Ramin Djawadi Quotes

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When I work on multiple projects, I'm really good at dividing my days, so I start in the morning with a clean slate.

I think it's great to see that there is such a connection to film music and the way people react or connect to a character or scene.

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Many times, the way I write my themes or melodies is that I hear it, and then I sing into my phone or something, or I'll scribble down on a piece of paper.

For me, always, the big inspiration really comes from talking with my creators, my showrunners and my producers, and seeing what is their vision for their project.

I'll say, 'I really like Daenerys,' and then I go, 'Wait, but I like the Stark theme, too, and I like the Lannister theme.' I keep jumping around. But I think that's kind of the beauty of 'Game of Thrones,'...

Find your own style, whatever it is. Whatever is inside you, bring that out. I think that's when you have something unique.

One of the most fun parts about my job is that when the music gets recorded live at the end of the project and real musicians play it, I still get goosebumps every single time.

The music I wrote as a kid already was always instrumental. It was never based on lyrics.

I just always hear music in my head. I thought that was normal. My wife said, 'Ramin, that's not normal.'

I associate colors with music, or music with colors.

What's so cool about 'Light of the Seven' - and what I love about 'Game of Thrones' - is you never know what's going to happen.

I started out on an apprenticeship in Hollywood working as an assistant to Hans Zimmer and another composer Klaus Badelt. That's how I got my foot in the door.

As a film composer, you have to be a good collaborator.

In the case of 'Game Of Thrones,' I've been to set a couple of times, and it's really exciting and inspiring for me to see the set and the actors in action, meet them and talk to them, so it...

I listen to either romantic classical music, Brahms or Beethoven or something like Mozart, or I go all the way contemporary and listen to Metallica or Adele, Radiohead, jazz, whatever it is that is completely opposite.

What I love about film music is the variety. On one movie, you might be asked to do a completely electronic score, and then another might ask you to do orchestral only.

I was born and raised in Germany, so I was classically trained. Classical has been deep in me from a totally early age. Then, as a teenager, I picked up the guitar and was really into rock music.

I always really wanted to do film scoring, largely because I hate writing lyrics. I just won't do it. I need help with the words.

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