Porter Robinson Quotes

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Virtual Self' was me trying to paint a picture of a very foggy, distorted memory that I had of electronic music on the internet.

Virtual Self' combines a lot of unlike elements - trance, jungle, slowed-down breakbeats.

An underexplored reason why nostalgic art is worthwhile is that it influences the way the past is remembered.

For me, the early 2000s stood for this vast, magical, electronic cyber realm - a time when the internet was so infinite, mysterious, and under-explored.

But to me, 'Worlds' is meant as kind of an appreciation of fiction and stories and escapism and fantasy.

I'm not a huge movie buff and I don't watch that much television, but I've spent most of my life playing video games of one kind or another.

I played video games for years. I immersed myself in them. They're so beautiful. They have these gorgeous imaginary landscapes. And they were just very dear to me.

I wanted 'Second Sky' to be my way of recommending truly good music to my audience that I think is worthy of their time.

There's so many things that can go wrong, and if I'm merely playing and not hosting a festival, none of those things reflect on me.

So, the concept was a single-stage festival, and I open and close the festival to encourage people to stay for all of the other artists.

I was still on track to go UNC at Chapel Hill, I had no plans to be a musician. It wasn't even a goal of mine. Then I had this song that blew up and went viral and suddenly I found myself playing shows and having this music career.

I wanted to have a grander vision, something that I felt like I was really fighting for and I wanted to have a real idea and be authentic.

I wanted what I was doing to be really true to me and my tastes. That's what 'Worlds' was, me taking a break from what I was doing and doing something that was honest, authentic and real.

I think that my biggest influences are electronic acts. Daft Punk is probably my number 1, then Kanye West would be number 2 after that.

I do want people to have a sense of just the extreme level of meticulousness and care that goes into everything. I wouldn't expect anybody to catch all the details of what I'm doing. The level of obsession is so extreme.

The one thing you can't control is what comes after what you release.

Electronic music was this super cool thing to me my whole life.

I was trying to write new music, but there was nothing I was reacting against. It turned out 'Worlds' itself became something for me to to resist.

My original goal was to get into the Top 100. I listened to every song in the Top 100 every day. I knew them all - this is where the gods reside.

I want my music to be really big. I have no interest in DIY Brooklyn; I don't want to be a small indie band.

Star Wars Galaxies' didn't ever explain itself to you. It was horribly broken; it was glitchy in several significant ways. It was just this vast, expansive, beautiful universe with all these crazy idiosyncrasies.

I wanted there to be something to fill the space and to catch the listener's ear, but I didn't want there to be any 'Virtual Self' songs that had a clearly defined vocal with lyrics and top line. If you do hear any lyrics, it's just your brain filling in the gap, because those moments are just various syllables combined.

It was more than enough, but I'm completely satisfied that 'Virtual Self' got nominated for the Grammy. That is a complete victory for the project in my mind and anything else is just bonus.

I've got a hundred thousand things on my mind that are taking precedence over trying to make pop collaborations.

I just want the truth about it, because if the reality is that electronic music festivals are significantly more dangerous than other festivals, then something should be done about it, and that warrants conversation.

It might be interesting to people to say that I would do something with Taylor Swift, but the reality is, it's so not on my list of things to do.

I think Skrillex working with Justin Bieber - some immature people will have a huge problem with that; I'm just saying I don't care.

There are a lot of people who wonder why Japan is a pretty consistent influence in my music, and I think it's because the reason I started writing - my intro to electronic music was Japanese music.

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