Rachel Morrison Quotes

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Surfing is incredible. It's both meditative and physical. I think it was my way into California.

'Fruitvale' set the bar for what I wanted to do with my career, which was to make films that had consciousness and messaging in an entertaining package. Once I hit that mark, I never wanted to go back.

I lived within walking distance of Harvard Square, and that's where I discovered my love of cinema. I saw a lot of foreign and independent films there.

It took me a long time to adapt to the West Coast. I lived eight years in New York before California and might have gone back. Then I discovered surfing. It's the California equivalent of ice hockey, I guess. It gave me a real sense of place.

I'll never know what happens behind closed doors or why I don't get hired for things.

You just sort of get used to being one of the only women on set, so it's really refreshing to start to enter a time when that's not the case anymore.

Cinematography speaks to everything that women do inherently well: It's multitasking, it's empathy, and it's channeling visuals into human emotion.

I gravitate much more toward realism, realism in the work that I do, but magical realism got me hooked on film. I think it was my first time realizing that there was something besides popcorn movies.

I think you can make a gorgeous movie on any piece of equipment. Look at 'Tangerine,' which is a beautiful movie shot on an iPhone. You see so many movies that are impeccably shot but are vapid, and there's no audience for that except for other cinematographers who just like to watch two-hour-long music videos.

My wife jokes that any time I want to take a picture of her, it has nothing to do with her - it's just because the light is really nice. She's usually right. I definitely am somebody who notices the way the light skips off the floor.

Your movie becomes much more narrow-minded when you have like-minded department heads. Whereas if you can surround yourself with people who have been a mother before, been a grandmother before, you get a much broader and wide-reaching swath of human emotions.

For me, it's always been about the work - it wasn't about, 'Let's go break some ceilings.' I just wanted to tell an important story and do the best work I can. Everything else is secondary.

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