Richard C Armitage Quotes

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I've become one of those actors who find it difficult to say 'no' when things are offered.

I think if I had come out of drama school and been an instant Hollywood superstar, I would be taking long, leisurely holidays.

The interesting roles have only come since I got into my 30s. But I didn't know that was going to happen.

I did quite a lot of menial jobs. I was a waiter, an inventory clerk touring round properties listing cups and saucers, and a laserquest marshal.

When you already have a following, people are more likely to employ you.

Monet was like a conductor. He painted with quite a straight arm and used bold strokes.

People like continuity, and the good old cliffhanger every week is something they enjoy. I enjoy it - I don't want to dip into just one episode when I turn on the TV.

I went into musical theatre, which I'm not really cut out for - I'm not as skilled at it as other people.

I was an estate agent for three years. That was pretty grim.

Everyone loves a good baddie.

Someone told me a woman bought a dog so she could take it to the same park where I go running, but I'm hoping that's rubbish.

Do people really think that about my nose? I spent my whole life hating it, so it's amusing that people like it!

I think my fighting skills have certainly been improved by working with Peter Jackson.

The scariest stunt I've ever done was on 'Captain America.' We were doing some underwater sequence. I was in a submarine, and Chris Evans had to break the glass, and the water had to fill up quickly in the submarine.

I feel like my imagination was crafted by Tolkien. He seemed to tap into that childhood intrigue of secret doors and hidden worlds.

You know, to an extent, Method acting feels occasionally lazy.

It fills me with dismay sometimes when you look at the scripts that do come to you that are primarily focused on violence. There are so many other things to play around with.

I confess I've got a yearning to go to Los Angeles, but I can't work out if it is because a lot of British actors seem to go or because there's this perception that the bottom has fallen out of British drama, so therefore, it's the place to head for.

Since real spies are so good, you never really know what actual spying is. But I do think spying is a lot more dangerous than we are led to believe.

I think most five-foot-two people would be quite offended if they were to be called dwarves.

I'm not a massive fan of 3D. I've seen some good 3D, and I've seen quite a lot of bad 3D. I think if a film is created for the shock effect of 3D, then it's a certain type of film that I'm not massively bothered about.

Te Papa Museum is brilliant.

I speak some dwarvish.

Tolkien made dwarf sign language because, you know, it's too loud to talk in the mines.

I wouldn't even dare to sing like Ed Sheeran.

I wouldn't want a tattoo at all. They're difficult to cover up.

Some of the mail I've had has been weird. When I played Guy of Gisborne, a woman crocheted a mini-version of me.

Personally, I'm not interested in getting more money for what I do; I'm just interested in more money being put into the production.

If you're used to being a maverick, then people don't get surprised when you start acting strangely.

Often you find the character through the things they say. How they talk about other people, how they describe themselves - which is very rare.

A charity donkey is where you sponsor a donkey in a sanctuary and give them three pounds a month to have some donkey nuts or something.

I love being grungy and dirty.

As an actor, you're like, 'Yeah, I want that phone call from Peter Jackson saying, 'You're my first choice for Thorin Oakenshield.'

Give me a character that has an heroic quality, and I'll go there.

When I told my mom I was going to audition for 'The Hobbit,' she said, 'Well, you've always loved Tolkien.' And she was right.

I want to live in Middle-earth, actually.

You've got to have baddies that you can boo.

I think that internal conflict works very well, because, after all, all the best drama is fuelled by conflict.

Trying to please everyone can be very hard, but, like 'Shrek' or 'The Simpsons,' 'Robin Hood' manages to entertain adults and children at the same time, but in different ways.

Adults will not necessarily laugh at the same thing as their children.

I was in a production of 'Macbeth.'

Being thought of as sexy makes one employable, but it's not going to last forever, so I try not to think about it. It's like something that exists outside of me.

In school, I was a beanpole with a nose I hadn't grown into.

I can't bear shopping. I can choose clothes for my characters, but not for myself. I've got no dress sense. Or I've lost it.

I can work hard and be disciplined like a soldier, but I could never reach their level of fitness.

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