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I can watch a film, even a film that I've been in, and think, 'I'm not sure, 100 percent, what I think about it.' I'm not sure what I think about what I've done in it.
I didn't know anything about '12 Years a Slave.' Not the book, not Solomon Northup, which I was quite shocked by, once I'd read it, that it wasn't a seminal text. I think it deserves to be.
I think that all the talented filmmakers sort of share, I think, a sense of allowing magic to happen; of creating a stable and secure environment for performers to feel they can push to the end of their ability.
I think when I was doing 'Amistad,' I was just too young to really understand what the process was, and beyond that, I hadn't really got involved. It was just somehow - and I thought that the artistry was all in the theater.
Dividing everybody into genders and sexuality and races and religions, and I think it's important to have films out there, to have discussions out there which really try to get to grips with where that kind of thing can lead.
I think, as a younger actor, you are more open to the experience. And to an extent, you want to go into things blind and energised as if you were 15. Keep that terror.
I think much of my own quest in life is to figure out how best to cope with my own uncertainties.
Identity is as absurd and contradictory, I think - and certainly as mutable - as the human brain.
I think readers either love or hate nonlinear storytelling, and it's true that it can be more difficult, both to write and to read.
I think it was hard for people to cast me as an ethnic, as an Asian American woman.
I never take storms as seriously as I should, which is probably not the way I should be handling it. I think it's to do with growing up in New Orleans and having a hurricane, like, once a week.
Well, I used to have a sister, but I never got to meet her because she died after two days, I think. So if I got a tattoo, it would probably have to be something to do with my sister. I actually want to get a tattoo when I'm older of something about her.
Think about doing a bunch of stunts in leather. What does leather do? It doesn't stretch, it rips.
For whatever reason, I'm pretty good with pressure. I kinda just flip it over and think of it as positive.
I sort of felt like being young was normally written about as being very fun and light-hearted. And I think that's true, but I don't feel like there's a lot of songs about how hard it is when you don't really know who you are or what you want, and you feel like you have to apologize for simply just existing.
I think Dido's really cool. I feel like she kinda tapped in - back in the late '90s and early 2000s - she tapped into the ''90s-does-'70s' vibe.
I think the most important thing is you need to have a very, very clear idea of who you are as an artist before you let other people tell you who you are.
When everybody starts out in the process of 'The Voice,' you do think about the people who have won or that have made it to the finale and what happens.
It was a sort of weird, troubled road into acting because I had been a bit naughty in school until I did my Highers, and then I was like, 'Oh, I think I'm going to apply myself and surprise everyone.'
I think my legs are a strong point, so I try to draw attention to them rather than the upper part of my body.
Everyone wants to start a business in their garage - they think it's sexy - but when you actually sit as a 30-year-old in a garage, it's not so sexy.
If I stayed in this game for individual achievements, I don't think I'd still be playing.
My sister is a good story of resiliency. She had a full ride at UC Davis, but she left school to go to the Philippines - and then she decided to go back to school in her 40s, which surprised me. She went to UC Berkeley, and I think she was one of two African Americans in her class at Haas. She's really impressive.
I think I'm ridiculously fortunate. I consider myself a Nigerian - that's home; my sensibility is Nigerian. But I like America, and I like that I can spend time in America.
You know, I don't think of myself as anything like a 'global citizen' or anything of the sort. I am just a Nigerian who's comfortable in other places.
I think it's possible to have been a happy child, as I was, and still question and push back with regard to societal conventions.
Americans think African writers will write about the exotic, about wildlife, poverty, maybe AIDS. They come to Africa and African books with certain expectations.
If you followed the media you'd think that everybody in Africa was starving to death, and that's not the case; so it's important to engage with the other Africa.
'No Sweetness Here' is the kind of old-fashioned social realism I have always been drawn to in fiction, and it does what I think all good literature should: It entertains you.
I've always been curious about how much of our cultural baggage we bring to what and how we read. I suspect we bring a lot, although we like to think we don't.
I don't think it's a good thing to talk about women's issues being exactly the same as the issues of trans women because I don't think that's true.
From the very beginning, I think it's been quite clear that there's no way I could possibly say that trans women are not women. It's the sort of thing to me that's obvious, so I start from that obvious premise.
I think that because human difference for so long, in all its various forms, has been the root of so much oppression, sometimes there's the impulse to say let's deny the difference, as though by wishing away the difference we can then wish away the oppression.
I think the history of western feminism is one that is fraught with racism, and I think it's important to acknowledge that and, at the same time, to say that feminism is not the western invention, that my great-grandmother in what is now south-western Nigeria is feminist.
I think white women need to wake up and say, 'Not all women are white,' three times in front of the mirror.
I think people are frightened of saying what they think, and I think that's a bad thing for society.
When I go back home now, when I go back to Nigeria now, I get off the plane in Lagos and I just don't think of race. I get on the plane and arrive in Atlanta, and immediately I'm aware of race.
'Kraken' is set in London and has a lot of London riffs, but I think it's more like slightly dreamlike, slightly abstract London. It's London as a kind of fantasy kingdom.
'Kraken' is a very undisciplined book. That's a gamble. If it doesn't come off, it's disastrous. But there are pleasures, I think, to a meandering lack of discipline that you can't get the other way, and vice versa.
I think the role of science fiction is not at all to prophesy. I think it is to tell interesting, vivid, strange stories that at their best are dreamlike intense versions and visions of today.
But I do think it's important to remember that writers do not have a monopoly of wisdom on their books. They can be wrong about their own books, they can often learn about their own books.
I think there's something quite interesting about the almost tragic quality of a lot of overwrought prose, because it has a much more self-conscious awareness of its own failure to touch the real.
Some people think its just fun and games and others don't know how much I pushed to get here. They have to be in my shoes, but by listening to my music they can find out.
I think you can move to everything, but with some music, you just want to sit still. That's me, anyway.
I think original voices get noticed. But most importantly, I think you should have a story to tell.
I think the Clintons are brilliant. I've never met a person as intelligent as Bill, and I think Hillary is right up there with him. They're too smart for Washington.
I think I need to be taken away, dropped in some territory with just a lot of loud guys.
Yes, I've seen Louis CK. I wouldn't in any way make a degrading remark about Louis CK, but the question is do I think anyone is funny? And the answer is not too many people. He might fit right in there.
Unfortunately, there's still a lot of beginning writers who think you can just write your first draft and hand it in.
Anybody that worries about somebody suing them, that means that they're so crooked that they sue people, and they think people are gonna sue them.
It is a different genre - a show about something other than doctors, lawyers and cops. Teachers are something completely different. I think it makes for very interesting television.
There is a lot going on in high schools, and I think what we portray is fairly accurate.
I didn't understand the American fascination with the Japanese schoolgirl. No, I don't think I can, really.
I think probably like seeing women fight because we're generally not thought to be strong, especially in the case of this movie.
My character is somebody who is smaller in stature and yet who's strong, so to see the fighting situations between people who are not generally thought of being strong is in itself unusual and therefore interesting, I think.
I think the biggest difficulty is that when I'm here in America, there's a necessity of using English, so I really have a great sense of really wanting to learn, but unfortunately when I head back to Japan, the necessity vanishes and so does my enthusiasm about learning.
I think you should always have a big team behind you if you are a big brand because it makes you think big.
When someone calls me a blogger, I think, 'That's one of the things I used to do.' I'm a creative director for my shoe brand; I'm the editor-in-chief of 'The Blonde Salad,' which is a website and not just a blog anymore.
I never liked the idea of taking a photo just for yourself - I think everything is better when shared.
Anybody who doesn't think I want the Lakers to win is a fool. But I'm no homer.
I do something that I don't think anyone else does. I warm up before a game. Baseball and basketball players warm up, so why shouldn't the announcer warm up?
Every time I drive into Rio from the airport, I see the city for the first time and think how strange it is.
The things the writers have me doing on 'Suburgatory' are insane. I think they think it's easier to ask for forgiveness than permission.
I would direct TV. That's a little different. It's more of a contained world as a director. When you're doing a film you get on the rollercoaster, you put the safety bar down and then you're gone. And it's hard. It's hard, too, as a parent, I think, because the hours are so long. It's hard.
I think as a director you have to make it your own. It'd be a mistake to approach a project with the idea of 'I'm going to do this the way I think somebody else would,' because then you'd never be clear on your idea.
It's hard being a girl. There are a lot of body image issues that come up and I think the best thing we can do for our kids is lead by example.
I think life has a way of kicking you in the pants too, but you have to pick up and move ahead, and it certainly helps if you have a good partner in life.
I don't think people will ever forget I was an 'Angel', anymore than they'll forget Sally Field was 'The Flying Nun.'
You think you're in control, and you're trying to get that square peg in that round hole. You're frustrated, and you realize that you're not in control of everything. You need to just step back and let God.
I actually think, as unusual as it might sound, that working in the White House is an extraordinary life.
I think because we could do it biologically and have our own child we decided to try this.
I think it affected me physically and emotionally, yes. I did have my ups and downs, but I actually had more ups and downs after the shots were finished and she was pregnant because of the reality of being pregnant with twins.
I think it's a violation of user privacy to continue storing email addresses if you tell users your service is shutting down. I sign up for a service, and if you're no longer providing that service, why should you keep my information?
You know, I think when people are in important positions in big organizations, they often get tied up with the minutia of managing money, managing things. They often forget that people deserve to be led.
I think it's become an economic necessity for people to be able to learn and grow throughout their lives, because most people can't get through their entire career with one skill set. We have to keep reinventing ourselves.
We'd like to think that our music will always be bigger than any one of our individual personalities.
For me, you say the words 'concept record,' and the first thing I think of is theater or the opera or something.
I think politics is important. It's how we run our society. I think it should be natural to have an interest in the subject, and I almost don't understand why some people don't.
I think the thinking is, in the comic books, I should pack as much onto a page as possible, because, you know, it's kind of the cheaper format, and you want to give readers as much as you can for their dollar.
You kind of hope that the events themselves are interesting. I think that's what you have to hope for, that on a broad level it's an interesting story.
American violence is public life, it's a public way of life, it became a form, a detective story form. So I should think that any number of black writers should go into the detective story form.
If my wisdom could get support from officials, I think society would move forward 20 years.
Hamdan Sports Complex is an amazing venue, and I think all the players will love it.
Hip hop fans are obsessed, and they're geeks about hip hop. Comic book fans are also geeks, and when you can meld the two, then you open the world up to, I think, communities that will just take to each other.
The first time that I met B.I.G. was in 1994, summer of '94 - I believe it was August. I think it was right after 'Ready to Die' came out.
I think the fact that 'Black Lightning,' 'Luke Cage' and 'Black Panther' have each made noise in their own way will only lead to different superheroes and different genres.
I really think that Steven Caple, Jr. is going to be a great addition to the 'Rocky' director pantheon.
Yes, it's a man's world, but that's all right because they're making a total mess of it. We're chipping away at their control, taking the parts we want. Some women think it's a difficult task, but it's not.
I really don't think of myself as a singer. I think of myself as an entertainer, and the best place I do it is onstage.
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