Songwriting Quotes
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I love music, so if I wasn't singing, I would probably still be working in the music industry. I love songwriting, so I'd probably be a songwriter.
Songwriting is the other weight on the opposite side of the scale from touring. They balance me out creatively.
Traditional songwriting, to us, is where the experimental nature comes in. We're all involved with so much outside activity with really hardcore, experimental music-making.
Making vocal hooks is my favorite thing to do. That's what I love about songwriting - making catchy stuff.
I'm getting bored performing the same songs over and over. Songwriting comes and goes.
I think that songwriting changed when groups started spending more time in the studio.
For me, songwriting starts with a melody. When a musician plays a chord progression, either the words and vocal melody come to me, or they don't. That's how I determine who to write with. It works, or it doesn't.
My lifetime role model and hero is Freddie Mercury of Queen. His songwriting skills, I cannot even approach, but his showmanship, I learned it from videos.
I really like this trend of songwriting that is honest and intelligent and serious and longing.
Songwriting is different from music, although I don't deny now that it would be nice to have a little more background in music theory.
It's nice to finally have a CD out which reflects my songwriting, my singing and the band that I have.
I think I'm better at songwriting now, and it does come easier. I have faith in my initial instincts.
If I weren't a performer, I would be still be writing and songwriting. Plus, I also really want to get into producing.
When I make albums, I do a lot of songwriting but not necessarily a whole album.
Speaking and singing were equally common in my house. I started songwriting about the time that I started forming sentences.
I'm a songwriter-singer. I'm very vocal oriented, of course, but songwriting - no matter whether it's for myself or another artist - is of paramount importance to it all.
My view is that the great songwriting happened between 1920 and 1960. We're all, in our different ways, descended from the great songwriters of that era.
Every musician out there wants to be judged on the merit of their songwriting, the merit of their performing abilities.
I've never been one to indulge in out and out depression when it comes to songwriting.
The one thing about songwriting that's been consistent is that I do it for the love of a good melody.
Songwriting has become such a big part of what I do that emotions and the melodies that accompany them blur into one.
I struggled with a lot of doubts around my songwriting and around what I was and what my purpose and mission were.
In songwriting, I needed language. And I always believed in singing about what I do.
I've always gravitated towards songwriting that happens easily and spontaneously, because those have always been my best songs.
I will write a verse or a story and bring it into a songwriting session, because that's what's big in Nashville - the collaborative part of songwriting.
Songwriting is a burst of inspiration and then a long bit of work and a tremendous bit of desperation.
I found songwriting really hard at first, but after a while it was actually very easy. I wrote about everyday stuff.
I found songwriting really hard at first, but after a while it was actually very easy.
Songwriters often seek the company of fellow songwriters to help finish what they've started, and these days, many do it at songwriting camps.
The 'Sodajerker' podcast is the work of Liverpool songwriting duo Simon Barber and Brian O'Connor.
I'm a fairly tormented artist, and I'm less willing to indulge myself in self-pity, outside of songwriting.
I've gone through the village of my songwriting and my artistry, and I've gone through lots of different phases, including one where it has been very quiet and abandoned me for a few years.
I'm kind of a perfectionist about my songwriting. If I don't mean it, I don't think it's any good.
There are no rules when it comes to songwriting, so I'd turn Carter family songs from the 1930s into pop songs.
I had to be honest in my songwriting for it to be where it is, and it's always scary wondering if anyone will connect with that.
I've always been insecure about my singing. That's why I've focused so much on my songwriting.
My songwriting is so influenced by orchestrated music, dramatic, super glam rock-y stuff. Two of my biggest influences in songwriting were Elton John and Freddie Mercury.
It's easy for me to cry. I'm just emotionally tuned in to stuff. It probably helps with my songwriting.
I felt I never needed to fight for a more prominent songwriting and increased vocal role with the Cars.
I wanted to be part of pop culture, so I started songwriting, and I got signed to my first record deal.
I love watching movies, and I'm very inspired by movies when it comes to songwriting!
Coming out of 'Wretched and Divine,' I was still wanting to explore the more theatrical elements of songwriting. That led to Andy Black.
I draw the line at letting people into my songwriting cave. To me, that's where the alchemy happens and where the mystery is.
If anyone asks me about songwriting, I guess I'd say that you just gotta do it.
I like songs in all different genres and types. My production and songwriting is everything from pop rock to hip-hop and everything in between.
I attended a post-college program in L.A. for Music Business and Production. Took several courses involving Music Production, Arrangement, and Songwriting.
Honestly, I've never thought of myself as a mover and shaker of songwriting.
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