S S Rajamouli Quotes

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When I was in Mumbai for the promotion of 'Makkhi,' I met Ajay Devgn, Kajol, and Shah Rukh Khan, and I wanted to meet Aamir Khan. He was shooting out of India. I also met my favourite director, Raju Hirani....

I did work with Ajay Devgn and Kajol, who did the voiceover in 'Makkhi'. I wanted a couple with easily identifiable voices but with an image for being family-oriented. Ajay and Kajol fitted the bill. You get a good feel...

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To be very frank, I never got very good offers from Hindi cinema until 'Eega.' Now, I'm flooded with offers.

In theory I know that if you have a universal theme and a good story told well, it will work everywhere.

Audiences are always open to an interesting story.

'Bahubali' did not happen overnight. The producer Shobhu Yarlagadda, Prabhas, and I kept talking and discussing and imagining.

'Bahubali' is not about big budgets, big visuals, or massive marketing. If a hero, producer, and director in Bollywood can have that kind of trust, something even bigger than 'Bahubali' is possible.

The consolidated appreciation that 'Eega' is the pride of the Telugu film industry is the biggest award I can get.

After my second film, 'Simhadri,' which was a very big hit, I made 'Sye,' a small college movie with a rugby union backdrop.

After the blockbuster 'Magadheera,' I made a film with comedian Sunil as the hero. If I am interested in making a film - big or small - I will go ahead and make it.

I was very happy when I was doing my first two films: 'Student No.1', 'Simhadri'. I had absolutely no doubts - I would just place my camera at one point and say, 'That is the right way.'

I am a filmmaker. My job is to make films. When something excites you - a story or characterisation - you immediately forget about everything else. You only think how to make a movie out of it. The economics come...

If people get inspired by 'Baahubali' as a film, and they realize they can make a big film or a historical film which has good drama and good visuals, if they realize there are good stories to tell here, then...

Any hit films, impact-creating films, leave their mark on the industry. It is in human nature to try to follow something that is creating an impact.

No one can ever create art, even on a piece of paper, as they have envisioned it in their mind.

I would say the most important aspect of direction is that you, as a director, and your producer need to be on the same page, the same line of thinking. If that doesn't happen in the beginning of the film,...

No director can ever deliver what's on his or her mind totally, but 'Baahubali-2' is the closest I can get in executing what I had envisaged onto the celluloid.

'Mayabazar' was the film I immensely loved as a kid. Only when I became a filmmaker about 20 years later did I realise its technical marvel and what a great epic it was. I and my visual effects supervisor, while...

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