I had the understanding they would allow me to play three sports. Kids now don't have the same amount of time. You have coaches that think baseball is 10 months a year. Hockey is 11 or 12 months a year.
If you have time to be with a dog, and the dog is smart, you come to understand the dog, and the dog understands you. They're not hard to train. But they have to be smart, and you have to spend time with them. It's like coaching. I was a better coach when I had smart players.
I am not the first Buddha who came upon Earth, nor shall I be the last. In due time, another Buddha will arise in the world - a Holy One, a supremely enlightened One, endowed with wisdom in conduct, auspicious, knowing the universe, an incomparable leader of men, a master of angels and mortals.
I admit, I do a lot of projects, but it's because I'm in a position now where I'm reading a lot more scripts and plays and things, and I'm really listening to offers and trying to think what I want to do at any given time.
If you're a person who complains about everything all the time, then you're just the boy who cried 'wolf.' But if you do it on occasion and about the right reasons, then people listen.
I wish Americans thought more like Europeans when it comes to money and work. They take time off, they do what they love. We think work is the most valued commodity. Really the most valued commodity is time.
I don't do interviews at all when I'm on tour, so this time, on a day off, I'll do that kind of thing a little bit. I don't do big promotion schedules, not when I'm touring.
But I was feeling quite down at the time. I was living in L.A., which was kind of weird for me.
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