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There are many times where we lose faith in our country and ourselves, and I think drag is definitely a form of entertainment and a form of hope that tells us we have to hope for a brighter future.
I think any time we do drag, especially in 2018, it's a political statement. Because we're living in a world where people don't see drag queens as equal. They don't see queer people as equal. They don't see people of any minority as equal.
If everyone's rocking the same cool, hard-to-find fabrics, they might not be as cool and hard to find as you think.
I think - I know - the normalization of drag and drag culture has definitely opened up people's minds in some parts of the world.
'Drag Race' is so unique in how much progress it has made in how people think of people in LGBTQIA-plus community and has helped make big strides in the way queer art is perceived.
I don't give a damn what anybody says. I don't think at 70 and 75 that you can be as productive and efficient as you were when you were 40 or 50.
I don't think I was a miracle man. Neither were Lou Holtz or Frank Leahy. We all found ways to win.
I can't think of anything that's hit me harder in my life than when I learned that three of our youngest grandchildren were diagnosed with Niemann-Pick C.
I don't think I've got the expertise with which to nit-pick, and I freely admit that my motivation to support charities has been emotional, rather than as a result of being particularly well informed as to how the money is used.
I think that when voters react negatively to trade and investment, they are really expressing their angst about the pace of technological change.
We often run the risk, when discussing women empowerment, to think that this is about women talking about women with other women, but this is not the point.
We want to let you use a Mac, or Windows PC, or iPad, or Android, without having to think about any of the technical details.
As much as we can, we want to prevent people from having to think about how to keep and share their stuff.
I have a dormant director in me. I do think about subjects and films I want to make. I get pretty excited about them.
I think the audience will be pleasantly surprised to see what I have attempted with 'Dolly Ki Doli.' I am confident that this movie will be accepted.
I won an award for my debut film. However, my career went up and down after that but I kept getting work. I did whatever excited me and did not think which role or film will change my career.
It's a myth that you'll know the box office result of any film. I don't think anybody can predict a film's fate accurately, otherwise nobody would make unsuccessful or flop films.
I want to be amongst the top 10, if not top five filmmakers. Though I don't think I'd stand even in the list of top 30 actors.
I think, with every kind of creature and every kind of human, there is no better. We're all just mutations, and I think that each mutation should be celebrated.
I'd say 'Codename Baboushka' has been a slightly more difficult process for me, but I think that's precisely because it's quite different to my usual fare. And even then, being difficult doesn't make me prefer it, or not, to anything else. I like a challenge.
My process is kind of intuitive - I think about how a character will speak according to their station and personality, occasionally making notes with guidelines for their mannerisms, and then I just sort of crack on and write it.
We all like going to the dark side of things; we all like dipping into worlds that we don't know anything about, or hopefully don't know anything about. I think 'Banshee' gives people a chance to do that pretty safely because we all know there's a solid buffer between the show and reality.
I think about and study people. I think I make people uneasy sometimes by being so curious as to why they do what they do. I find myself thinking about this fairly obsessively, and I can't stop until I've found an answer.
I definitely don't think of myself as someone identified by region. It's too far-flung a region, for starters, and southern New Mexico is very isolated. I wouldn't think of my identity as generational, either, but maybe as more stylistic, in the school of realism and domestic issues.
I think maybe short stories operate in some of the same ways that poems do. They frame single or small moments and elevate those. They give you insight into more minor dramas maybe, dramas between smaller groups of people.
I often think of the novel as a form that celebrates social groups, and the short story being a form that is capable of celebrating an individual or a sort of insular little pair of people.
I'm a little hesitant to make my characters sentimental or to risk having the work labeled sentimental. It's something that I resist as a reader, and I don't resist it in life. I'm not an unmoved person by any stretch, but I think I don't want, I guess, to indulge those kinds of things sometimes in fiction. I can't tell you why exactly.
I don't think that I will say that we are less talented in Bollywood, but our functioning is different. We cater to a different kind of audience.
I think if you laugh at your troubles and tell the whole world what went wrong, you can't be frightened by anything.
As for my stand, I think it has become difficult in our country to be a Hindu and a liberal at the same time.
Everyone loves a love story. All of us want to be loved. I think 80 per cent of us spend our life chasing it, and only 20 per cent are lucky enough to finally find it.
As the property market is very steep right now I think people should invest their capital in a mix of equity and debt instruments, through reputed mutual funds and maybe some in gold and silver. Regular savings are very very important.
I think about my films for a long time, maybe years, but I write them in days.
I think the perspective that small-town directors bring to films is very different.
I do not make movies to send any message, but my treatment makes my viewers think on the subject.
There is more to Indian cinema than just Bollywood. I think regional cinema, especially Tamil and Marathi cinema, are exploring some really bold themes.
I don't know if I'd ever want to show my college life in the films I make. I think I've passed that stage long ago.
I've become a lot more tolerant; I think before I talk. I can take a lot now. I don't get as angry as I used to. Whenever I do, I channel my anger into my work.
I think I had more freedom when I began making films. I did not know what could not be done. I was naive. I did what I wanted to. As you gain awareness, you start losing freedom.
I think compassion is important but love fizzles out eventually. But if there is compassion in a relationship, things can always be worked out.
When someone goes to watch my film in the theatre, they won't remember the last four articles they read about me. Instead, they will think about the last film I did.
I do not choose characters because I think, 'Wow, that woman is so strong.' I chose these characters with utmost conviction because I think they were realistic enough to exist, and I really liked the scripts.
I don't think that a film should be known as 'male-centric' or 'female-centric,' but it should be known for the story. That would be really nice, and viable, too.
I think 'NH10' could have been done equally well by anybody else, and it's not a 'female-centric' or 'male-centric' film. It's the story that will appeal to the audience.
When my friends in college had crushes, I used to think something is wrong with them. I just chill out.
I find Tom Hardy very hot. About Bollywood actors, I dont think like that, as I know them.
People who speak different languages, they are watching the movie from our language. So, I think all of us should be proud as nation and as cinema lovers.
I think it is a wonderful process of transformation from an actress to a producer.
I feel that in spite of having a big launch with 'RNBDJ' and the film doing well for me in terms of getting appreciation, I don't think it made me the next big thing.
I think if you want to do something, then you should go all out completely and be fearless.
Too many girls try to imitate others and don't think about what makes them unique. The best part of a girl is what makes her who she is as an individual.
One Moment in Time because I think it describes me as a person and how I felt about being on the show.
It would be Beyonce Knowles, because we are around the same age and I think she sings very, very well.
Pop comes from the word 'popular,' which means that it could be anything that appeals to any group of people. When you talk about general masses, I think there's elements in every kind of music that can reach a broad audience.
I think we have a very Disneyfied, sterilized version of what an evil witch is nowadays.
My first school play was 'Perkin and the Pastry Cook' that my primary school put on, and I played a boy, and it was so much fun, and I'd love to play a boy again. I think that would be great.
I think anyone that's running for office really should focus on the education for our youth, creating more jobs and employment, and really focusing on our next generation.
Hip-hop is just bombarded with a lot of materialistic stuff. When a group like us with more creativity comes out, I think it will make some kind of change.
I don't think I'll be playing again. I'm very content and happy, doing the types of things I haven't gotten to do, be a father.
I've never had a chance to go to the Finals, and I don't have a ring - and that would be the only thing that would get me to think about it.
I actually think some of the rappers can help our image, because the thing I'm concerned about is the NBA's image. I always want our image to be on the rise, and if the rappers can help young players get business-minded, then I'm all for it.
Looking at U.N. staff and budgetary rules and regulations, one might think some of them were designed to prevent, rather than enable, the effective delivery of our mandates. It benefits no one if it takes nine months to deploy a staff member to the field.
I think Australia is an extremely relevant partner and a key instrument for the stability, the progress, and the support of the East Timorese.
But I don't think I have any particular talent for prediction, because when you have three or four elements in hand, you don't have to be a genius to reach certain conclusions.
Eco sees the intellectual as an organizer of culture, someone who can run a magazine or a museum. An administrator, in fact. I think this is a melancholy situation for an intellectual.
We all want to be someone else but without ceasing to be ourselves. I think it's very important to defend this idea in real life too.
But I will say, I think there are some Democrats that don't want to address pension reform. I have taken on the issue of seniority and tenure. I think we have to address entitlements and the president has done that in his budget. I think we have to extend Medicare and the president has done that. But also reinvest in that program.
We're not a homogeneous party, anymore than the Republicans are. But we are a party that I think has a plan to take us forward.
You've got to do what's right, or what you think is right. And you've got to make tough decisions. And you've got to be willing to take on your friends when you disagree with them.
I think it's outrageous if a historian has a 'leading thought' because it means they will select their material according to their thesis.
If you share an office next to a guy for twenty years, and you like him and you're friends with him, it's hard to tell him that you think that his whole idea of how the universe works is completely wrong.
I think the universe is pure geometry - basically, a beautiful shape twisting around and dancing over space-time.
I have to say that I reject somewhat the distinction between something called art and something called public art. I think all art demands and desires to be seen.
I think scale is about, in a way, the apprehension of proportion, and all the proportions that mean things to us as human beings are related to the body.
I think it's probably the Dutch who are to blame for starting the whole 'art business', because before they came along, art was attached to relatively stable structures, and it was everybody's. It was like going to the movies.
I think critics are very useful. But I think that they, in a way, betray their position when they stop people looking for themselves.
Judgment is very easy, but I think, on the whole, professional critics maybe see too much, and compare too much, and forget the joy of actually looking and contemplating for its own sake.
With a film, you try to keep your vision in it. I think with 'The American' and 'Control' I managed to do that.
I think if you don't feel passionate about the first movie you're doing, in the end the project will lack something because you don't have enough experience to make the movie something special.
When I was younger, I'd buy a vinyl album, take it home and live with it, and I think that attachment's largely gone for the file-sharing generation.
When you make a movie, you know you're making a long-form thing, so the visuals are different than for a video where it has to be more obvious or in your face, I think, a little bit.
If you make something with love and, you know, passion and you tell a real story, I think it will always find an audience somehow, you know.
I think Amsterdam is to Holland what New York is to America in a sense. It's a metropolis, so it's representative of Holland, but only a part of it - you know, it's more extreme, there's more happening, it's more liberal and more daring than the countryside in Holland is.
I think I've got a bit more to offer than just dancing. It might just be me that thinks that, but it's worth saying.
Pianists call me a composer, composers call me a pianist. The classicists think me a futurist, and the futurists call me a reactionary.
It always makes me sad when I think of how I saw Wagner wasting his vitality, not only by singing their parts to some of his artists, but acting out the smallest details, and of how few they were who were responsive to his wishes.
If you want to make movies you need to think on a micro-micro level and figure out how to make them for nothing with people who really care about your movie and really want to make it.
I think you can always find interesting, complex and fascinating characters to play in different kinds of movies. It's in your hands.
My playing music is strictly for fun. When I was in a band, I was really excited to talk about it since I had never really played music to that extent. It was never meant as something I would consider as anything more than having fun with my friends. But I think I would enjoy writing music for the movies that I'm working on.
I'm not passive aggressive. If something bothers me, I think about it, then I act on it. I express it.
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