Sharmila Tagore Quotes

Most Famous Sharmila Tagore Quotes of All Time!

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I like to contribute as much as possible to some of the NGOs that I know and in the areas that I like to contribute to. These include primary health, primary education, children's issues and AIDS.

I still remember the day I had met Bijoya Boudi during the making of 'Apur Sansar.' The earliest memories I have of her are she doing up my hair and helping me to tie the sari. There are so many...

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You cannot force anybody to honour somebody. You can only ask.

You are who you are, why should you deny your past?

If films could run because of performances, everybody's films would do well. It is the director who makes the film.

Earlier Bollywood was a fly-by kind of business which few wished to be involved in. Now Bollywood is good business and everybody wants to be associated with films. This is definitely a very significant change that I have seen in...

The only time I used to regret being a woman was when I had to use the toilets on sets when I would be shooting.

If I played a vamp I would be rejected by the audience outright.

Even in real life, at least I have that very strong sense of timing to do things when they are meant to be done. Like when to stop colouring your hair, when to do whatever, and to live by it...

Except for the pollution, I love everything about Delhi.

Society is patriarchal, so film industry by definition is certainly patriarchal. The male gaze dominated.

Thanks to multiplexes there are lots of experiments going on and we have some great directors like Sujoy, Shoojit, Dibakar.

We used to do four or five films at a time and were not able to experiment with too many things. But, the heart was in the right place and everybody worked passionately. We had wonderful directors like Bimal Roy,...

In 1963, when I joined Hindi film industry it raised many eyebrows.

Film Club is a necessity in any big university, as it provides a platform and a forum where you can exchange ideas, critique and appreciate historical, classics and contemporary films.

You can't be a passive recipient of images, you have to engage with images and read their subtexts. These are critical things that will be taught to the students by a film club.

I want to highlight this, that to make meaningful cinema, we really need an enabling environment and freedom to express.

When I came to Bombay, as it was called in my time, it was filled with people from everywhere, Kashmir to Kerala.

When a film is released, anywhere in the country, exactly in the same place people laugh, cry, get bored, what is that, but commonality.

I had loved Tiger for 47 years, was married to him for almost 43. We didn't make it to 50. But it was a memorable partnership; certainly, an enriching one for me.

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