Radio Quotes
Most Famous Radio Quotes of All Time!
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I'm psyched-up when I do radio. I can reach hundreds of thousands of people in a market. And way psyched-up when I'm on television. For people not to take it seriously is foolish.
Pence is the very personification of the career politician. With the exception of a few years doing talk radio and television shows, he has done nothing but run for office, winning all but the first two times.
I have a radio show/podcast called 'The Cryptid Factor,' which is about the search for creatures that may or may not exist.
Most people were annoyed with my voice, I think, because I'm working-class, and that doesn't sound quite right on Radio 4.
Congress has repeatedly passed laws and otherwise raised a ruckus about indecent language on the broadcast airwaves used for radio and television.
I'm going to stick to college radio, like I been started off, like I started off with in the day.
I saw Louis Armstrong perform at Albany State College on Radio Springs Road. He was probably the first famous individual I saw in concert. Unfortunately, I never did get to meet him.
My father owned a small company, called Gundel Electronics, where he did community band radio and some repair stuff.
My father ran a CB radio business. I grew up in a cluttered space that was filled with radios and antennas. It felt alien.
At Johnny's suggestion I pursued a career in radio that eventually brought me to Los Angeles.
I don't listen to the radio too much, but usually I listen to Stanley Brothers and Ralph Stanley more than I do anybody!
Unlike 4G and previous generations of technology, 5G is very different. It is not just about radio. In fact, it stands across the full network from mobile access to cloud core, from software-defined networking to all forms of backhaul, front haul, IP routing, fixed networks, software, and more.
Radio is where the heavy lifting will take place in wireless, and that's where we need to integrate, and there of course will be some struggles during the process.
There is an element of mystique to radio, and I often listen to cricket commentary on radio, especially when one is stuck in a traffic jam.
I loved being on the radio. Being paid to talk? It's like being paid to eat.
The story of Harold Fry and his unlikely pilgrimage began as an afternoon play for radio. For many years, I have been writing plays and adapting novels for 'Woman's Hour' and the 'Classic' series. So this was originally a three-hander play, broadcast one sunny afternoon on BBC Radio 4.
I find that I can't work and listen to radio - either I find I don't like it and it distracts me, or I do like it and I want to listen to it.
When it comes to the video channels and the programs, the radio stations, the music is geared towards kids, and it's made by kids.
On CBC Radio, the Canadian national radio, there's a show called 'WireTap.' The host is Jonathan Goldstein. It's amazing.
One thing I always do is listen to my iPod. I listen to whatever is kind of new on the radio, I am always downloading stuff.
I grew up in Shanghai 'til I was 10 or 11, with one year in Tibet. When I was 5 or 6 years old, the American radio station came to Shanghai, and I used to love bebop and jazz, but I didn't know where it came from.
Recently I've been participating in radio and television talk programs doing broadcasts and conferences, and shooting my mouth off and really going to town.
My father hated radio and could not wait for television to be invented so he could hate that too.
As a young actor, I would be invited to the CBC radio drama department to do voices for different characters, and I found that I could do quite a few of them. I wasn't a visual presence, and I found it easier to construct a voice from the written page.
TV gives everyone an image, but radio gives birth to a million images in a million brains.
Conservative talk radio works because there are lots of conservatives who are convinced that they are not getting the whole story from the regular media.
So along with several very popular Internet sites, talk radio has served as alternative media that gives listeners information that they otherwise would not hear.
I think I had heard Al Di Meola on the radio when I was a kid, that acoustic record, 'Friday Night In San Francisco,' with Paco de Lucía and John McLaughlin. His picking was unbelievable. I thought it was incredible.
When it comes to songwriting, I grew up in the Seventies listening to AM radio. So I've all these pop songs running through my head from Paul McCartney and Elton John, and a lot of stuff that was written on piano.
The radio even weren't allowed to say there was a Holocaust and people were being killed right, left and center in these terrible camps.
I'm gonna do a little radio, a little TV, and just create content in general and hopefully make the world a happier place.
I've done a show at the Largo Theater called The 'Thrilling Adventure Hour.' We read, like, radio teleplays. It's a send-up of radio dramas from the '30s and '40s. We just did a Kickstarter for that so that we can do a web series and a concert film.
I used to listen to country and western and blues, John Lee Hooker, spirituals, the Bluegrass Boys, and Eddie Arnold. There was a radio station that come on everyday with country, spirituals, and the blues.
I'm a fan of stuff that's on the radio that just gets you moving or whatever, and you're in the car.
I began in radio in 1997 on a radio show hosted by a now very famous comic, Jamel Debbouze. I would fake call listeners.
We can't have cellphones, TV, radio or the Internet. If the president died, we'd have no idea. There's no normalcy. It's just like prison, with cameras.
If you could make telly as good as radio, it would be amazing - audio can do things so easily that television can't.
You move differently than you do when you're filling the stage at Radio City. You have to be bigger than life there.
But I also think it's up to the fan base to call in the radio stations and demand that the more mature artists be played as well.
We are already expected to be the goodie two shoes. I went through that during my junior high schools where I wasn't allowed to watch television. I wasn't allowed to listen to the radio.
I remember attaching a wire clothing hanger to the antenna of my radio in my bedroom, so I could get the frequency and get that station and listen to the top 10 every night.
Music is so much a part of me: my parents told me that when I was an infant, I wouldn't eat unless the radio was playing music.
No one's promised anything. You could have the biggest record on radio and sell no records.
But when researchers at Bell Labs discovered that static tends to come from particular places in the sky, the whole field of radio astronomy opened up.
Even though I've been reasonably well known for quite a long time, I still can't get a record on daytime radio or on MTV.
I've heard some tunes in recent years that were pretty close to that same idea. The idea was you turn on the radio and you want to hear some music and up comes a commercial.
I'm not a big country guy even though I'm from Nashville. I like some songs, but I wouldn't turn on a country radio station or anything.
As I was born and brought up in Himachal Pradesh, I used to listen to a lot of Hindi songs over radio apart from ghazals, western music, and 'Himachali' folk songs.
Digital television, satellite radio, videogames, iPods - so much media. Do books even matter anymore?
Bigger shows, songs on the radio, more people aware of what I'm doing… all that, I'm ready!
I began my career at Teledyne, where I worked on various navigation systems, including Inertial, Doppler radar, and other conventional radio navigation systems.
My dad heard of a studio on the radio, and it was advertised as a place for kids to meet kids, and it was actually a studio, and that's where I met my manager and agent.
When I went to Ann Arbor, University of Michigan, what I really wanted to be was a radio announcer.
If part of the purpose of making an album is to get some radio play, then you might as well think about that. But that's not really how we picked the songs.
I know when 'California Dreamin' was first released, we heard it on KFWB or KHJ or something, and it was so exciting to hear the record come on the radio.
I would listen to something on the radio and try to tap out the melody, then the harmonies.
Conservatives, despite their increasingly powerful presence on cable TV and talk radio, feel excluded and disregarded by the longstanding preponderance of liberal voices on public television.
But in those days - in the mid-'50s, early '60s - there was less than 300 radio stations that were playing country music and a lot of that wasn't full time.
For me, at a very young age, I knew I wanted to be in the entertainment industry; I wanted to be an announcer. I was very smitten at an early age with the voice I heard coming from a radio.
Basically, right before college I got into the Guinness book for my feet and started to do local commercials and little radio spots, just little things and found I really liked it.
The longer and longer I played in the NFL, I kind of said, 'Well, I'm not going to go out and get a 9 to 5 job at any point soon, so what can I do?' So I started hosting radio and TV shows while I was still playing.
Yes colorism does exist if you look at historically what's happened as far as crossing over to pop radio.
My older brother was into Creedence Clearwater Revival and ZZ Top, and my sister was into pop radio. So somewhere along the line, I got into Ozzy Osbourne, REO Speedwagon, Heart, Pat Benetar, Journey.
I was born in 1942, so I was mainly aware of Howard Hughes' name on RKO Radio Pictures.
Every weekend he'd have me come down to work on Dragnet, which by now was on television as well as radio.
I even played Jack Webb's partner on the radio version of Dragnet for a while.
We host some trips all over the world. We go to Alaska. We go to Mexico. We're going to Venezuela in December. We've been to Russia, all in conjunction with the radio show.
After college, I did a bunch of different jobs - taught English in Mexico, worked in public radio, worked for a web design company - but there was something about documentaries that really attracted me.
The truth is, I was D.J.-ing on my college radio station in 1987, and I was called 'Mad Marj.'
I love the sounds of Latin jazz, R&B, hip-hop, alternative, all that stuff. I'm a radio kid.
In '48 when I left Metro, I tried to go back to radio, but somehow just didn't do well at it.
As a touring musician over the last 15 years, before streaming and iPods, you had to listen to terrestrial radio wherever you were. That's always been my way of connecting to a location. Turn on the radio, search through the dial.
If I had been thrown out into a radio tour when I was 18, or 17, and given a record deal, I don't think... it would have been a total nightmare.
I'd love to do radio plays. I think that one should be open to everything and shouldn't limit oneself.
I've tried it all. I'd love to do radio plays. I think that one should be open to everything and shouldn't limit oneself.
But I never had that commercial opportunity to be played on the radio, so how could I be popular?
I'm not a singer, so I reproduce a little bit what I see on television and what I listen to on the radio. I don't have self-control, really, so I didn't want to sing like Mariah Carey.
When I was in college, I had a jazz radio show. I called it 'Excursion on a Wobbly Rail,' after a Cecil Taylor song. I used to run around the Village following Ornette Coleman wherever he played.
Asking the author of historical novels to teach you about history is like expecting the composer of a melody to provide answers about radio transmission.
I used my mother's radio as a PA system. I'd take the telephone, the speaking part, and take those two leads off and lead them into the radio and the sound would come out of the speaker.
Yes and for two reasons: one, I couldn't find anything to imitate at the time, and secondly because what I heard on the radio didn't bear any resemblance to what I wanted to hear on the guitar.
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