Peter Ackroyd Quotes

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I just wanted to be an ordinary, middle-class person. When I was at Cambridge, I made great efforts to lose the last remnants of my Cockney accent.

It's only recently that we've discovered that the artist's inner self is somehow more important than the public world. I'm happier to create exterior pieces for the world rather than to express something I deeply feel or wish to say.

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I detest self-regard. If my work has taught me anything, it is that self-aggrandisement is completely unhistorical.

I don't find myself interesting as a person and the details I find boring, quite frankly. You could sum it up in a few words or sentences really: came from nothing. Self-educated. Luck. Energy. Curiosity. Ambition. That's it. Nothing at...

You don't have to be brought up in a grand house to have a sense of the past, and I truly believe that there are certain people to whom or through whom the territory - the place, the past -...

I can remember picking up weighty tomes on the history of science and the history of philosophy and reading those when I was small.

To be a writer was always my greatest aim. I remember writing a play about Guy Fawkes when I was 10. I suppose it's significant, at least to me, that my first work should be about a historical figure.

I enjoyed reading and learning at school, and at university I enjoyed extending my reading and learning. Once I left Cambridge, I went to Yale as a fellow. I spent two years there. After that, George Gale made me literary...

When I was a child I wanted to be Pope. My greatest disappointment is missing out on that. I also wanted to be a tap dancer but I never fulfilled that ambition either.

I wanted to be a poet when I was 20; I had no interest in fiction or biography and precious little interest in history, but those three elements in my life have become the most important.

I never read in bed, only in my study.

The English have always been greedy for news of times past, with that mixture of fatalism and melancholy which is part of the national character.

The 16th-century theatre witnessed the particularly English manifestation of 'the history play.' There can be no doubt that Shakespeare's presentations of 'Henry V' and 'Richard III' have been incalculably more influential than any more sober historical study.

Why should a novelist not also be a historian? To force unnatural divisions within the English language is to work against its capacious and accommodating nature. To expect a writer to produce only novels, or only histories, is equivalent to...

It may seem unfashionable to say so, but historians should seize the imagination as well as the intellect. History is, in a sense, a story, a narrative of adventure and of vision, of character and of incident. It is also...

To watch King Lear is to approach the recognition that there is indeed no meaning in life, and that there are limits to human understanding.

People are much more interesting than people realise.

I strike up conversations all the time and it is very interesting, finding out about things I know nothing about.

If I did only one thing at a time I'd think I was wasting my time. If, for example, I only wrote novels I would feel like a charlatan and a fraud.

I don't in any sense think of myself as a celebrity, which of course I'm not.

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