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I don't think liberals in the media are really that much different from liberals outside the media.
We want to give you the roses when you're dead. That's how human beings think. I try not to think like a human.
Age is not a problem. It becomes a problem when people try and make us think old.
I think being 50 and being me is different than any other fighter in any era.
Father Time is whether you're an athlete or not an athlete. Father Time is always around. I think I'm just special.
I think I got the ability to speak the truth, and that gets in peoples' heads.
Will we forever live by our sword? We definitely will live with our sword. I don't think our children or grandchildren won't be soldiers. We must make efforts to try and not live only by our sword, but we will always be with a sword.
I do not wish to slander his name, I think Netanyahu ran the country well but his time is up.
No, that's not it. The first time we met was at Fat Tuesday's. Benny was playing, this was, I think in 1989?
I think there's a natural chemistry between us as friends; and there's really no separation between the rapport that we feel when we're in conversation and when we're playing music, it's one in the same.
Think of color, pitch, loudness, heaviness, and hotness. Each is the topic of a branch of physics.
It's hard for me to characterise myself. I think I'm balanced. Some people might say I'm cold-hearted.
I think the approach of the character for us is the same in a silent movie as in a talking movie because we had balance, we had lines to learn.
I happen to think nearly everybody - especially those one might find in the odd issue of 'People' magazine, including me - is frightfully boring, Especially me. And Tom Cruise. Tom and I are alike in only this way.
I think the Sixties in some ways is a barrier to young people today. They think of it, you know, what we're doing is not that. But it's partly the myth of the Sixties. It always felt embattled and small. It always, almost always, was a small group of people relative to the opposition around.
People think of politicians having true power, but that's less and less true. After all, they are often constrained or being edged into a corner by a whole series of contingencies.
During my eighty-seven years I have witnessed a whole succession of technological revolutions. But none of them has done away with the need for character in the individual or the ability to think.
No man should think himself a zero, and think he can do nothing about the state of the world.
I think we should bring up our children with much less pressure to compete and get ahead: no comparing one child with another, at home or in school; no grades. Let athletics be primarily for fun, and let them be organized by children and youths themselves.
In acting, you can always grow and get better - even if you think you're at your limit.
The vampire craze is kind of fascinating. We're interested in the idea of immorality and I think we're drawn to people or creatures who can give in to those base impulses and just be bad and not feel bad about it.
I sometimes think they should have said 'Black Lives Matter Too,' because that is really what is being said. The outcry is that historically and presently, the feeling is that black lives don't matter as much as white lives because we don't see the same type of things happening to them.
Guys are playing fantasy football; some guys I think even play fantasy baseball. I don't get involved with it. I have five kids; I just don't have time. Not that anything's wrong with the fantasy, but I just don't have time for it with my lifestyle.
White people think one thing and black people think another thing about the same event. And we automatically, before we really know what happened, kind of pick our sides.
Amazingly, I think that a lot of times athletes are - are kind of in a position where other think they shouldn't weigh in on certain social topics.
Athletes are in a position where others think they shouldn't weigh in on certain social topics.
Broadly speaking, the problems with the Espionage Act are that it is hopelessly broad. And we tend to use the Espionage Act - we think about the Espionage Act as forbidding disclosures of classified information. That's not really what the statute says. What the statute talks about is information related to the national defense.
All we can do is just think about what we can put into the world - not really kind of what we can get out of it.
I think, a lot of times, people think they know what they want, but what they really want is something that's genuine.
I think Good Charlotte has definitely always been for the underdogs and the misfits. We haven't ever really been the critics' darlings.
I think we live in a time where we can all distract ourselves from facing the pain or the reality of all of our lives - tons of ways to hide, to kill pain, to deal with pain.
Hopefully, the people that would look at a Good Charlotte record and dismiss it for maybe what they think is a certain kind of content, if they do discover something meaningful, then it's a nice surprise. I like those kinds of contradictions.
To write a song and have it embraced by someone, even one person, I don't think that's something that everyone gets to experience.
You've got to think, when we started our band, none of us had a computer until we were 21.
I think it's a known fact that Joel and I have always loved Australia since we started coming here 13 or 14 years ago. Everyone knows we love it here. Our only concern is will we wear our welcome out?
Jeff Lynne is an arranger, and I think it's probably much easier for him to go ahead and play a part himself than to try to show somebody else what he wants. But it's hard for me to say; I barely know Jeff.
In Mudcrutch we all wrote songs, and when it got to the focus on Tom and the Heartbreakers, I kept writing songs, but it wasn't anything that was up the Heartbreakers tree, I didn't think - and I don't think they did, either. So I kept writing songs for the hell of it, but I didn't want to make a record just for the sake of making a record.
I'm not an overly skilled piano player or organ player at all, but I think I'm the right piano and organ player for the Heartbreakers. And I've been the right piano and organ player for a lot of sessions that I've been called on.
I think that with Bob Dylan around, we're living in an era where we have Whitman presenting new work, we have Dickens presenting new work, we have Yeats and Shakespeare presenting new work. It's that level.
The people that call me to play on records call me because they think that I will suit their music. And the people whose music I suit are by and large people that I'm a fan of.
I think the mind has a way of getting to where it needs to get to. If you are persistent.
I think in terms of content and subjects and whatever kind of production it dictates. Can I conceive of an idea that would really connect with my personal rhythms and cost a lot of money? I don't gravitate in that direction, but it is possible.
I think baseball represents something closer to our experience. There's no clock in baseball; it's not over until it's over. It's like life in that there are prolonged periods of boredom and monotony, punctuated by intense moments of excitement and sometimes terror.
Capote is one of those people who represents something larger than himself. I think that his ambition, his kind of success, and the downfall that followed are very contemporary.
I think when an actor feels like they're being watched with great sensitivity and a subtle eye and a nose for truthfulness, that has some effect.
Chemistry exists or it doesn't, and I think casting is a very underappreciated component of filmmaking.
I think it's fair to ask how truthful a film is as opposed to how factual it is.
I think Will Ferrell is probably completely evil, the darkest of them all. He is known among comics as the dark knight. An evil, evil man and a dangerous soul.
I think, when I meet a person, in general, it's not my habit to conclude anything about people. Not completely. Even people you know well constantly remain open.
I'm not particularly good at anything. I'm not an incredible guitarist or piano player or songwriter. I think what I do is, when I notice someone is really good at something, I try to get that out of them.
Is it easy for me to write from a female point of view? Yeah, I am a female. I'm a very sensitive type of guy. I try to put my female hat on and think how a female would think. If I'm watching 'The Notebook,' I'm definitely gonna cry. I cried during 'E.T.' too.
I think somewhere along the way I realized, 'O.K., no one's gonna care about a chubby Jewish dude rapping.' I realized I'd be better behind the scenes.
I think there's a settled quality, there's a gravitas that comes with aging and with being a parent because you certainly come to recognize that there's nothing else that takes greater priority than raising your children.
I think film and television actually is a lot harder. Acting onstage is physically more arduous, but to get to emotional truth within a scene, it's much tougher to do it on film.
I think all actors are on the constant search for a real challenge just to keep things interesting.
I think a lot of us often don't express how we really feel because we're afraid of what others might think of us. So we secretly admire people who could care less. They do things that we don't allow ourselves to do.
I do not pretend to know precisely what is on foot there; but I think it pretty evident that there is a very free communication between that country and this body, and unless I am greatly mistaken, I see the dwarfish medium by which that communication is kept up.
All who think cannot but see there is a sanction like that of religion which binds us in partnership in the serious work of the world.
My general sensibility is most certainly comedic. But when I signed with my manager, he said, 'I think you could do dramatic stuff as well.' So, rather than making the choice to do it, I sort of agreed and deferred. By no means does it feel close to home, but I was willing to explore it.
The panty-line thing shouldn't be a big deal. I think we should just all agree that panty lines are OK. Because the thong thing is... just uncomfortable.
Most dancers have no awareness of how they look; half of them think they're fat. There is anorexia in the ballet world; there are those things.
I think that a strong Israel is the only Israel that will bring the Arabs to the peace table.
So I think we should stay focused on the real problem in the Middle East. It's not Israel. It's these dictatorships that are developing nuclear weapons with the specific goal of wiping Israel away.
I don't think you can rely on Iran. I don't think you can rely on other radicals like the Taliban. They dispatched Al Qaida to bomb New York and Washington. What were they thinking? Were they that stupid? They weren't stupid. There is an irrationality there, and there is madness in this method.
The Palestinians want a state, but they have to give peace in return. What they're trying to do in the United Nations is to get a state without giving Israel peace or giving Israel peace and security. And I think that's, that's wrong. That should not succeed. That should, that should fail.
I think that peace will require two states, a Palestinian state that recognizes the Jewish state.
I will say that I think Israel enjoys strong bipartisan support in the United States. It's really above and beyond American politics.
I don't think Israel can accept an Iranian terror base next to its major cities any more than the United States could accept an al Qaeda base next to New York City.
I think placing preconditions before negotiations is the quickest way to undermine peace.
I don't think know if anything's going to translate anywhere. You're making a movie, you hope it's going to be funny, you can't think about how it's going to go over.
I don't think the public is dying to see me necessarily be funny all the time.
Nine years after I had my own accident, I find that in trying to go back to doing those things that I used to do just doesn't fit. Everything seems to just fall apart. I don't know why but I think it is because I am this new creature.
If I'd been offered 'Spider-Man,' I probably would have done it. I don't think it's bad to go and do those things.
'Doctor Who' is pretty dark, I think. Generally it's dark; it's always been dark.
I think CGI is interesting, but it's too expensive and limiting in terms of what you can do shot-by-shot.
I think that sometimes in theater, I don't prepare much beyond going to the rehearsals.
I don't think anyone can walk through the world in a state of vulnerability all the time, can they?
I think the sensation of being moved by a piece of art is something that is really good for a person's soul.
I think I have a degree of confidence, but I also have terrible insecurity, like anybody does.
I don't think I am especially interested in celebrities, but I love talking about what is going on with people and why they do what they do.
I never even thought about playing professionally. I didn't think that was a possibility for a little kid from Illinois.
I didn't realize the ceiling that I had, and I don't think a lot of players understand what they're capable of. Some of them dream of what they're capable of, but you don't really understand until you get in the moment and you give it everything you got and see in the end where you can end up.
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