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I think there's a tendency, and it's an understandable tendency, to imagine that China makes decisions out of a grand strategy. The reality is that I think China today is operating, most of all, based on its domestic needs.
I think it's a great document of John Stevens' originality. At that time he was already much more fully formed in his conception than I was. I was sort of struggling to keep up, and sometimes it's pretty obvious.
I think the whole question of meaning in music is difficult enough even if you hear me playing live right now in the same room! What I mean and what you take from it may be two quite different things anyway.
I think the solo playing, the decision to start playing solo, came out of having discovered what lay behind the doors that that technique opened for me.
I think the voice does that perfectly adequately without being imitated by other instruments.
But I think the record will actually come from tapes that are not yet recorded.
Certain kinds of speed, flow, intensity, density of attacks, density of interaction... Music that concentrates on those qualities is, I think, easier achieved by free improvisation between people sharing a common attitude, a common language.
I think it's harder to go from comedy to drama than from drama to comedy. Seeing you dramatic all the time, they crave to see you being silly or funny. But, seeing you in comedy all the time, it's hard to see that person go be serious, for some reason.
I used to look at horror movies as being really real and it would totally freak me out and give me nightmares. Now I watch and think, 'whoa how'd they do that?'
It's scary how effective movies can be. It's a very powerful medium that I think is sometimes abused.
I love acting classes. I think they're great. It's like working out in the gym. It's a great place to figure out everything that's working and what isn't working.
I think comedy and horror are very similar in that there's a very direct intention. So you're trying to be funny, or you're trying to be creepy, and that literalness - I take to that.
I'm constantly changing, I'm constantly growing. I think I'm a little controversial... I just try and keep some mystery, so hopefully people can't really put their finger on it.
I'll never forget my 24th birthday when my tooth got punched out. And for a second I was like, it would be really hilarious if I sold it on eBay. But I can't, that's just too creepy. I don't think I can go there.
Sometimes I think I still dress like a 13-year-old boy. It's not that I don't like feminine clothing: I just like a blend because it reflects who I am.
The way I choose projects is based on what I think is most real and most interesting, not on what's paying the most money or what's most popular.
A lot of the films now are more focused on the visuals than on the actors. I think all directors should go to drama school.
I think it is great that there are influencers like myself who are true and authentic and let their personalities shine through. I encourage that in my fans.
A lot of girls on YouTube want to show their personality, but they are afraid because they think people only want them to do beauty videos. That's just not true.
I put my money in the bank: I have to think of life after modeling, when I'm not famous any more.
The Internet has been a great outlet for storytelling. After all, there are web-based shows that have started online and have then gotten picked up. I think it's a great opportunity for artists to get through the network roadblock. It just allows us another venue to be creative in.
I think what destroys Hollywood marriages is our work schedule, not so much infidelity.
I just came into my own sexuality at thirty. I don't think it's something you can deeply experience at 18 or any time before that.
Who I am at the core and what I think represents me is really reflected in my family.
There's a big difference between charity and between activism and philanthropy. They're very different things and I think, you know, everybody should find a passion or a cause that they can really get behind, but it has to be organic.
I think what I love most about Oprah's brand that I would love to do with the Eva Longoria brand is she has purpose with her brand. Everything she does means something.
I think I've ignored it so much so that when the paparazzi are following me I really don't see them. You don't see them anymore.
I think no matter what or no matter who you are you're always going to get some type of negativity, whatever that may be.
Now that I have the training behind me, I think that really shows I do have the skills and talent to become a well-rounded wrestler.
I just can't be with someone who's afraid to voice their opinions, or who can't butt heads once in a while. I'm a straight shooter, and I think a bit of that spark is healthy in any kind of relationship.
I think the thing that stands out for me is that in the WWE, we were in a new city every night.
Even if you buy a fur glove with the little trim, and you think 'Oh, my God, it's just a little trim,' that animal got clubbed.
I'm a trained actress and I can do it, but I think that you have to prove yourself.
My grandmother was a chemist. She worked at the Banting Institute in Toronto, and at 44 she died of stomach cancer. I never met my grandmother, but I carry on her name - her exact name, Eva Vertes - and I like to think I carry on her scientific passion, too.
You wouldn't run for the United States Senate or for governor or for anything else without answering people's questions about what you believe. And I think the Supreme Court is no different.
We need leaders who appeal to us to think about something other than narrow self-interest but instead focus upon the greater good.
After they lose, I think all tennis players go back to a specific part of the match where they wish they had done something different.
Maria Sharapova winning Wimbledon at 17, I don't think that's ever going to happen again. It's a different game now. I need to stay focused and work on my game, and it will come.
I don't work at something because I think it's important. I work at things that, to me, are interesting.
'Instructions Not Included' is proving that there is a huge Latin market that needs a special project. They love seeing their own people; they want to see themselves onscreen. In my case, I know them pretty well. I know what they laugh at. I think it's going to open a lot of doors, this movie.
I probably have a hidden issue, because before 'La Misma Luna' in 2007, I hated working with kids. But after that, I learned so much about how to handle a kid that I liked it. And then came 'Instructions Not Included,' and it was like, 'OK, now I think I've got it.' Life just kept bringing me projects with kids.
What I saw when I was doing research is that in pursuit of a middle ground, people will kind of split the difference between the two extremes that they're hearing. And I think what's problematic is that people are seeing vaccinating on schedule, on time, as an extreme position.
I think that protecting children at the age where they're most vulnerable against diseases that are highly contagious is prudent.
I think that people's resistance to vaccination isn't going to disappear until we address some of the nonmedical reasons for that resistance and people's discomfort and distrust of the government. That's bigger than what most medical professionals can handle.
I think we've gotten to a point where we're becoming really sensitive to things like body dysmorphia, but I think it's gone too far, where people are accusing everyone of hating themselves.
I follow 50 people on Instagram who are these humongous families, like five or six kids or whatever, and I just think it's adorable and so cute.
Print is very important because I think there is nothing like the tactile sense of picking up a magazine.
I get asked, 'What do you miss most about being a pastor?' I think it's the intimacy, the incredible gift of intimacy. You go through death with somebody, with their families, and there's an intimacy that comes through that that is just incomparable.
I think pastors are the worst listeners. We're so used to speaking, teaching, giving answers. We must learn to be quiet, quit being so verbal, learn to pay attention to what's going on, and listen.
There is no religion in which everyday life is not considered a prison; there is no philosophy or ideology that does not think that we live in alienation.
I have the vanity to think that every play I have written is different from the previous ones. Yet, even though they are written in a different way, they all deal with the same themes, the same preoccupations. 'Exit the King' is also 'The Bald Soprano.'
I don't think Reagan is primarily funny, and I don't think he's primarily marvelous; he's complicated.
The big lesson of Reagan is: To think that he was some sort of simple figurehead and didn't do the thinking and simply read a script in front of him woefully underestimates him. Ronald Reagan was an extremely intelligent person with a real V8 engine under his hood.
The greatest thing about doing this movie was that Chris and I both were involved in folk music in the '60s. I had a group, but I don't think it was at the same level as Chris, because he's an amazing musician.
I don't believe I've ever played a hip dude. I don't think I would have the wherewithal to do that.
I think I'm the only actor in the history of film who got to slap Sam Jackson on the face and butt and lived to tell about it.
I don't think any evil character thinks that they are evil - they think they have insight that people don't.
Though I was excited about the Sojourner Truth play, it was not reassuring to think that my entire future might depend on the success of that one show.
Basically there is no difference between whites and blacks, browns and yellows. I decided to think no more of people as Northerners and Southerners.
There's no type of music I don't like. I think it's important to be able to make fun of all types.
I think dissonance in music makes you think. It isn't, 'Oh, that's a pretty melody I can whistle.' You have to sit down and listen to tell it apart from other things.
I always have a story in my head that needs to be written, or at least I think I do. But I usually can't find the time to write it.
I don't think success makes one confident. I think it has more to do with character than circumstance.
Medicine involves dealing with people who are going through changes and cycles, often people trapped in bodies that are going out from under them. Spending time with them lets you think their way, gives you insights as a writer.
All we think about is how to keep the audience engaged, and normally we're big on plot because that's the easy way to do it.
I think some superstars feel they get trapped in their established screen persona over and over again. That's what they get hired to do.
I went to public school for like, one day. I don't get it. Everybody tries to be exactly the same. I think being an outsider is a good thing.
Everybody tries to be exactly the same. I think being an outsider is a good thing.
The first few years I was in Vermont quite a bit, but I don't think I ever spent years and years there.
I think anything Tony Kaye would've done would've been interesting, definitely. And worth seeing.
Tyrone, I think they're taking to festivals. I don't know which festivals it will be at. It's like a buddy picture. It's a couple of guys driving across the country and they get to a small town and they hit a guy. The guy turns out to be a drug smuggler.
As far as big egos, there are definitely guys out there that just think God only knows what about themselves.
But my favorite period for actors is the 70s. I think so many great movies were made in the 70s. The 90s just seem to be a confused decade. Nobody knows, really, what's going on.
Of all the options I had got, I think whatever films I have chosen to do are best.
I don't think anyone has made me except myself. I think I have done it on my own.
I just hate going to the gym, unless I need to do cardio once in a while. I think gymming makes you stiff and takes your aura away.
I'm very low-maintenance, and that is a problem. I'm not demanding at all, and sometimes I feel that I should be throwing tantrums. But since I don't party or socialise, and am very low-key, I think that makes me very low-maintenance. Actually, I'm the most boring person at a party.
I don't think the very fact that I'm a woman makes me suddenly more vulnerable or more inherently used and abused.
I think there's so much negative influence on children in school settings. It becomes learning by rote to pass a test. It's not contextualized.
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