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It takes a lot for a show to withstand the test of time.

The first thing I thought when I finished Ernest Cline's 'Ready Player One' was, 'My God, it's the grown-up's 'Harry Potter.'' Now this is from a mega 'HP' fan, so I mean business, here.

'Ready Player One' has it all - nostalgia, trivia, adventure, romance, heart, and, dare I say it, some very fascinating social commentary. The novel follows Wade Watts through the virtual reality world, the OASIS, and on a quest to uncover and unlock the secrets buried deep inside.

So many tend to brand the Internet as the downfall of youth, but 'Ready Player One' hints that it's more complicated than that.

I first moved to New York, like many twenty-somethings before me, to be a grown up. I was attending an MFA program in the city, starting work at a nonfiction imprint at a reputable publishing house, and excited about being on track to becoming the writer I had always wanted to be.

The adult fiction and writing for children portions of my MFA program were kept very separate, and there was a stigma around those 'kid people.'

I used the second year of my MFA program to write a young adult novel and began pursuing picture books as well. I loved the economy of this art form, choosing, with pristine attention, the exact right words to tell the exact right story.

It is my greatest wish to teach children what I now believe: that writing is not a burden but a joy.

Writers often like to talk about how intuitive the writing process is, but in truth, building a book is a remarkably unintuitive task. Or, to put it more accurately, you need a lot more than intuition. You need plot and characters. You need a setting. You need a theme that is relevant and supported by your text.

Part of the job of a children's author is to write books that will be remembered, definitely, but if I might go out on a limb, I will say that the other part, the more important part, is to build books that will help children fall in love with reading. That, to me, is the real job.

I have often said that I think children's books are like poetry. Finding the exact right words to tell a story is something all writers, regardless of genre, are challenged to do, but it is in children's that the art of selection really becomes an art.

Children's authors have to pick words that reflect the spirit of a book and convey its message but also words that light children up, that children will recognize. Words that inspire and comfort. Words that challenge yet don't patronize. Words that, well, mean something to them.

Picture books have terrible PR amongst the children of this country. Ask any librarian: after a certain age, children just aren't interested in the picture book section anymore. It's filled with moms, strollers, and unbalanced toddlers.

Picture books, while less in word count, are certainly not less important. There are unbelievably skillful authors writing in this vein. Authors like Jane O'Connor and Jon Scieszka.

I've said it before, and I'll say it again: writing picture books is an art - the art of word choice.

'Goodnight Moon' is a staple of any nursery bookshelf. So, too, are 'Harold and the Purple Crayon' and 'Madeline.' These books are just as much a part of mainstream reading culture as 'The Catcher in the Rye,' and they are passed down from generation to generation.

I always say it's a shame picture books get such a bad rep. Illustrations are tough to sell older kids on!

Of course YA authors have a responsibility to their audience.

The truth is that 'Twilight' is not a story about Bella and Jacob. It's a story about Bella and Edward. That was the story this writer wanted to tell.

I remember what it feels like to be fourteen or sixteen, to have the world folded out in front of you, and to have a million choices ahead. I also remember what it feels like to be so open and impressionable and to want something so badly it's impossible to see that maybe it isn't the best thing for you.

American fantasy is not a genre we think about too often. Sure, we are familiar with the worlds of English boarding school houses and castles and fairies, but true American fantasy, fantasy that is built on the land of this country, is hard to come by.

At its best, writing is a dialogue. It's one of the things I love about children's: the fact that this dialogue is really there from the get-go, from the start of writing.

The truth is there are people who love horror movies. I don't happen to be one of those people.

I don't watch horror films, because I don't want those images in my psyche, and I resent having them forced on me before a movie of my choosing.

Leave horror previews for horror movies. At least you know the people going have made a choice that they want to see them.

I've tried in the past to blog about ghostwriting and have failed. I have a lot of opinions on the whole issue, and I'm constantly censoring myself to make sure I don't just sound like a bitter writer.

Let me get something straight: I have no problem with ghostwriting as a thing unto itself. What bothers me is the way it's shrouded in secrecy, ignored to the point of straight-up lying. Why not be honest?

Writing is hard. It takes commitment and determination and a good part talent. It's not an afterthought, an addendum - it's a career.

Everyone has a story to tell, and in a perfect world, everyone would get the opportunity to tell it. Some of us have the stories, some of us have the words, and some of us have both. Let's honor the portions we bring to the table and give credit where credit is due.

When it comes to vampires, Daniel Gillies's Elijah is the cream of the crop. Since leaving 'The Vampire Diaries' to headline 'The Originals,' we've seen the brother of Klaus grow from the altruistic, steadfast, suit-wearing stud into a complicated, nuanced lead.

I love that the collapse of The Other Side is being felt in both 'The Vampire Diaries' and 'The Originals' universes - as someone who is a fan of both shows, it's very fun to watch.

At 22, and on my fourth day in New York, I was lucky enough to meet my mentor.

In her book 'Lean In: Women, Work, and the Will to Lead,' Sheryl Sandberg talks about the mentor/mentee relationship - and how it needs to be organic. She goes on to explain how important it is for men and women to step into mentoring roles. I would argue that not only is it important - but it's important far earlier than we think.

If you see someone struggling, offer input. If someone comes to you with a question, don't assume they should seek a higher up for the answer.

By refusing to lend a hand, we are not only robbing our colleagues and peers of the opportunity to gain guidance, but we are also robbing ourselves of the opportunity to lead.

I was lucky to have made it to 23 before my world fell apart, but when it did, I had no idea how to survive. It was a rough year. I cried - a lot. I complained - a lot. I also wrote - a lot.

'When You Were Mine' is about heartbreak.

That's the funny thing about time. It is only in looking back that it's easy to connect the dots. To see exactly why everything needed to happen the way that it did.

No love story ends or begins out of accordance with how it needs to go.

I am a young adult author, and so are quite a few of my friends. We all write books for the same demographic; many of us are even published by the same publishing house. Two of us, in fact, share the same editor.

The idea that success is limited is an easy one to believe. We buy into it, and often without even thinking. There aren't enough resources. Something for you means less for me. I understand it, too. It's the give and take of the human experience. If you have the apple, I can't then hold it at the same time... or can I?

Whenever someone asks me for career advice, I always tell them to find a mentor. Find someone who has done what you want to do, and study the way they got there.

When someone around you succeeds, it does not mean they've taken that spot from you. What it means is that you are in the atmosphere of someone who is creating.

For many writers, selling a book is the ultimate dream.

Writing is probably the least glamorous profession there is. This doesn't change when you become an author.

I don't have to mumble something under my breath when someone asks me what I do anymore. I can just say, definitively, 'I'm an author.' And the best part? That's not a myth. That's just the truth.

I often lament that new picture books don't get read because the classics hold up so well. It's a ridiculous complaint because, um, the classics hold up so well.

I get asked a lot what books I recommend for a nursery, home library, etc., and I always tell parents to start with what they loved as children, what they want to share, and broaden out from there.

'The Borrowers' is the story of tiny people who live beneath the floorboards of houses and borrow from the occupants. I may have tried to pull up a plank or two because of it.

My favorite 'Eloise' book is probably 'Eloise in Paris.'

At its heart, 'Mostly Good Girls' is about the pressures we put on ourselves to live up to ideas of perfection.

Defining success is an ongoing challenge.

When I write novels, it's just me alone in a room.

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