Peter Carey Quotes

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I have never begun a novel which wasn't going to stretch me further than I had ever stretched before.

In about 1975-76, I lived with a woman in a little hut with some fruit trees, and I had some of the most extraordinary, happy times of my life. Apart from the horrendous Queensland police, who were corrupt and venal,...

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I always pity people who have to write my plot synopses.

I like how they are. I think they're great. And their communities are communities. I have a greater sense of community in New York than almost anywhere I've ever lived. Really, it's terrific.

I thought I would be an organic chemist. I went off to university, and when I couldn't understand the chemistry lectures I decided that I would be a zoologist, because zoologists seemed like life-loving people.

I went to work in 1962, and by '64 I was writing all the time, every night and every weekend. It didn't occur to me that, having read nothing and knowing nothing, I was in no position to write a...

So in the first draft, I'm inventing people and place with a broad schematic idea of what's going to happen. In the process, of course, I discover all sorts of bigger and more substantial things.

At the very end of a book I can manage to work for longer stretches, but mostly, making stuff up for three hours, that's enough. I can't do any more. At the end of the day I might tinker with...

The great thing about using the past is that it gives you the most colossal freedom to invent. The research is necessary, of course, but no one writes a novel to dramatically illustrate what everybody already knows.

I have written a memoir here and there, and that takes its own form of selfishness and courage. However, generally speaking, I have no interest in writing about my own life or intruding in the privacy of those around me.

My greatest pleasure is to invent. My continual mad ambition is to make something true and beautiful that never existed in the world before.

Good writing of course requires talent, and no one can teach you to have talent.

What I find really attractive is something that's going to be a little dangerous. Something that might get me into trouble; you know, you turn up in London and you've just rewritten Dickens. And, of course, then you think, 'What...

I don't think you have the right to shout about other people's private life.

Being famous as a writer is like being famous in a village. It's not really any very heady fame.

Nostalgia is something we think of as fuzzy. But it's pain. Pain concerning the past.

I never base characters on real people. There are people who do that but I really don't know how to do it.

One has to be able to twist and change and distort characters, play with them like clay, so everything fits together. Real people don't permit you to do that.

I'm always the one with the activist friends. I've been an activist very little.

I think that thing about the destruction of the world is there all the time, it's there every day when we look out the window.

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