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I don't think many people understand what racism is. The intellectuals use it like toilet paper; it's something they can use. It's not something they live.
I'm an actor and a writer, that's how I think of myself. Sometimes my time is divided equally, sometimes less equally, but that's what I do.
I think one of the few faults in Dickens is that mostly his lead characters are blanks - who is David Copperfield, who is Oliver Twist? And yet he takes such joy in populating the rest of his novels with these fantastic, grotesque people like Pecksmith and so on.
The thing is, horror is a big part of 'Sherlock Holmes.' Doyle also wrote a lot of great horror stories, so there's a lot more horror in 'Holmes' that people possibly think of. There's a lot of curses and mysticism and real scares.
I grew up with low self-esteem. I didn't think I was very pretty. I had glasses, red hair and was generally quite a spod.
There will always be people who think that money and benefits and even just having a job should be thanks enough. There are also those that think they do a great job without anyone having to thank them. But study after study has shown that no one is immune from the motivating effects of acknowledgement and thanks.
When as smart as you think you are is as wrong as you turn out to be, your life can fall out from under you.
The amygdala is like a point guard in the emotional part of your middle brain. When it is overwhelmed, it hijacks you away from being able to access your upper rational brain and think and assess what to do. It essentially disables your ability to think.
I have heard it said that the measure of a civilization is how it treats those who have hurt it. I think a further measure is how it treats those who deeply disappoint it.
In my life, I think I have had more than two hundred significant breakthroughs that exponentially accelerated my life forward. However, each and every one of them was preceded by a breakdown that was not pretty, was often scary, and often felt like something I would not get past.
I think my masks reference artists who reference primitivism. They're not directly connected to tribal arts. I think they look more like third-grade art projects.
Children simply don't make the distinction; a book is either good or bad. And some of the books they think are good are very, very bad indeed.
I think most writers feel like they're on the outside looking in much of the time. All of us feel, to a certain extent, alienated from the stuff going on around us.
I think the U.K. is too small to write about from within it and still make it seem foreign and exotic and interesting.
Young readers have to be entertained. No child reads fiction because they think it's going to make them a better person.
I think of 'The Hobbit' as more like a boy's own film, like those annuals from the 1930s and 1940s.
I think that any reporter or columnist will be a little more careful when doing interviews with me.
I don't think there's any question that the UFL or any other league that wants to challenge the NFL can have an impact. The demand for professional football is off the charts.
I think one of the biggest curses in the U.S. is that we have only two political parties.
I'd love to thwart the Census form, but I want a constitutional basis for doing it - and here's the tricky thing. I think even constitutional purists would tell you that just because something isn't in the Constitution does not mean the government cannot do it.
I choose not to believe in superstitions. On race day, I have plans that I follow. I don't necessarily think about brushing my hair a certain way or doing certain things that make no sense as it relates to my performance.
They're each on separate coasts but I think that the deep Maine woods shares some similarities to the Pacific Northwest.
Obviously we know Bill Hader is funny and charming, but my question is, can he do raw humanity and naturalism? I think so.
The thing with me. I can't stick musicians. I've thought about this. I can't stand them, and being stuck in a studio with them I think that's my strength I can hear what they can't.
I don't want security guards. I don't think security guards are particularly good for your writing.
In my day, we had mastered high-intensity conflict, which is why I think we were so successful in Desert Shield, Desert Storm, and then eventually the 2003 invasion of Iraq.
AI will allow the soldier to act and think much more quickly. Whoever gets to AI first, I believe, will have dominance for many years afterward.
If you see something that doesn't make sense, ask. Change it. Think about dollars, think about your soldiers' time, think about efficiency.
I've been studying China for quite some time now, and I'm big on China as well. And I think we need to be very concerned about Chinese technology getting into our systems or the systems of our allies.
I think the presumption is, for some reason, anybody who comes from the business or the corporate world is corrupt.
There are a number of writers who believe it is their duty to throw as many curve balls at the reader as possible. To twist and twist again. These are the Chubby Checkers of crime fiction and, while I admire the craft, I think that it can actually work against genuine suspense.
It may sound surprising, but a joke and a crime novel work in very much the same way. The comedian/writer leads their audience along the garden path. The audience know what's coming, or at least they think they do until they get hit from a direction they were not expecting.
The problem with being a writer is that some readers tend to think that anything that comes out of a character's mouth is you talking.
I'll never stop eating animals, I'm sure, but I do think that for the benefit of everyone, the time has come to stop raising them industrially and stop eating them thoughtlessly.
I mean, journalism is very detailed... you try to get down in the weeds and sort out exactly what happened. And I don't think that a feature film is really a place where that happens.
One big, glaring difference I can think of between Iraq and Vietnam is the news coverage. During the Vietnam War era, you had TV coverage of the war saturating the airwaves every night, and that coverage wasn't put through a military filter at all.
I actually think every war movie is an antiwar movie in its own way - with the exception of some of the propaganda movies.
In the neighborhood where my studio is, in South Central Los Angeles, there are a lot of immigrant-owned businesses. I'm constantly amazed at the level of work they do. It's above anything. For me, I think I pattern myself on that work ethic.
I just like artist-driven projects, but for artists themselves: artist spaces, artist mentor programs, and artists buying buildings and making lofts. Doing whatever we can do. Because at the end of the day, I really think that we as a community only have each other.
I am fully present wherever I am. Why bother being in a community or neighborhood and not being fully present? I think that's colonization. I'm not interested in that.
Singing shows are fun. Every viewer has their own opinion. We all know whether we think a voice sounds good or not. There's a play-along element. All these shows can be supported.
I've played a lot of jerks, actually - my daughter seems to think there's a trend there, but I'm not so sure!
I think every actor would probably say that it's always a collaboration. And if you ask directors, they'll tell you that they expect the actors to bring something. They don't want to be thinking for everybody.
Notebooks allow for all kinds of record-keeping, and I kept one myself as a kid. I was attracted to mixing up words and pictures freely, since that's how I think.
New York publishing is about, 'What's the next Harry Potter? What's the next Twilight?' When I've approached people, I've asked, 'What is the book you've been dying to do, but New York won't do?' I want the books that they think won't sell - because I think they will.
Graphic novels are not traditional literature, but that does not mean they are second-rate. Images are a way of writing. When you have the talent to be able to write and to draw, it seems a shame to choose one. I think it's better to do both.
You have to be narcissistic to be an artist. You have to think you are the centre of the whole thing; otherwise, why do you create? The only thing is to recognise it, and then you make the best of it.
People, they think that animation is a style. Animation is just a technique. It's like, people, they think that comics is a style, like comics is a superhero story. Comic is just a narration, and is a medium, you can say any kind of story in comics and you can say of any kind of story in animation.
When you're young, you worry about what other people think. The older you get, the less that matters.
I don't think people should be fed mesclun salad and chicken breast. My grandmother would serve grits and oxtail stew at a formal dinner, and if you didn't like it, well then you ate more beans or you went home and ate a peanut butter and jelly sandwich.
We need above all, I think, a certain remoteness from urban confusion.
I think in Mrs. C, I certainly played myself. A very compulsive, sweet person.
I do think I learned to accept myself through the eyes of others when I was young because I wasn't brought up to think that I was beautiful or told I was beautiful.
I think I was very shy and introverted when I was younger, and yet, when I got in front of the camera or went out on the town, I was able to go out half-naked and do anything.
You have to get over being shy, and just be comfortable with yourself, and I think that for me, if I'd stayed in a small town, I'd be a different person.
All of us have read the stories about young people in Hollywood and all the challenges they have to confront there, and I think that artistically, I really didn't understand the commercial side of the film business, so I went back to a purely artistic setting.
When I'm creating characters, I definitely think of theme songs. Writing for me is very visual, so I sometimes think of it in terms of a movie with a soundtrack, and try to transfer that to words.
I think people were expecting me to be that kind of glamorous sexpot. So they were always, Wow you're not what I expected.
If you want a favorite book, Orson Scott Card's 'Ender's Game'. You'll be hooked. I think he's written like twelve or thirteen.
We moved around a ton when I was a kid. I think we lived in 9 different houses before I was 15 - we moved from the city back to the suburbs; different suburbs, different houses, all over the place.
The act of exercising at 6 A.M. really helped me. It made me not dread the workout part of my day all day long. Also, when I went to have a tiny cheat, I would really think back to how hard I worked and thought, 'It is not worth going to boot camp an extra week over one peanut butter cup.'
I think Google should be like a Swiss Army knife: clean, simple, the tool you want to take everywhere.
When people think about computer science, they imagine people with pocket protectors and thick glasses who code all night.
I love technology, and I don't think it's something that should divide along gender lines.
I always did something I was a little not ready to do. I think that's how you grow. When there's that moment of 'Wow, I'm not really sure I can do this,' and you push through those moments, that's when you have a breakthrough.
My favourite words are possibilities, opportunities and curiosity. I think if you are curious, you create opportunities, and then if you open the doors, you create possibilities.
We think birth is a miracle and death is a tragedy, but really they're flip sides of the same coin - anything born is gonna die.
I think yellow journalism is something that appears everywhere, in the underdeveloped and developed worlds alike.
I learnt to read when I was five, and I think that is the most important thing that happened to me.
I think that literature has the important effect of creating free, independent, critical citizens who cannot be manipulated.
I think everybody, or the great majority of human beings, have this aspiration to become other: to live a different identity, at least for a while.
Sartre said that wars were acts and that, with literature, you could produce changes in history. Now, I don't think literature doesn't produce changes, but I think the social and political effect of literature is much less controllable than I thought.
I think if you're impregnated with good literature, with good culture, you're much more difficult to manipulate, and you're much more aware of the dangers that powers represent.
Georgian England was very radical; there were all these new revolutionary ideas, and I think women had more freedom than they did later on.
I think if people ask, 'How is Marion Bartoli?', they will always respond, 'She's a nice person.' That's what I'm most proud of.
Maybe something is wrong with me, but I just think I'm normal. I'm not super-skinny but I'm not super-fat. But I don't really care about what other people say.
I don't think you learn how to act. You learn how to use your emotions and feelings.
The first thing I have to do to erase my French accent is think that it is actually possible, whereas for the moment, I think it's not. I have a lot of work.
I think the Earth and everything around it is connected - the sky and the planets and the stars and everything else we see as a mystery.
I think in friendship, you want to be there for your friend, and sometimes you just don't know what to do or the relationship you have with them is not clear enough for you to know what to do.
I don't think that I'm that sophisticated. Maybe I'm not aware of it, I don't know.
I think the people who have really followed my career from the time I was seven years old can see my steady progress and see the type of person and athlete I am.
People have said I'm a puppet, an instrument of my grandfather, but I think they quickly realised that I'm my own person, that I have autonomy in my actions. I think they rapidly realised I could look after myself.
I'm not obsessed with the rights of women; it can be a bit excessive. I want to put men and women on an equal footing. I think we are equal but different.
Juventus made a big offer for me, I think it was around €20 million. Stuttgart were thinking about it, but I was the one who declined. I thought it was better for me to stay there and grow as a player before making a big move.
I came to Munich full of confidence, with plenty of energy, and really looking forward to it, in a way I don't think I'd had in my career before.
I think a lot of people write off strikers like me, the true number 9 who hangs out at the top of the box. I mean, even I wanted to be a player like Romario as a kid.
I think hydration is an important topic. Drinking plenty of fluids is especially important for athletes.
I think it's crucial for athletes to get plenty of fluids whether their regime is intensive or not. For me, generally, I eat and drink a lot so that I'm always at the top of my game.
He's only 4 years old, so I don't think he realized, you know, that I played so many years. Of course, we watch tapes here from the Stanley Cup years, but I don't think he realized how many years I played.
I think the game has opened up, and that's why I decided to come back and try to be a part of it.
The first few games that we played against some of the teams, the young guys, you know, want a stick sign or photo sign, and I think that they respect what I have achieved throughout my career.
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