Peter Landesman Quotes

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What interested me was the story of Bennet Omalu. You hear his narrative: Immigrant from Nigeria, landing in Pittsburgh, only to learn and tell the truth about this most American - and sacrosanct - cultural institution: the NFL.

I am an old journalist, so I always do a lot of research and dive deep into people's character, who they are, and their motivation.

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To me, film is the most complete method of storytelling.

Film brings together framing and light and color and performance and music and all of that. To me, everything I've done in my life has been preparing me for filmmaking.

I don't actually see that much difference between telling stories in journalism and telling them on film. The tools are very different, but the basic idea is the same.

As a journalist, as a screenwriter and as a director, I'm trying to tell compelling and truthful stories.

Sometimes, in a fictional story, you can be more honest and truthful, actually. As a journalist, you're a prisoner of the data, in effect. You have to tell the story with evidence you can verify.

I played football the whole time I was growing up, and through two years of college. I think it's a beautiful game in many respects, one that allows you to follow a player from boyhood through manhood.

I was a war correspondent. I've watched great people crumble under pressure and make bad decisions.

Tom Hanks comes with a lot of credibility.

I'm Jewish, not Catholic, but I'm a spiritual person.

It's very dangerous for a storyteller to walk into a situation with a political agenda because you end up telling a story about issues instead of telling a story about people.

I'd followed the strange deaths of pro football players for years, sensing something odd going on.

I start each of my scripts by going on a journey of painstaking research and discovery, much as I do a piece of long-lead journalism.

As a filmmaker, it's not my intent to trigger or shape national discourse. My task is to make as powerful and understandable a film as I can. What happens next is what happens next.

Life is itself an occupational hazard. Sometimes the things we love hurt us. Embracing and navigating around that contradiction is part of what it is to be alive.

Life only has narrative when we frame it and edit it and call it certain things.

The village of Polgardi is a dusty roadside settlement northeast of Lake Balaton, a resort area in western Hungary popular with German tourists.

The itinerary of most antiquities from their source - tomb, temple, quarry - to the shelves of museums or private collectors is murky and often purposely concealed.

Melted down, silver is worth a little more than four dollars an ounce. But carved, inlaid, and engraved, and identified with a particular year, it becomes the direct reflection, often the literal record, of human history, our movement through time.

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