Preston Sturges Quotes

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I compared pooh-poohers of the movies to the myopics who used to holler, 'Get a horse!' when an early automobile exploded by.

I did not think that a good movie was the equivalent of a good stage play, any more than I thought an automobile ride was as exhilarating as a drive behind a spirited horse, nor a trip by steam as...

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Theater in which you eat is the oldest form of theater.

I don't believe environment has the slightest bit to do with anything - I only believe in ancestral influence. It would have made no difference whether I'd been brought up in a reform school, or on the island of Lesbos.

The more nearly the film cutter approaches the natural law of interest, the more invisible will be his cutting. If the camera moves from one person to another at the exact moment that you in the legitimate theatre would have...

The camera must point at the exact spot the audience wishes to look at any given moment. To find that spot is absurdly easy: you only have to remember where you were looking at the time the scene was made.

I never write down to my audiences. I respect honest sentiment and honest pratfalls.

I have always wondered why the movie industry was so firmly persuaded that the original author could be of no possible help in the case of a remake or any other change in a work.

I have never done anything but my very best work for anyone, and to do this and retain my first fine enthusiasm over a period of thirty years has required a rather special set of working conditions.

Directing was easy for me because I was a writer director and did all my directing when I wrote the screenplay.

By the very nature of his art, which depends on invention and innovation, a story teller must depart from the beaten track and, having done so, occasionally startle and disagree with some of his associates. Healthy disagreement we must have.

It was actually the enormous risks I took with my pictures, skating right up to the edge of non-acceptance, that paid off so handsomely.

The hook is a word or an idea spoken by one character which gives the next character something to hook onto when he responds or, like a trapeze artist, gives him something to swing from on his way to another...

In 'Remember the Night,' love reformed her and corrupted him, which gave us the finely balanced moral that one man's meat is another man's poison.

It is probably a very good thing for a boy to learn to live with enmity, as opposed to an atmosphere of love and affection, as it hardens him and gives him a taste of what he is going to...

Much as I disliked the un-American idea of marrying a lady with a dowry, I must admit that little Mrs. Godfrey's little private income put everything in a faintly different light.

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